Œuvres de Regnard, Jean-François Regnard

Œuvres de Regnard, Jean-François Regnard

£120.00
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Œuvres de Regnard, Jean-François Regnard

Œuvres de Regnard, Jean-François Regnard

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£120.00

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Publication: Paris, Chez Raymond et Ménard, 1810.

Formatting: 12mo, 4 vols., pp. xvi, 303; [iv], 335; [iv], 301; [iv], 359.

Condition Report: Fair. The bindings present handsomely with their full calf boards and richly gilt spines, maintaining a firm, tight structure indicative of careful shelving. However, the set’s internal condition drops the grade to Fair due to significant historical damage to the preliminary leaves; specifically, the lower halves of the half-title pages in Volumes II and III have been clipped or torn away. The gilt tooling on the spines, alongside the red and black morocco labels, remains moderately bright and unoxidised, though there is general shelf-wear including light rubbing to the extremities, minor bumping to the corners, and slight chipping to the spine ends. The marbled endpapers and all edges gilt (a.e.g.) retain their decorative appeal. Internally, the text blocks are relatively crisp, with the expected scattered foxing, occasional minor spotting, and toning commensurate with early nineteenth-century paper.

Catalogue Note: This 1810 edition of Jean-François Regnard's collected works (Œuvres) is a charming early nineteenth-century production. The complete four-volume set is attractively bound in period full calf, featuring contrasting red and black morocco spine labels alongside intricate gilt floral tooling. It contains an engraved frontispiece portrait of the author in Volume I, and further engraved plates preceding the plays, such as the illustrated frontispiece for Le Distrait (Act I, Scene I) in Volume II.

While Regnard's works were printed in numerous editions throughout the eighteenth and nineteenth centuries, finding complete four-volume sets in their original contemporary bindings is becoming increasingly uncommon. The severe tearing to the half-title pages in two of the volumes suggests the possible aggressive removal of earlier provenance markings or ownership signatures by previous handlers. 

Regarded as one of the finest French comic playwrights after Molière, Jean-François Regnard (1655–1709) crafted witty, energetic comedies that captured the exuberance and satirical edge of his era. This handsome four-volume collection gathers his most celebrated theatrical works, including Le Distrait, Le Joueur, and Le Légataire universel, alongside his poetry and travel writings. A beautiful addition to any library of classic French literature, this set offers an authentic nineteenth-century reading experience of a foundational literary figure.

Book Condition: Fair

Book Authors: Jean-François Regnard

Book Publisher: Chez Raymond et Ménard

Book Language: French

Narrative Type: Antiquarian

Genre: Humour

Book edition:

Signed: No

Book Pages: 1298

Book Publication Year: 1810

Book Publication Date:

Book Binding: Full Leather

Illustrator: Various (Engravings)

Book Series: N/A

Country/region of manufacture: Paris, France

Book Dimensions:

Book Condition Guide

We stock thousands of books in a wide range of conditions. To make things clear and to help you know exactly what to expect, Please refer to these condition categories to understand the condition of the book you will receive.
Condition Description
New A brand-new, unread and professionally handled book. Carefully preserved from publication to purchase, these books are offered in the best attainable condition. This grade applies to recently published titles that have not entered long-term storage.
As New The book is in pristine, original condition as if just published. No signs of use or handling. The dust jacket (if present) is equally flawless. This grade applies to any book that has remained untouched in storage for years.
Fine The book is close to As New. It remains bright and attractive, but could show minor imperfections to the boards and/or dust jacket (if present). Its pages are typically clean and unmarked.
Near Fine The book has a number of small flaws, i.e. slight rubbing to the edges, or tiny chips or creases to the dust jacket (if present). Its pages may have faint marks, or creases that are barely perceptible — nothing that detracts from their overall condition.
Very Good The book maintains its structural integrity, and has no major flaws such as tears to its binding or pages. It may, however, show signs of careful use, handling, or storage — small marks and creases, light foxing. Its dust jacket (if present) remains fully intact, but small tears may be present.
Good A book that remains intact and readable with complete text pages, but shows moderate signs of wear and use to both the book and dust jacket (if present). It may have noticeable creases, nicks, or stains, and the spine likely shows fading, bumping, and rubbing. There could be writing, underlining, and other marks on some pages, though the majority will be clean and tidy.
Fair A book with significant wear or damage. The text pages will be complete, but there may be heavy underlining, highlighting and staining throughout, and the book’s endpapers, half-title, and copyright pages could be damaged or missing. The binding could be loose, and the dust jacket (if present) may have notable scuffs or tears. These copies are usually of interest for content, signature(s) or scarcity.
Poor A heavily worn book whose value lies in its complete and legible text. A poor book will have substantial defects — loose joints or hinges, detached covers, loose and/or missing pages, and could be heavily soiled. A poor book is also known as a reading copy, and although compromised, can hold historical or bibliographic significance.

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