A Turn or Two I'll Walk to Still My Beating Mind, Colonel Hugh Brocklebank

A Turn or Two I'll Walk to Still My Beating Mind, Colonel Hugh Brocklebank

£20.00
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A Turn or Two I'll Walk to Still My Beating Mind, Colonel Hugh Brocklebank

A Turn or Two I'll Walk to Still My Beating Mind, Colonel Hugh Brocklebank

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A Turn or Two I'll Walk to Still My Beating Mind: Commentary on a Private Collection, Lieut. Colonel Hugh Brocklebank — First Edition

Publication: London, The Cresset Press, 1955

Formatting: 4to, pp. 135.

Condition Report: Very Good. The volume presents well in its original quarter-binding, though the light-coloured spine exhibits moderate, uniform toning and some faint surface marks commensurate with age and handling. The blue-grey paper boards remain structurally sound but show mild rubbing to the extremities and slight bumping to the corners. The binding itself remains reassuringly tight and square. Internally, the deckled edges are lightly age-toned, yet the handmade paper leaves are overwhelmingly bright, crisp, and clean, free from significant foxing, moisture damage, or internal markings, ensuring a highly readable and well-preserved interior.

Catalogue Note: This is a First Edition, strictly limited to an exclusivity of 250 copies. The volume was privately printed for the author in Great Britain by The Shenval Press, utilising high-quality Barcham Green handmade paper, which lends a substantial, tactile quality to the leaves.

The title page features an impressive printed armorial device bearing the motto "God Send Grace" alongside the author's name, establishing a strong sense of provenance directly tied to the Brocklebank family. Due to its very small print run and the private nature of its distribution, this edition is quite scarce on the open market, appealing particularly to dedicated collectors of mid-century private press runs and art historical commentaries.

Taking its evocative title from Shakespeare's The Tempest, this privately printed volume offers an intimate, highly personal reflection by Lieutenant Colonel Hugh Brocklebank on his own private art collection. Rather than a sterile catalogue, the text reads as a cultured gentleman's musings on his Old Masters and other cherished works, inviting the reader to share in his contemplative moments before each painting. It is a quiet, elegant testament to the profound relationship between a collector and his art.

Book Condition: Very Good

Book Authors: Lieut. Colonel Hugh Brocklebank

Book Publisher: The Cresset Press

Book Language: English

Narrative Type: Non-Fiction

Genre: Art & Architecture

Book edition: First Edition

Signed: No

Book Pages: 135

Book Publication Year: 1955

Book Publication Date:

Book Binding: Hardcover

Illustrator: N/A

Book Series: N/A

Country/region of manufacture: London, United Kingdom

Book Dimensions:

Book Condition Guide

We stock thousands of books in a wide range of conditions. To make things clear and to help you know exactly what to expect, Please refer to these condition categories to understand the condition of the book you will receive.
Condition Description
New A brand-new, unread and professionally handled book. Carefully preserved from publication to purchase, these books are offered in the best attainable condition. This grade applies to recently published titles that have not entered long-term storage.
As New The book is in pristine, original condition as if just published. No signs of use or handling. The dust jacket (if present) is equally flawless. This grade applies to any book that has remained untouched in storage for years.
Fine The book is close to As New. It remains bright and attractive, but could show minor imperfections to the boards and/or dust jacket (if present). Its pages are typically clean and unmarked.
Near Fine The book has a number of small flaws, i.e. slight rubbing to the edges, or tiny chips or creases to the dust jacket (if present). Its pages may have faint marks, or creases that are barely perceptible — nothing that detracts from their overall condition.
Very Good The book maintains its structural integrity, and has no major flaws such as tears to its binding or pages. It may, however, show signs of careful use, handling, or storage — small marks and creases, light foxing. Its dust jacket (if present) remains fully intact, but small tears may be present.
Good A book that remains intact and readable with complete text pages, but shows moderate signs of wear and use to both the book and dust jacket (if present). It may have noticeable creases, nicks, or stains, and the spine likely shows fading, bumping, and rubbing. There could be writing, underlining, and other marks on some pages, though the majority will be clean and tidy.
Fair A book with significant wear or damage. The text pages will be complete, but there may be heavy underlining, highlighting and staining throughout, and the book’s endpapers, half-title, and copyright pages could be damaged or missing. The binding could be loose, and the dust jacket (if present) may have notable scuffs or tears. These copies are usually of interest for content, signature(s) or scarcity.
Poor A heavily worn book whose value lies in its complete and legible text. A poor book will have substantial defects — loose joints or hinges, detached covers, loose and/or missing pages, and could be heavily soiled. A poor book is also known as a reading copy, and although compromised, can hold historical or bibliographic significance.

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