Foreword to the Lee-Fabrics Colour Portfolio, Arthur H. Lee & Sons — 1st Ed
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Publication: Birkenhead, Arthur H. Lee & Sons, c. 1930
Formatting: Small 4to, pp. [8].
Condition Report: Very Good. The original green coarse-cloth binding remains firm and structurally sound, with only minor rubbing to the extremities and slight bumping to the corners. The front board’s blind-stamped title block remains sharp and distinct, though the rear board exhibits a few small, scattered pale blemishes to the cloth. Internally, the pages are clean and well-secured, presenting with some light, even age-toning typical of the era, but remaining entirely free from any significant foxing, tears, or structural wear. A handsome, well-preserved example of a fragile item.
Catalogue Note: This scarce promotional booklet serves as the standalone introduction to the larger, highly regarded Lee-Fabrics Colour Portfolio, produced by the esteemed textile firm Arthur H. Lee & Sons. Renowned for their exceptional tapestries, needlework, and crewel-craft embroidery, the company was a leading force in early 20th-century British fabric design and supplied major retailers such as Liberty & Co.
This slim volume outlines the firm's guiding principles regarding quality, design, and bespoke service, championing British artistry on the global market. Bound in textured cloth with the firm's distinctive "Lee of Birkenhead" block-stamped to the front cover, it is a rare survival on the open market and a valuable piece of commercial design history.
A fascinating piece of British textile history, this original introductory booklet offers a window into the artistic ethos of Arthur H. Lee & Sons, one of the premier fabric manufacturers of the early 20th century. Detailing their commitment to enduring design and superior craftsmanship, it serves as an essential acquisition for collectors of vintage textiles, historical trades, and industrial catalogues.
Book Condition: Very Good
Book Authors: Arthur H. Lee & Sons
Book Publisher: Arthur H. Lee & Sons
Book Language: English
Narrative Type: Non-Fiction
Genre: Art & Architecture
Book edition: First Edition
Signed: No
Book Pages: 8
Book Publication Year: 1930
Book Publication Date:
Book Binding: Hardcover
Illustrator: N/A
Book Series: N/A
Country/region of manufacture: Birkenhead, United Kingdom
Book Dimensions:
Book Condition Guide
| Condition | Description |
|---|---|
| New | A brand-new, unread and professionally handled book. Carefully preserved from publication to purchase, these books are offered in the best attainable condition. This grade applies to recently published titles that have not entered long-term storage. |
| As New | The book is in pristine, original condition as if just published. No signs of use or handling. The dust jacket (if present) is equally flawless. This grade applies to any book that has remained untouched in storage for years. |
| Fine | The book is close to As New. It remains bright and attractive, but could show minor imperfections to the boards and/or dust jacket (if present). Its pages are typically clean and unmarked. |
| Near Fine | The book has a number of small flaws, i.e. slight rubbing to the edges, or tiny chips or creases to the dust jacket (if present). Its pages may have faint marks, or creases that are barely perceptible — nothing that detracts from their overall condition. |
| Very Good | The book maintains its structural integrity, and has no major flaws such as tears to its binding or pages. It may, however, show signs of careful use, handling, or storage — small marks and creases, light foxing. Its dust jacket (if present) remains fully intact, but small tears may be present. |
| Good | A book that remains intact and readable with complete text pages, but shows moderate signs of wear and use to both the book and dust jacket (if present). It may have noticeable creases, nicks, or stains, and the spine likely shows fading, bumping, and rubbing. There could be writing, underlining, and other marks on some pages, though the majority will be clean and tidy. |
| Fair | A book with significant wear or damage. The text pages will be complete, but there may be heavy underlining, highlighting and staining throughout, and the book’s endpapers, half-title, and copyright pages could be damaged or missing. The binding could be loose, and the dust jacket (if present) may have notable scuffs or tears. These copies are usually of interest for content, signature(s) or scarcity. |
| Poor | A heavily worn book whose value lies in its complete and legible text. A poor book will have substantial defects — loose joints or hinges, detached covers, loose and/or missing pages, and could be heavily soiled. A poor book is also known as a reading copy, and although compromised, can hold historical or bibliographic significance. |
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