A Magnificent Farce and Other Diversions of a Book-Collector, A. Edward Newton

A Magnificent Farce and Other Diversions of a Book-Collector, A. Edward Newton

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A Magnificent Farce and Other Diversions of a Book-Collector, A. Edward Newton

A Magnificent Farce and Other Diversions of a Book-Collector, A. Edward Newton

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A Magnificent Farce and Other Diversions of a Book-Collector, A. Edward Newton — First Edition

Publication: London, G. P. Putnam's Sons / Boston: The Atlantic Monthly Press, 1921

Formatting: 8vo, pp. [xx], 267.

Condition Report: Very Good. The quarter-cloth binding remains firm and secure, with the text block sitting tightly within the boards. The spine exhibits typical light toning and minor rubbing at the head and tail, consistent with standard shelving, while the brown boards show only faint shelf-wear and gently bumped corners. Internally, the pages are largely bright and clean, free from significant foxing or dog-earing. The hinges are structurally sound, and the original tissue guard protecting the title page remains intact, preserving the integrity of this handsome volume.

Catalogue Note: This dual-imprint release features the original American sheets bound in a uniform quarter-cloth style, a common practice for trans-Atlantic releases of the era. The text is profusely illustrated throughout, featuring reproductions of rare title pages, portraits, and manuscripts that appeal directly to the bibliophile.

Of note is the charming pictorial bookplate of one Graham Morrison affixed to the front pastedown. While Newton’s works were printed in relatively large numbers during the book-collecting boom of the 1920s, rendering this title quite accessible on the open market, finding a tidy, well-preserved copy in its original binding remains a distinct pleasure for collectors of books about books.

In A Magnificent Farce and Other Diversions of a Book-Collector, A. Edward Newton invites readers into the passionate, idiosyncratic world of bibliomania. Following the success of his previous works, Newton blends humour, historical anecdote, and personal memoir to explore the joys and absurdities of hunting down rare editions. Whether discussing the eccentricities of famous authors, the thrill of the auction room, or the quiet satisfaction of a well-stocked library, Newton’s infectious enthusiasm makes this classic essay collection a delightful read for anyone who has ever succumbed to the lure of the printed word.

Book Condition: Very Good

Book Authors: A. Edward Newton

Book Publisher: G. P. Putnam's Sons / The Atlantic Monthly Press

Book Language: English

Narrative Type: Non-Fiction

Genre: Autobiography, Biography & Memoirs

Book edition: First Edition

Signed: No

Book Pages: 267

Book Publication Year: 1921

Book Publication Date:

Book Binding: Hardcover

Illustrator: N/A

Book Series: N/A

Country/region of manufacture: United States

Book Dimensions:

Book Condition Guide

We stock thousands of books in a wide range of conditions. To make things clear and to help you know exactly what to expect, Please refer to these condition categories to understand the condition of the book you will receive.
Condition Description
New A brand-new, unread and professionally handled book. Carefully preserved from publication to purchase, these books are offered in the best attainable condition. This grade applies to recently published titles that have not entered long-term storage.
As New The book is in pristine, original condition as if just published. No signs of use or handling. The dust jacket (if present) is equally flawless. This grade applies to any book that has remained untouched in storage for years.
Fine The book is close to As New. It remains bright and attractive, but could show minor imperfections to the boards and/or dust jacket (if present). Its pages are typically clean and unmarked.
Near Fine The book has a number of small flaws, i.e. slight rubbing to the edges, or tiny chips or creases to the dust jacket (if present). Its pages may have faint marks, or creases that are barely perceptible — nothing that detracts from their overall condition.
Very Good The book maintains its structural integrity, and has no major flaws such as tears to its binding or pages. It may, however, show signs of careful use, handling, or storage — small marks and creases, light foxing. Its dust jacket (if present) remains fully intact, but small tears may be present.
Good A book that remains intact and readable with complete text pages, but shows moderate signs of wear and use to both the book and dust jacket (if present). It may have noticeable creases, nicks, or stains, and the spine likely shows fading, bumping, and rubbing. There could be writing, underlining, and other marks on some pages, though the majority will be clean and tidy.
Fair A book with significant wear or damage. The text pages will be complete, but there may be heavy underlining, highlighting and staining throughout, and the book’s endpapers, half-title, and copyright pages could be damaged or missing. The binding could be loose, and the dust jacket (if present) may have notable scuffs or tears. These copies are usually of interest for content, signature(s) or scarcity.
Poor A heavily worn book whose value lies in its complete and legible text. A poor book will have substantial defects — loose joints or hinges, detached covers, loose and/or missing pages, and could be heavily soiled. A poor book is also known as a reading copy, and although compromised, can hold historical or bibliographic significance.

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