Arte Subtilissima, Juan de Yciar — Facsimile of the 1550 Edition

Arte Subtilissima, Juan de Yciar — Facsimile of the 1550 Edition

£60.00
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Arte Subtilissima, Juan de Yciar — Facsimile of the 1550 Edition

Arte Subtilissima, Juan de Yciar — Facsimile of the 1550 Edition

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£60.00

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Publication: London, Lion and Unicorn Press, 1958

Formatting: 8vo, pp. x, [174], 60.

Condition Report: Very Good+. This copy remains tightly bound and square, with the striking quarter black leather and tan cloth boards exceptionally clean. The gilt lettering to the spine and the central front board vignette remain remarkably bright and unrubbed. The top edge gilt retains a sharp lustre. The interior text block is crisp, remarkably clean, and notably lacks the pervasive foxing occasionally found in this edition. The volume is housed in a clear protective wrapper, which has preserved the boards beautifully, showing only the faintest handling wear beneath. Overall, a highly attractive and well-preserved example.

Catalogue Note: This volume represents a scarce limited edition run strictly confined to 200 copies. Produced by the highly regarded Lion and Unicorn Press at the Royal College of Art, it features an elegant quarter leather binding with a gilt-stamped front panel vignette.

The text provides a high-quality facsimile reproduction of the original 1550 edition, complemented by an English translation by Evelyn Shuckburgh and a scholarly introduction by the acclaimed wood-engraver and designer Reynolds Stone. Given the small print run, this edition infrequently appears on the open market in such clean condition.

A superb facsimile of Juan de Yciar's 1550 masterpiece, Arte Subtilissima, one of the most influential 16th-century writing manuals ever produced. Originally published in Zaragoza, Spain, this work served as a definitive guide to calligraphy, typography, and the Renaissance art of writing. Beautifully reproduced for modern appreciation, it offers a fascinating window into historical alphabets and meticulous craftsmanship, making it an essential acquisition for typographers, calligraphers, and historians of the written word.

Book Condition: Very Good

Book Authors: Juan de Yciar

Book Publisher: Lion and Unicorn Press

Book Language: English

Narrative Type: Non-Fiction

Genre: Antiquarian Literature

Book edition:

Signed: No

Book Pages: 244

Book Publication Year: 1958

Book Publication Date:

Book Binding: Hardcover

Illustrator: N/A

Book Series: N/A

Country/region of manufacture: London, United Kingdom

Book Dimensions:

Book Condition Guide

We stock thousands of books in a wide range of conditions. To make things clear and to help you know exactly what to expect, Please refer to these condition categories to understand the condition of the book you will receive.
Condition Description
New A brand-new, unread and professionally handled book. Carefully preserved from publication to purchase, these books are offered in the best attainable condition. This grade applies to recently published titles that have not entered long-term storage.
As New The book is in pristine, original condition as if just published. No signs of use or handling. The dust jacket (if present) is equally flawless. This grade applies to any book that has remained untouched in storage for years.
Fine The book is close to As New. It remains bright and attractive, but could show minor imperfections to the boards and/or dust jacket (if present). Its pages are typically clean and unmarked.
Near Fine The book has a number of small flaws, i.e. slight rubbing to the edges, or tiny chips or creases to the dust jacket (if present). Its pages may have faint marks, or creases that are barely perceptible — nothing that detracts from their overall condition.
Very Good The book maintains its structural integrity, and has no major flaws such as tears to its binding or pages. It may, however, show signs of careful use, handling, or storage — small marks and creases, light foxing. Its dust jacket (if present) remains fully intact, but small tears may be present.
Good A book that remains intact and readable with complete text pages, but shows moderate signs of wear and use to both the book and dust jacket (if present). It may have noticeable creases, nicks, or stains, and the spine likely shows fading, bumping, and rubbing. There could be writing, underlining, and other marks on some pages, though the majority will be clean and tidy.
Fair A book with significant wear or damage. The text pages will be complete, but there may be heavy underlining, highlighting and staining throughout, and the book’s endpapers, half-title, and copyright pages could be damaged or missing. The binding could be loose, and the dust jacket (if present) may have notable scuffs or tears. These copies are usually of interest for content, signature(s) or scarcity.
Poor A heavily worn book whose value lies in its complete and legible text. A poor book will have substantial defects — loose joints or hinges, detached covers, loose and/or missing pages, and could be heavily soiled. A poor book is also known as a reading copy, and although compromised, can hold historical or bibliographic significance.

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