Exposition H. Guérard, Henri Guérard — 1st Edition
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Publication: Paris, Chez H. Guérard / Théâtre d'Application, 1891
Formatting: 8vo, pp. 61.
Condition Report: Very Good. Bound in plain dark green cloth with blind-ruled borders, the boards exhibit only light surface rubbing and a few minor scratches, entirely commensurate with age. The extremities are gently bumped, with faint wear to the spine ends, yet the gilt lettering along the spine remains perfectly legible and unoxidized. The binding itself is tight and robust. Internally, the text-block is notably bright and crisp, with only the faintest whisper of age-toning to the outermost margins, completely free from foxing or prominent blemishes. A well-preserved and handsome survivor of this ephemeral exhibition catalogue.
Catalogue Note: First Edition of this notably scarce exhibition catalogue detailing the works of French artist and engraver Henri Guérard (1846–1897), held at the Théâtre d'Application in Paris between May 26 and June 10, 1891. The catalogue lists his varied output, including etchings, colour engravings, pyrography (panneaux au fer chaud), fans, and paintings.
Guérard was a pivotal figure in the 19th-century Parisian Japonisme movement, heavily involved in introducing Japanese aesthetics to French printmaking. This volume includes the striking internal title page, or bound-in original wrapper, featuring his iconic two-colour (red and black) raven illustration, reflecting the strong Japanese influence on his graphical work.
This catalogue was privately issued in conjunction with the gallery space at 18, Rue Saint-Lazare. Copies rarely surface on the open market today, as such ephemeral exhibition materials were seldom preserved in robust cloth bindings like the present example, making this a highly desirable reference for collectors of fin-de-siècle French printmaking and Japonisme.
This rare and fascinating 1891 exhibition catalogue offers an intimate glimpse into the versatile genius of Henri Guérard, a master of French Japonisme and an innovative printmaker. Showcasing his etchings, pyrography, and painted fans, this well-preserved volume is both a critical piece of 19th-century art history and a striking visual artefact in its own right, anchored by his iconic raven motif.
Book Condition: Very Good
Book Authors: Henri Guérard
Book Publisher: Chez H. Guérard / Théâtre d'Application
Book Language: French
Narrative Type: Antiquarian
Genre: Art & Architecture
Book edition: First Edition
Signed: No
Book Pages: 61
Book Publication Year: 1891
Book Publication Date:
Book Binding: Hardcover
Illustrator: Henri Guérard
Book Series: N/A
Country/region of manufacture: Paris, France
Book Dimensions:
Book Condition Guide
| Condition | Description |
|---|---|
| New | A brand-new, unread and professionally handled book. Carefully preserved from publication to purchase, these books are offered in the best attainable condition. This grade applies to recently published titles that have not entered long-term storage. |
| As New | The book is in pristine, original condition as if just published. No signs of use or handling. The dust jacket (if present) is equally flawless. This grade applies to any book that has remained untouched in storage for years. |
| Fine | The book is close to As New. It remains bright and attractive, but could show minor imperfections to the boards and/or dust jacket (if present). Its pages are typically clean and unmarked. |
| Near Fine | The book has a number of small flaws, i.e. slight rubbing to the edges, or tiny chips or creases to the dust jacket (if present). Its pages may have faint marks, or creases that are barely perceptible — nothing that detracts from their overall condition. |
| Very Good | The book maintains its structural integrity, and has no major flaws such as tears to its binding or pages. It may, however, show signs of careful use, handling, or storage — small marks and creases, light foxing. Its dust jacket (if present) remains fully intact, but small tears may be present. |
| Good | A book that remains intact and readable with complete text pages, but shows moderate signs of wear and use to both the book and dust jacket (if present). It may have noticeable creases, nicks, or stains, and the spine likely shows fading, bumping, and rubbing. There could be writing, underlining, and other marks on some pages, though the majority will be clean and tidy. |
| Fair | A book with significant wear or damage. The text pages will be complete, but there may be heavy underlining, highlighting and staining throughout, and the book’s endpapers, half-title, and copyright pages could be damaged or missing. The binding could be loose, and the dust jacket (if present) may have notable scuffs or tears. These copies are usually of interest for content, signature(s) or scarcity. |
| Poor | A heavily worn book whose value lies in its complete and legible text. A poor book will have substantial defects — loose joints or hinges, detached covers, loose and/or missing pages, and could be heavily soiled. A poor book is also known as a reading copy, and although compromised, can hold historical or bibliographic significance. |
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