Collecting Original Prints, Rosemary Simmons — 1st Edition

£15.00

Collecting Original Prints, Rosemary Simmons — 1st Edition

Name: Collecting Original Prints, Rosemary Simmons — 1st Edition
Brand: Broadhursts Books
SKU: 6006
Price: 15.00 GBP
Availability: InStock

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Publication: London, Studio Vista, 1980

Formatting: 4to, pp. 128.

Condition Report: Near Fine book in a Very Good dust jacket. The binding remains tight and square, featuring sharp corners and clean cloth boards that are entirely free from shelf-wear. Internally, the pages are bright, crisp, and completely unblemished, showing no foxing, inscriptions, or notable wear. The dust jacket presents beautifully, remaining vibrant and largely clean, though it exhibits minor creasing and a tiny closed nick at the head of the spine, alongside faint dust-dulling to the rear panel. An exceptionally presentable, sturdy copy.

Catalogue Note: This is a true first edition. The volume is profusely illustrated throughout, featuring numerous reproductions of contemporary prints, including the striking colour aquatint of Dunstanburgh Castle by Michael Fairclough that spans the title page, serving as both an instructional and visual guide for collectors.

Published as part of the 'Gold Series' in association with Christie’s Contemporary Art, it provides an accessible yet expert insight into the world of printmaking and print identification.

Copies of this work remain highly accessible and relatively common on the open market, making it an excellent and affordable reference piece for budding art collectors and print enthusiasts.

Aimed at both the novice and the seasoned art enthusiast, Collecting Original Prints offers an indispensable guide to navigating the complex and rewarding world of print collecting. Rosemary Simmons demystifies various printmaking techniques, equipping readers with the knowledge needed to distinguish genuine, original works from mass-produced reproductions. Richly illustrated and packed with practical advice on care, framing, and investment, this handbook remains a timeless resource for anyone looking to build or appreciate a collection of original prints.

Book Condition: Near Fine

Book Authors: Rosemary Simmons

Book Publisher: Studio Vista

Book Language: English

Narrative Type: Non-Fiction

Genre: Art & Architecture

Book edition: First Edition

Signed: No

Book Pages: 128

Book Publication Year: 1980

Book Publication Date:

Book Binding: Hardcover

Illustrator: N/A

Book Series: Gold Series

Country/region of manufacture: Hong Kong, Hong Kong

Book Dimensions:

Book Condition Guide

We stock thousands of books in a wide range of conditions. To make things clear and to help you know exactly what to expect, Please refer to these condition categories to understand the condition of the book you will receive.

Condition	Description
New	A brand-new, unread and professionally handled book. Carefully preserved from publication to purchase, these books are offered in the best attainable condition. This grade applies to recently published titles that have not entered long-term storage.
As New	The book is in pristine, original condition as if just published. No signs of use or handling. The dust jacket (if present) is equally flawless. This grade applies to any book that has remained untouched in storage for years.
Fine	The book is close to As New. It remains bright and attractive, but could show minor imperfections to the boards and/or dust jacket (if present). Its pages are typically clean and unmarked.
Near Fine	The book has a number of small flaws, i.e. slight rubbing to the edges, or tiny chips or creases to the dust jacket (if present). Its pages may have faint marks, or creases that are barely perceptible — nothing that detracts from their overall condition.
Very Good	The book maintains its structural integrity, and has no major flaws such as tears to its binding or pages. It may, however, show signs of careful use, handling, or storage — small marks and creases, light foxing. Its dust jacket (if present) remains fully intact, but small tears may be present.
Good	A book that remains intact and readable with complete text pages, but shows moderate signs of wear and use to both the book and dust jacket (if present). It may have noticeable creases, nicks, or stains, and the spine likely shows fading, bumping, and rubbing. There could be writing, underlining, and other marks on some pages, though the majority will be clean and tidy.
Fair	A book with significant wear or damage. The text pages will be complete, but there may be heavy underlining, highlighting and staining throughout, and the book’s endpapers, half-title, and copyright pages could be damaged or missing. The binding could be loose, and the dust jacket (if present) may have notable scuffs or tears. These copies are usually of interest for content, signature(s) or scarcity.
Poor	A heavily worn book whose value lies in its complete and legible text. A poor book will have substantial defects — loose joints or hinges, detached covers, loose and/or missing pages, and could be heavily soiled. A poor book is also known as a reading copy, and although compromised, can hold historical or bibliographic significance.