Album of Views of the English Lakes, Uncredited
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Publication: Liverpool, Brown & Rawcliffe, c. 1900
Formatting: 4to, folding leporello album of 14 continuous panels.
Condition Report: Very Good. The publisher's original red cloth binding remains robust and sound, with the gilt tooling and lettering to the front board retaining a pleasing brightness and remaining largely unoxidised. There are a few minor, superficial blemishes to the cloth, notably a faint dark mark to the upper-left quadrant of the front board and a slight, indistinct moisture spot to the right margin, alongside minor rubbing to the extremities and corner tips. The rear board's blind-stamped border remains sharply defined. Internally, the leporello folds are in excellent order; the hinges of the accordion structure remain fully intact without the splitting or tearing so often found in this fragile format. The photo-lithographic plates themselves are wonderfully crisp, clean, and entirely free from intrusive foxing or handling marks, making for a highly presentable example.
Catalogue Note: This attractive visual record of the Lake District was issued as part of Brown & Rawcliffe's popular "Camera" Series, produced at the turn of the twentieth century. It features a continuous accordion-fold (leporello) sequence of photo-lithographic views showcasing the dramatic landscapes of Cumbria, from Derwentwater and Ullswater to surrounding architectural landmarks. The images were reproduced from original photographs taken by notable Victorian and Edwardian photographers, including the Walmsley Brothers of Ambleside, who were renowned for their regional topographical work.
Surviving examples in such a well-preserved, unsplit state are increasingly uncommon on the open market, as the fragile paper folding mechanisms were highly susceptible to damage and heavy wear.
A captivating turn-of-the-century keepsake, this album offers a sweeping, panoramic journey through the timeless beauty of the English Lakes. Through a series of sharply reproduced photo-lithographic views, it captures the serene majesty of Victorian Cumbria, inviting readers to physically unfold the landscape panel by panel. An evocative and tactile piece of regional history, it remains a delightful artefact for collectors of early British travel photography and Lake District topography.
Book Condition: Very Good
Book Authors: Uncredited
Book Publisher: Brown & Rawcliffe
Book Language: English
Narrative Type: Non-Fiction
Genre: Travel, Exploration & Adventure
Book edition:
Signed: No
Book Pages: 14
Book Publication Year: 1900
Book Publication Date:
Book Binding: Hardcover
Illustrator: N/A
Book Series: The "Camera" Series
Country/region of manufacture: Liverpool, United Kingdom
Book Dimensions:
Book Condition Guide
| Condition | Description |
|---|---|
| New | A brand-new, unread and professionally handled book. Carefully preserved from publication to purchase, these books are offered in the best attainable condition. This grade applies to recently published titles that have not entered long-term storage. |
| As New | The book is in pristine, original condition as if just published. No signs of use or handling. The dust jacket (if present) is equally flawless. This grade applies to any book that has remained untouched in storage for years. |
| Fine | The book is close to As New. It remains bright and attractive, but could show minor imperfections to the boards and/or dust jacket (if present). Its pages are typically clean and unmarked. |
| Near Fine | The book has a number of small flaws, i.e. slight rubbing to the edges, or tiny chips or creases to the dust jacket (if present). Its pages may have faint marks, or creases that are barely perceptible — nothing that detracts from their overall condition. |
| Very Good | The book maintains its structural integrity, and has no major flaws such as tears to its binding or pages. It may, however, show signs of careful use, handling, or storage — small marks and creases, light foxing. Its dust jacket (if present) remains fully intact, but small tears may be present. |
| Good | A book that remains intact and readable with complete text pages, but shows moderate signs of wear and use to both the book and dust jacket (if present). It may have noticeable creases, nicks, or stains, and the spine likely shows fading, bumping, and rubbing. There could be writing, underlining, and other marks on some pages, though the majority will be clean and tidy. |
| Fair | A book with significant wear or damage. The text pages will be complete, but there may be heavy underlining, highlighting and staining throughout, and the book’s endpapers, half-title, and copyright pages could be damaged or missing. The binding could be loose, and the dust jacket (if present) may have notable scuffs or tears. These copies are usually of interest for content, signature(s) or scarcity. |
| Poor | A heavily worn book whose value lies in its complete and legible text. A poor book will have substantial defects — loose joints or hinges, detached covers, loose and/or missing pages, and could be heavily soiled. A poor book is also known as a reading copy, and although compromised, can hold historical or bibliographic significance. |
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