The Art of the Hobbit by J.R.R. Tolkien, Wayne G. Hammond & Christina Scull — 1st Edition
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Condition
Fine: Original hardcover slipcase shows no discernible edgewear, remaining clean with bright and vibrant artwork. Publisher’s original binding is excellent, with no noticeable shelf wear and crisp presentation. Binding square and firm. Internally, pages are clean, bright, and fresh, appearing unread. A beautiful and exceptionally well-preserved copy.
Description
London; HarperCollins, 2011, The Art of the Hobbit by J.R.R. Tolkien, edited and compiled by Wayne G. Hammond and Christina Scull. First edition hardback issued in publisher’s slipcase.
Large-format illustrated volume presenting Tolkien’s original artwork and related material reproduced in a high-quality HarperCollins production, issued as a slipcased edition in cloth-bound format.
Book Condition: Fine
Book Authors: Wayne G. Hammond; Christina Scull
Book Publisher: HarperCollins
Book Language: English
Narrative Type: Non-Fiction
Genre: Fantasy
Book edition: First Edition
Signed: No
Book Pages:
Book Publication Year: 2011
Book Publication Date:
Book Binding: Hardcover
Illustrator:
Book Series: The Lord of the Rings
Country/region of manufacture: London, United Kingdom
Book Dimensions:
Book Condition Guide
| Condition | Description |
|---|---|
| New | A brand-new, unread and professionally handled book. Carefully preserved from publication to purchase, these books are offered in the best attainable condition. This grade applies to recently published titles that have not entered long-term storage. |
| As New | The book is in pristine, original condition as if just published. No signs of use or handling. The dust jacket (if present) is equally flawless. This grade applies to any book that has remained untouched in storage for years. |
| Fine | The book is close to As New. It remains bright and attractive, but could show minor imperfections to the boards and/or dust jacket (if present). Its pages are typically clean and unmarked. |
| Near Fine | The book has a number of small flaws, i.e. slight rubbing to the edges, or tiny chips or creases to the dust jacket (if present). Its pages may have faint marks, or creases that are barely perceptible — nothing that detracts from their overall condition. |
| Very Good | The book maintains its structural integrity, and has no major flaws such as tears to its binding or pages. It may, however, show signs of careful use, handling, or storage — small marks and creases, light foxing. Its dust jacket (if present) remains fully intact, but small tears may be present. |
| Good | A book that remains intact and readable with complete text pages, but shows moderate signs of wear and use to both the book and dust jacket (if present). It may have noticeable creases, nicks, or stains, and the spine likely shows fading, bumping, and rubbing. There could be writing, underlining, and other marks on some pages, though the majority will be clean and tidy. |
| Fair | A book with significant wear or damage. The text pages will be complete, but there may be heavy underlining, highlighting and staining throughout, and the book’s endpapers, half-title, and copyright pages could be damaged or missing. The binding could be loose, and the dust jacket (if present) may have notable scuffs or tears. These copies are usually of interest for content, signature(s) or scarcity. |
| Poor | A heavily worn book whose value lies in its complete and legible text. A poor book will have substantial defects — loose joints or hinges, detached covers, loose and/or missing pages, and could be heavily soiled. A poor book is also known as a reading copy, and although compromised, can hold historical or bibliographic significance. |
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