Bird Portraiture, C. F. Tunnicliffe — 1st Edition

Bird Portraiture, C. F. Tunnicliffe — 1st Edition

£59.95
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Bird Portraiture, C. F. Tunnicliffe — 1st Edition

Bird Portraiture, C. F. Tunnicliffe — 1st Edition

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£59.95

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Publication: London & New York, The Studio, 1945

Formatting: 4to, pp. 96.

Condition Report: Near Fine. The publisher's original green cloth binding remains exceptionally sharp and clean, with tight hinges and unbruised corners that show scarcely any shelf-wear, fully justifying the high grade for the physical book. Internally, the text block is securely bound and the pages are consistently bright, lacking any significant foxing, moisture damage, or dog-earing, allowing the colour plates to present beautifully. The original, unclipped dust jacket, retaining the 15s. net price, merits a Very Good grade; it exhibits minor creasing and small nicks to the head and tail of the spine, alongside faint handling marks to the panels, yet it remains entirely intact and visually striking.

Catalogue Note: This is a true first edition, forming part of the acclaimed "How to Do It" series (No. 35). The work is celebrated for its instructional and aesthetic value, showcasing the author's mastery in ornithological illustration. It is lavishly illustrated throughout with sixteen full-colour plates, including vivid depictions of the Peregrine Falcon, Barnacle Geese, and Great Crested Grebe, alongside numerous monochrome drawings and sketches that capture the dynamism of British birdlife.

The book features a pristine title-page vignette bearing the Latin motto "Omnia Incipienda", a charming nod to the instructional nature of the volume.

While copies of this work do frequently appear on the open market, finding one that retains such a crisp, unclipped dust jacket alongside a remarkably clean cloth binding is becoming increasingly uncommon for collectors of mid-century wildlife art.

In Bird Portraiture, celebrated wildlife artist C. F. Tunnicliffe offers an unparalleled window into the art of capturing birds on paper. Rather than a dry technical manual, the book is a passionate exploration of field observation, guiding the reader through the vital processes of drawing from life, mastering plumage, and balancing colour and tone. Filled with the author's own spectacular illustrations, this volume stands as both a masterclass for aspiring artists and a beautiful gallery for lovers of nature and ornithology.

Book Condition: Near Fine

Book Authors: C. F. Tunnicliffe

Book Publisher: The Studio

Book Language: English

Narrative Type: Non-Fiction

Genre: Nature & Environment

Book edition: First Edition

Signed: No

Book Pages: 96

Book Publication Year: 1945

Book Publication Date:

Book Binding: Hardcover

Illustrator: C. F. Tunnicliffe

Book Series: "How to Do It" Series

Country/region of manufacture: Wisbech, Cambridgeshire, United Kingdom

Book Dimensions:

Book Condition Guide

We stock thousands of books in a wide range of conditions. To make things clear and to help you know exactly what to expect, Please refer to these condition categories to understand the condition of the book you will receive.
Condition Description
New A brand-new, unread and professionally handled book. Carefully preserved from publication to purchase, these books are offered in the best attainable condition. This grade applies to recently published titles that have not entered long-term storage.
As New The book is in pristine, original condition as if just published. No signs of use or handling. The dust jacket (if present) is equally flawless. This grade applies to any book that has remained untouched in storage for years.
Fine The book is close to As New. It remains bright and attractive, but could show minor imperfections to the boards and/or dust jacket (if present). Its pages are typically clean and unmarked.
Near Fine The book has a number of small flaws, i.e. slight rubbing to the edges, or tiny chips or creases to the dust jacket (if present). Its pages may have faint marks, or creases that are barely perceptible — nothing that detracts from their overall condition.
Very Good The book maintains its structural integrity, and has no major flaws such as tears to its binding or pages. It may, however, show signs of careful use, handling, or storage — small marks and creases, light foxing. Its dust jacket (if present) remains fully intact, but small tears may be present.
Good A book that remains intact and readable with complete text pages, but shows moderate signs of wear and use to both the book and dust jacket (if present). It may have noticeable creases, nicks, or stains, and the spine likely shows fading, bumping, and rubbing. There could be writing, underlining, and other marks on some pages, though the majority will be clean and tidy.
Fair A book with significant wear or damage. The text pages will be complete, but there may be heavy underlining, highlighting and staining throughout, and the book’s endpapers, half-title, and copyright pages could be damaged or missing. The binding could be loose, and the dust jacket (if present) may have notable scuffs or tears. These copies are usually of interest for content, signature(s) or scarcity.
Poor A heavily worn book whose value lies in its complete and legible text. A poor book will have substantial defects — loose joints or hinges, detached covers, loose and/or missing pages, and could be heavily soiled. A poor book is also known as a reading copy, and although compromised, can hold historical or bibliographic significance.

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