Blues Fell This Morning, Paul Oliver — Book Club Edition
In stock
Shipping is calculated at checkout.
Blues Fell This Morning: the meaning of the blues, Paul Oliver — Book Club Edition
Publication: London, The Jazz Book Club (by arrangement with Cassell), 1963
Formatting: 8vo, pp. 355.
Condition Report: Very Good. The book is housed in a well-preserved pictorial dust jacket, currently protected by a removable plastic sleeve. The jacket exhibits only minor creasing and very light edge-wear to the spine extremities, retaining its crisp typographic design and original vibrancy without any significant sunning. The binding remains tight, square, and structurally sound, with the boards showing minimal shelf-wear. Internally, the pages are clean and bright, free from major foxing or obtrusive ownership markings, presenting a highly attractive and collectible copy of this club edition.
Catalogue Note: This is the Jazz Book Club edition of Paul Oliver's landmark blues study, originally published by Cassell & Co. Ltd. in 1960. Produced exclusively for club members in 1962 and officially issued in London in 1963, this volume represents a key piece of mid-century jazz and blues literature distribution.
The text is notably enhanced by a foreword from the acclaimed novelist Richard Wright, adding significant literary and cultural provenance to Oliver’s historical scholarship. Retaining its original jacket, priced at 18s 6d for members compared to the standard Newnes 30s rate, this copy stands as a fine example of the Jazz Book Club's prolific output during the era.
A foundational text in the study of American roots music, Blues Fell This Morning offers a profound exploration into the social, historical, and psychological realities that gave birth to the blues. Celebrated historian Paul Oliver meticulously examines the lyrics and lives of the musicians, contextualising their art within the harsh landscapes of segregation and poverty. Complemented by Richard Wright’s poignant foreword, this work remains an indispensable and deeply humanistic account of the blues tradition.
Book Condition: Very Good
Book Authors: Paul Oliver
Book Publisher: The Jazz Book Club
Book Language: English
Narrative Type: Non-Fiction
Genre: Music
Book edition:
Signed: No
Book Pages: 355
Book Publication Year: 1963
Book Publication Date:
Book Binding: Hardcover
Illustrator: N/A
Book Series: Jazz Book Club
Country/region of manufacture: London, United Kingdom
Book Dimensions:
Book Condition Guide
| Condition | Description |
|---|---|
| New | A brand-new, unread and professionally handled book. Carefully preserved from publication to purchase, these books are offered in the best attainable condition. This grade applies to recently published titles that have not entered long-term storage. |
| As New | The book is in pristine, original condition as if just published. No signs of use or handling. The dust jacket (if present) is equally flawless. This grade applies to any book that has remained untouched in storage for years. |
| Fine | The book is close to As New. It remains bright and attractive, but could show minor imperfections to the boards and/or dust jacket (if present). Its pages are typically clean and unmarked. |
| Near Fine | The book has a number of small flaws, i.e. slight rubbing to the edges, or tiny chips or creases to the dust jacket (if present). Its pages may have faint marks, or creases that are barely perceptible — nothing that detracts from their overall condition. |
| Very Good | The book maintains its structural integrity, and has no major flaws such as tears to its binding or pages. It may, however, show signs of careful use, handling, or storage — small marks and creases, light foxing. Its dust jacket (if present) remains fully intact, but small tears may be present. |
| Good | A book that remains intact and readable with complete text pages, but shows moderate signs of wear and use to both the book and dust jacket (if present). It may have noticeable creases, nicks, or stains, and the spine likely shows fading, bumping, and rubbing. There could be writing, underlining, and other marks on some pages, though the majority will be clean and tidy. |
| Fair | A book with significant wear or damage. The text pages will be complete, but there may be heavy underlining, highlighting and staining throughout, and the book’s endpapers, half-title, and copyright pages could be damaged or missing. The binding could be loose, and the dust jacket (if present) may have notable scuffs or tears. These copies are usually of interest for content, signature(s) or scarcity. |
| Poor | A heavily worn book whose value lies in its complete and legible text. A poor book will have substantial defects — loose joints or hinges, detached covers, loose and/or missing pages, and could be heavily soiled. A poor book is also known as a reading copy, and although compromised, can hold historical or bibliographic significance. |
Get in touch
You may also like
Join the Broadhurst Archive
Be the first to hear about rare new arrivals, signed editions, and literary events. A century of stories delivered straight to your inbox.