Chapman, Havelock Ellis — 1st Edition, Limited
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Publication: Bloomsbury, The Nonesuch Press, 1934
Formatting: 8vo, pp. [iv], 147, [1].
Condition Report: Very Good. The patterned paper-covered boards remain structurally sound and bright, with only minor rubbing and gentle wear to the corners and extremities. The spine, while slightly sunned, is fully intact with the printed paper label remaining crisp and legible. The binding is tight and secure throughout. Internally, the text block is highly presentable; the untrimmed fore-edges show expected light age-toning, and there is mild offsetting to the endpapers, characteristic of the Van Gelder paper used in this edition, but the leaves themselves are otherwise clean and free from foxing.
Catalogue Note: This is the first edition, limited to a total of 700 copies printed on Van Gelder paper. Of this run, 75 were specially bound in goatskin, making this copy the standard issue in boards. Printed by Walter Lewis at the University Press, Cambridge, the binding utilises Curwen patterned paper designed by Enid Marx. Published to coincide with the three-hundredth anniversary of George Chapman's death, this edition is an attractive example of Nonesuch Press craftsmanship. While the original paper chemise and slipcase are absent here, standalone volumes in this condition remain desirable on the open market.
Published to mark the tercentenary of the great Elizabethan dramatist and translator's death, this exquisite Nonesuch Press edition features a sweeping and insightful essay by Havelock Ellis. Accompanying Ellis’s critique are twenty-six carefully curated illustrative passages drawn directly from George Chapman’s poetry, plays, and renowned translations. A beautifully crafted homage to one of the English Renaissance’s most formidable literary figures, it remains a testament to both Chapman's enduring legacy and the celebrated typographical artistry of the press.
Book Condition: Very Good
Book Authors: Havelock Ellis
Book Publisher: The Nonesuch Press
Book Language: English
Narrative Type: Non-Fiction
Genre: Criticism & Essays
Book edition: First Edition and Limited Edition
Signed: No
Book Pages: 152
Book Publication Year: 1934
Book Publication Date:
Book Binding: Hardcover
Illustrator: N/A
Book Series: N/A
Country/region of manufacture: London, United Kingdom
Book Dimensions:
Book Condition Guide
| Condition | Description |
|---|---|
| New | A brand-new, unread and professionally handled book. Carefully preserved from publication to purchase, these books are offered in the best attainable condition. This grade applies to recently published titles that have not entered long-term storage. |
| As New | The book is in pristine, original condition as if just published. No signs of use or handling. The dust jacket (if present) is equally flawless. This grade applies to any book that has remained untouched in storage for years. |
| Fine | The book is close to As New. It remains bright and attractive, but could show minor imperfections to the boards and/or dust jacket (if present). Its pages are typically clean and unmarked. |
| Near Fine | The book has a number of small flaws, i.e. slight rubbing to the edges, or tiny chips or creases to the dust jacket (if present). Its pages may have faint marks, or creases that are barely perceptible — nothing that detracts from their overall condition. |
| Very Good | The book maintains its structural integrity, and has no major flaws such as tears to its binding or pages. It may, however, show signs of careful use, handling, or storage — small marks and creases, light foxing. Its dust jacket (if present) remains fully intact, but small tears may be present. |
| Good | A book that remains intact and readable with complete text pages, but shows moderate signs of wear and use to both the book and dust jacket (if present). It may have noticeable creases, nicks, or stains, and the spine likely shows fading, bumping, and rubbing. There could be writing, underlining, and other marks on some pages, though the majority will be clean and tidy. |
| Fair | A book with significant wear or damage. The text pages will be complete, but there may be heavy underlining, highlighting and staining throughout, and the book’s endpapers, half-title, and copyright pages could be damaged or missing. The binding could be loose, and the dust jacket (if present) may have notable scuffs or tears. These copies are usually of interest for content, signature(s) or scarcity. |
| Poor | A heavily worn book whose value lies in its complete and legible text. A poor book will have substantial defects — loose joints or hinges, detached covers, loose and/or missing pages, and could be heavily soiled. A poor book is also known as a reading copy, and although compromised, can hold historical or bibliographic significance. |
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