A Guide to the Lakes, in Cumberland, Westmorland, and Lancashire, Thomas West
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A Guide to the Lakes, in Cumberland, Westmorland, and Lancashire, Thomas West — Third Edition
Publication: London, Printed for B. Law, Richardson and Urquhart, J. Robson; and W. Pennington, Kendal, 1784
Formatting: 8vo, pp. [xii], 306.
Condition Report: Good. Bound in later, functional brown cloth with gilt lettering to the spine, the binding remains tight, structurally sound, and free from significant shelf-wear, providing robust protection for the text block. The text block edges are notably darkened with moderate spotting, commensurate with its late eighteenth-century origins. Internally, the pages exhibit moderate toning and occasional spotting throughout, though the text remains perfectly legible and clean enough for study. The engraved frontispiece is fully intact and well-preserved, though it must be noted that this volume lacks the customary folding map, a factor heavily reflected in the final grading.
Catalogue Note: This third edition was "revised throughout and greatly enlarged" to meet the surging demand for domestic travel literature during the late Georgian period. Thomas West's seminal guidebook is widely credited with catalysing the Romantic fascination with the Lake District, predating and profoundly influencing the later works of William Wordsworth and his contemporaries.
The volume is illustrated with a charming engraved frontispiece depicting a quintessential, sublime landscape of mountains and water, setting the aesthetic tone for the reader's journey. While early editions of West’s guide are highly sought after by collectors of British topography and Romantic-era literature, this specific copy, housed in a later, unadorned cloth binding and lacking its map, serves as a highly accessible, structurally robust reading or reference copy of a historically significant text.
A foundational text in British topographical literature, Thomas West's A Guide to the Lakes transformed the rugged landscapes of Cumberland, Westmorland, and Lancashire into essential destinations for the Georgian traveller. By establishing specific 'stations' or curated viewpoints from which to best appreciate the dramatic scenery, West effectively codified the Romantic visual experience. His influential prose taught a generation of artists, poets, and tourists how to properly observe and revere nature, leaving an indelible mark on the cultural history of the English Lake District. This early edition offers a captivating and authentic glimpse into the dawn of British tourism and the enduring allure of sublime landscapes.
Book Condition: Good
Book Authors: Thomas West
Book Publisher: B. Law; Richardson and Urquhart; J. Robson; W. Pennington
Book Language: English
Narrative Type: Non-Fiction
Genre: History
Book edition: Third Edition
Signed: No
Book Pages: 306
Book Publication Year: 1784
Book Publication Date:
Book Binding: Hardcover (Cloth)
Illustrator: N/A
Book Series: N/A
Country/region of manufacture: London, United Kingdom
Book Dimensions:
Book Condition Guide
| Condition | Description |
|---|---|
| New | A brand-new, unread and professionally handled book. Carefully preserved from publication to purchase, these books are offered in the best attainable condition. This grade applies to recently published titles that have not entered long-term storage. |
| As New | The book is in pristine, original condition as if just published. No signs of use or handling. The dust jacket (if present) is equally flawless. This grade applies to any book that has remained untouched in storage for years. |
| Fine | The book is close to As New. It remains bright and attractive, but could show minor imperfections to the boards and/or dust jacket (if present). Its pages are typically clean and unmarked. |
| Near Fine | The book has a number of small flaws, i.e. slight rubbing to the edges, or tiny chips or creases to the dust jacket (if present). Its pages may have faint marks, or creases that are barely perceptible — nothing that detracts from their overall condition. |
| Very Good | The book maintains its structural integrity, and has no major flaws such as tears to its binding or pages. It may, however, show signs of careful use, handling, or storage — small marks and creases, light foxing. Its dust jacket (if present) remains fully intact, but small tears may be present. |
| Good | A book that remains intact and readable with complete text pages, but shows moderate signs of wear and use to both the book and dust jacket (if present). It may have noticeable creases, nicks, or stains, and the spine likely shows fading, bumping, and rubbing. There could be writing, underlining, and other marks on some pages, though the majority will be clean and tidy. |
| Fair | A book with significant wear or damage. The text pages will be complete, but there may be heavy underlining, highlighting and staining throughout, and the book’s endpapers, half-title, and copyright pages could be damaged or missing. The binding could be loose, and the dust jacket (if present) may have notable scuffs or tears. These copies are usually of interest for content, signature(s) or scarcity. |
| Poor | A heavily worn book whose value lies in its complete and legible text. A poor book will have substantial defects — loose joints or hinges, detached covers, loose and/or missing pages, and could be heavily soiled. A poor book is also known as a reading copy, and although compromised, can hold historical or bibliographic significance. |
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