An Imperishable Heritage: British Choral Music from Parry to Dyson — 1st Ed
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An Imperishable Heritage: British Choral Music from Parry to Dyson, Stephen Town — 1st Edition
Publication: Farnham, Ashgate Publishing Limited, 2012
Formatting: 8vo, pp. [xx], 327.
Condition Report: Near Fine. The book presents exceptionally well, with a bright, tight, and unread text block completely free from foxing or internal blemishes. The black cloth boards are pristine, featuring sharp, unbumped corners and gleaming silver-gilt lettering to the spine. The binding remains remarkably tight, indicating careful, if any, prior use. The dust jacket is similarly crisp and clean, retaining its original vibrant colour and gloss, with only the most trivial, barely discernible crinkle at the head of the spine preventing a flawless grade. Overall, a superlative, highly collectible copy of an increasingly uncommon scholarly imprint.
Catalogue Note: First edition thus. This original 2012 Ashgate Publishing hardback is a meticulously researched scholarly monograph focused on the English Musical Renaissance.
Ashgate’s original hardback issues are notable for their superior production quality and are highly sought after by collectors and institutions, especially since the publisher’s absorption by Routledge and the subsequent market shift toward print-on-demand bindings for their academic back catalogue.
The text is enriched with musical examples and thorough bibliographic referencing. This specific copy is cleanly presented without any modern remainder marks or external defacement, retaining its original, unclipped dust jacket featuring a cover illustration from Hubert Parry's The Vision of Life.
Given the typical institutional fate of these academic print runs, finding a copy in such sharp, collector-grade condition on the open market is unusual.
Stephen Town’s An Imperishable Heritage offers a profound and closely examined survey of the choral music of the English Musical Renaissance. Focusing on selected masterworks from Hubert Parry, Charles Villiers Stanford, Ralph Vaughan Williams, Gerald Finzi, Edmund Rubbra, and George Dyson, Town delves into the composers' autograph manuscripts to unveil the intricate compositional processes behind their celebrated works. By collating substantial secondary literature with unparalleled primary source analysis, this volume sheds new light on the continuities, similarities, and independent evolution of British choral music as it broke free from continental models.
Book Condition: Near Fine
Book Authors: Stephen Town
Book Publisher: Ashgate Publishing Limited
Book Language: English
Narrative Type: Non-Fiction
Genre: Music
Book edition: First Edition
Signed: No
Book Pages: 327
Book Publication Year: 2012
Book Publication Date:
Book Binding: Hardcover
Illustrator: N/A
Book Series: N/A
Country/region of manufacture: Farnham, United Kingdom
Book Dimensions:
Book Condition Guide
| Condition | Description |
|---|---|
| New | A brand-new, unread and professionally handled book. Carefully preserved from publication to purchase, these books are offered in the best attainable condition. This grade applies to recently published titles that have not entered long-term storage. |
| As New | The book is in pristine, original condition as if just published. No signs of use or handling. The dust jacket (if present) is equally flawless. This grade applies to any book that has remained untouched in storage for years. |
| Fine | The book is close to As New. It remains bright and attractive, but could show minor imperfections to the boards and/or dust jacket (if present). Its pages are typically clean and unmarked. |
| Near Fine | The book has a number of small flaws, i.e. slight rubbing to the edges, or tiny chips or creases to the dust jacket (if present). Its pages may have faint marks, or creases that are barely perceptible — nothing that detracts from their overall condition. |
| Very Good | The book maintains its structural integrity, and has no major flaws such as tears to its binding or pages. It may, however, show signs of careful use, handling, or storage — small marks and creases, light foxing. Its dust jacket (if present) remains fully intact, but small tears may be present. |
| Good | A book that remains intact and readable with complete text pages, but shows moderate signs of wear and use to both the book and dust jacket (if present). It may have noticeable creases, nicks, or stains, and the spine likely shows fading, bumping, and rubbing. There could be writing, underlining, and other marks on some pages, though the majority will be clean and tidy. |
| Fair | A book with significant wear or damage. The text pages will be complete, but there may be heavy underlining, highlighting and staining throughout, and the book’s endpapers, half-title, and copyright pages could be damaged or missing. The binding could be loose, and the dust jacket (if present) may have notable scuffs or tears. These copies are usually of interest for content, signature(s) or scarcity. |
| Poor | A heavily worn book whose value lies in its complete and legible text. A poor book will have substantial defects — loose joints or hinges, detached covers, loose and/or missing pages, and could be heavily soiled. A poor book is also known as a reading copy, and although compromised, can hold historical or bibliographic significance. |
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