A Farewell to Arms, Ernest Hemingway — 1st Edition
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Publication: London, Jonathan Cape, 1929
Formatting: 8vo, pp. 350.
Condition Report: Good. The original blue cloth binding remains secure and structurally sound, justifying this grade, though it exhibits significant spine sunning, a frequent occurrence with this variant, which has oxidised the original hue to a warm brown while preserving the legibility of the black lettering. The boards themselves display light shelf-wear and minor rubbing to the extremities, yet avoid any severe bumping or fraying to the cloth. Internally, the hinges remain uncracked and tight, whilst the text-block is entirely intact, presenting with typical age-toning and mild foxing to the top edge consistent with late-1920s paper stock. The volume is free from any major internal defects or prior ownership signatures, presenting as a highly respectable, jacketless example.
Catalogue Note: This is the First UK Edition of the author's seminal work, published simultaneously with the American Scribner's edition. Printed by J. and J. Gray, the British release is notable for its understated presentation compared to its trans-Atlantic counterpart.
While the earliest bindings for this title are sometimes noted in a pinkish cloth, this copy is bound in a blue cloth variant featuring a blind-stamped border.
True first printings of this edition, identified by the strict absence of any subsequent printing notices on the copyright page, remain uncommon on the open market, particularly when retaining a firm, unsplit binding despite the typical spine fading.
Drawn from the author's own harrowing experiences as an ambulance driver in Italy during the First World War, A Farewell to Arms is the unforgettable story of an American expatriate, Frederic Henry, and his tragic romance with the English nurse Catherine Barkley. Providing a stark, unromanticised depiction of conflict and a poignant exploration of love, loss, and disillusionment, the novel cemented Hemingway’s reputation as one of the definitive voices of the Lost Generation.
Book Condition: Good
Book Authors: Ernest Hemingway
Book Publisher: Jonathan Cape
Book Language: English
Narrative Type: Fiction
Genre: Historical Fiction
Book edition: First Edition
Signed: No
Book Pages: 350
Book Publication Year: 1929
Book Publication Date:
Book Binding: Hardcover
Illustrator: N/A
Book Series: N/A
Country/region of manufacture: Edinburgh, United Kingdom
Book Dimensions:
Book Condition Guide
| Condition | Description |
|---|---|
| New | A brand-new, unread and professionally handled book. Carefully preserved from publication to purchase, these books are offered in the best attainable condition. This grade applies to recently published titles that have not entered long-term storage. |
| As New | The book is in pristine, original condition as if just published. No signs of use or handling. The dust jacket (if present) is equally flawless. This grade applies to any book that has remained untouched in storage for years. |
| Fine | The book is close to As New. It remains bright and attractive, but could show minor imperfections to the boards and/or dust jacket (if present). Its pages are typically clean and unmarked. |
| Near Fine | The book has a number of small flaws, i.e. slight rubbing to the edges, or tiny chips or creases to the dust jacket (if present). Its pages may have faint marks, or creases that are barely perceptible — nothing that detracts from their overall condition. |
| Very Good | The book maintains its structural integrity, and has no major flaws such as tears to its binding or pages. It may, however, show signs of careful use, handling, or storage — small marks and creases, light foxing. Its dust jacket (if present) remains fully intact, but small tears may be present. |
| Good | A book that remains intact and readable with complete text pages, but shows moderate signs of wear and use to both the book and dust jacket (if present). It may have noticeable creases, nicks, or stains, and the spine likely shows fading, bumping, and rubbing. There could be writing, underlining, and other marks on some pages, though the majority will be clean and tidy. |
| Fair | A book with significant wear or damage. The text pages will be complete, but there may be heavy underlining, highlighting and staining throughout, and the book’s endpapers, half-title, and copyright pages could be damaged or missing. The binding could be loose, and the dust jacket (if present) may have notable scuffs or tears. These copies are usually of interest for content, signature(s) or scarcity. |
| Poor | A heavily worn book whose value lies in its complete and legible text. A poor book will have substantial defects — loose joints or hinges, detached covers, loose and/or missing pages, and could be heavily soiled. A poor book is also known as a reading copy, and although compromised, can hold historical or bibliographic significance. |
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