Charles Dickens: The World of His Novels, J. Hillis Miller
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Publication: Cambridge and London, Harvard University Press and Oxford University Press, 1959
Formatting: 8vo, pp. [xvi], 346.
Condition Report: Good. While the book maintains a sturdy structural integrity and the text block is pleasingly clean and legible without major flaws to the pages, it bears the hallmarks of ex-library circulation and previous handling. The binding remains intact, and the dust jacket, though surviving and largely complete, displays noticeable wear and has been price-clipped. The jacket is housed in a protective library sleeve with black fabric edging applied to the head and foot, and a library classification label has been affixed to the lower spine. Despite these cosmetic defects and signs of storage, the hinges are secure, and the pages remain largely free from foxing or significant staining, making this a perfectly serviceable, albeit visibly utilitarian, reading copy.
Catalogue Note: This copy is a second printing of J. Hillis Miller's highly influential work of literary criticism, issued shortly after the original 1958 publication. Notably, this volume represents the joint trans-Atlantic issue produced for both the American and British markets, bearing the imprints of both university presses.
The book is presented in its original dust jacket, which features a striking reproduction of George Cruikshank's classic illustration 'Licensed to sel Beer by Retail' on the front panel. As an ex-library copy, it carries a few distinct marks of its institutional provenance, most notably a prominent Dewey Decimal classification label on the lower spine.
While early printings of Miller's seminal Dickensian study are relatively common on the secondhand market, finding them in their original dust jackets is becoming increasingly unusual. This working copy stands as a solid example of mid-century academic publishing.
In Charles Dickens: The World of His Novels, renowned literary critic J. Hillis Miller offers a profound exploration of the imaginative universe crafted by one of England's greatest novelists. Moving beyond mere biographical or historical context, Miller treats Dickens's collective works as a unified, coherent world. By closely analysing six major novels, including Pickwick Papers, Oliver Twist, Bleak House, and Great Expectations, Miller reveals the underlying psychological and thematic obsessions that define Dickens's characters, from their profound isolation in the sprawling Victorian city to their search for identity and connection. This seminal study remains an essential text for understanding the depth and enduring power of Dickens's literary genius.
Book Condition: Good
Book Authors: J. Hillis Miller
Book Publisher: Harvard University Press / Oxford University Press
Book Language: English
Narrative Type: Non-Fiction
Genre: Criticism & Essays
Book edition:
Signed: No
Book Pages: 362
Book Publication Year: 1959
Book Publication Date:
Book Binding: Hardcover
Illustrator: N/A
Book Series: N/A
Country/region of manufacture: Cambridge, Massachusetts, United States
Book Dimensions:
Book Condition Guide
| Condition | Description |
|---|---|
| New | A brand-new, unread and professionally handled book. Carefully preserved from publication to purchase, these books are offered in the best attainable condition. This grade applies to recently published titles that have not entered long-term storage. |
| As New | The book is in pristine, original condition as if just published. No signs of use or handling. The dust jacket (if present) is equally flawless. This grade applies to any book that has remained untouched in storage for years. |
| Fine | The book is close to As New. It remains bright and attractive, but could show minor imperfections to the boards and/or dust jacket (if present). Its pages are typically clean and unmarked. |
| Near Fine | The book has a number of small flaws, i.e. slight rubbing to the edges, or tiny chips or creases to the dust jacket (if present). Its pages may have faint marks, or creases that are barely perceptible — nothing that detracts from their overall condition. |
| Very Good | The book maintains its structural integrity, and has no major flaws such as tears to its binding or pages. It may, however, show signs of careful use, handling, or storage — small marks and creases, light foxing. Its dust jacket (if present) remains fully intact, but small tears may be present. |
| Good | A book that remains intact and readable with complete text pages, but shows moderate signs of wear and use to both the book and dust jacket (if present). It may have noticeable creases, nicks, or stains, and the spine likely shows fading, bumping, and rubbing. There could be writing, underlining, and other marks on some pages, though the majority will be clean and tidy. |
| Fair | A book with significant wear or damage. The text pages will be complete, but there may be heavy underlining, highlighting and staining throughout, and the book’s endpapers, half-title, and copyright pages could be damaged or missing. The binding could be loose, and the dust jacket (if present) may have notable scuffs or tears. These copies are usually of interest for content, signature(s) or scarcity. |
| Poor | A heavily worn book whose value lies in its complete and legible text. A poor book will have substantial defects — loose joints or hinges, detached covers, loose and/or missing pages, and could be heavily soiled. A poor book is also known as a reading copy, and although compromised, can hold historical or bibliographic significance. |
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