Art and Scholasticism, Jacques Maritain — 4th Impression

£26.00

Art and Scholasticism, Jacques Maritain — 4th Impression

Name: Art and Scholasticism, Jacques Maritain — 4th Impression
Brand: Broadhursts Books
SKU: 4580
Price: 26.00 GBP
Availability: InStock

Write Review

In stock

£26.00

Shipping is calculated at checkout.

Publication: London, Sheed & Ward, 1939

Formatting: 8vo, pp. xii, 232.

Condition Report: Good. The vbook is bound in the publisher's original green cloth with gilt titling to the spine. The binding remains relatively firm and square, though it exhibits general handling wear typical with age, including slight bumping and rubbing to the spine ends and corners. The upper board is noticeably marked by a smattering of white flecks, which appear to be superficial paint or heavy scuffing, mildly detracting from the visual appeal. The gilt on the spine remains reasonably bright, though the spine itself is slightly sunned. The page block edges are lightly toned. Internally, the text block is predominantly clean and the hinges are sound, presenting overall as a solid, readable copy.

Catalogue Note: This copy represents the fourth impression of the first English edition, following the initial release in February 1930. The text, translated by J. F. Scanlan, stands as one of Maritain's foundational works on aesthetics and Thomistic philosophy. It is an unillustrated volume issued in a standard trade cloth binding.

While the true first impression commands a modest premium, these later pre-war printings remain relatively common on the secondary market and are appreciated primarily as sturdy, accessible reading or reference copies rather than high-end collector's items. There is no significant provenance or ownership history associated with this copy.

In Art and Scholasticism, celebrated French philosopher Jacques Maritain explores the profound intersection of aesthetics and Thomistic philosophy. Maritain advocates for a return to the classical understanding of art as an intellectual virtue, arguing that true artistic creation is deeply rooted in objective reality and spiritual truth rather than mere subjective expression. Through a series of thought-provoking essays, this work provides a rigorous framework for understanding the moral and intellectual responsibilities of the artist, making it a cornerstone text for students of philosophy, theology, and art history.

Book Condition: Good

Book Authors: Jacques Maritain

Book Publisher: Sheed & Ward

Book Language: English

Narrative Type: Non-Fiction

Genre: Philosophy

Book edition:

Signed: No

Book Pages: 244

Book Publication Year: 1939

Book Publication Date:

Book Binding: Hardcover

Illustrator: N/A

Book Series: N/A

Country/region of manufacture: London, United Kingdom

Book Dimensions:

Book Condition Guide

We stock thousands of books in a wide range of conditions. To make things clear and to help you know exactly what to expect, Please refer to these condition categories to understand the condition of the book you will receive.

Condition	Description
New	A brand-new, unread and professionally handled book. Carefully preserved from publication to purchase, these books are offered in the best attainable condition. This grade applies to recently published titles that have not entered long-term storage.
As New	The book is in pristine, original condition as if just published. No signs of use or handling. The dust jacket (if present) is equally flawless. This grade applies to any book that has remained untouched in storage for years.
Fine	The book is close to As New. It remains bright and attractive, but could show minor imperfections to the boards and/or dust jacket (if present). Its pages are typically clean and unmarked.
Near Fine	The book has a number of small flaws, i.e. slight rubbing to the edges, or tiny chips or creases to the dust jacket (if present). Its pages may have faint marks, or creases that are barely perceptible — nothing that detracts from their overall condition.
Very Good	The book maintains its structural integrity, and has no major flaws such as tears to its binding or pages. It may, however, show signs of careful use, handling, or storage — small marks and creases, light foxing. Its dust jacket (if present) remains fully intact, but small tears may be present.
Good	A book that remains intact and readable with complete text pages, but shows moderate signs of wear and use to both the book and dust jacket (if present). It may have noticeable creases, nicks, or stains, and the spine likely shows fading, bumping, and rubbing. There could be writing, underlining, and other marks on some pages, though the majority will be clean and tidy.
Fair	A book with significant wear or damage. The text pages will be complete, but there may be heavy underlining, highlighting and staining throughout, and the book’s endpapers, half-title, and copyright pages could be damaged or missing. The binding could be loose, and the dust jacket (if present) may have notable scuffs or tears. These copies are usually of interest for content, signature(s) or scarcity.
Poor	A heavily worn book whose value lies in its complete and legible text. A poor book will have substantial defects — loose joints or hinges, detached covers, loose and/or missing pages, and could be heavily soiled. A poor book is also known as a reading copy, and although compromised, can hold historical or bibliographic significance.