Giacomo Joyce, James Joyce — 1st UK Edition

Giacomo Joyce, James Joyce — 1st UK Edition

£28.50
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Giacomo Joyce, James Joyce — 1st UK Edition

Giacomo Joyce, James Joyce — 1st UK Edition

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£28.50

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Publication: London, Faber and Faber Limited, 1968

Formatting: 8vo, pp. [xxxi], 16, [4] plates.

Condition Report: Very Good. The book presents beautifully in its original dust jacket, which shows only mild uniform toning to the panels and trivial rubbing to the extremities, retaining its striking green hue without the heavy sun-fading to the spine. The underlying cloth binding remains tight and square, with sharp corners and unbumped head and tail spine ends. Internally, the text block is commendably bright and crisp; the pages, including the preliminary leaves and the delicate fold-out facsimile inserts, are entirely free from foxing, oxidation, or previous ownership inscriptions, ensuring a highly readable and aesthetically pleasing copy.

Catalogue Note: First UK Trade Edition, following the limited American edition published by the Viking Press earlier that same year. The original manuscript, a deeply personal notebook, was a closely guarded document that was not released for publication by the Joyce estate until nearly three decades after the author's death.

The edition is notably enriched by the scholarly introduction and comprehensive notes provided by the preeminent Joyce biographer, Richard Ellmann. It also includes several facsimile reproductions of the original handwritten manuscript pages, allowing readers a visual glimpse into Joyce's compositional process and penmanship. Copies with an unfaded dust jacket and such internally pristine pages remain uncommon.

Written around 1914 during his time in Trieste, Giacomo Joyce is a profound, poetic, and fiercely autobiographical prose-poem detailing James Joyce's infatuation with a young, aristocratic Jewish pupil, Amalia Popper. Comprising a series of intense, fragmented vignettes—or "epiphanies"—the work explores themes of illicit desire, the fleeting passage of youth, and the voyeuristic gaze of the artist. It serves as a vital stylistic bridge between the completion of A Portrait of the Artist as a Young Man and the revolutionary leaps of Ulysses, offering a fleeting but intimate look into the vulnerabilities of one of the twentieth century's greatest literary minds.

Book Condition: Very Good

Book Authors: James Joyce

Book Publisher: Faber and Faber

Book Language: English

Narrative Type: Fiction

Genre: Poetry

Book edition: First Edition

Signed: No

Book Pages: 47

Book Publication Year: 1968

Book Publication Date:

Book Binding: Cloth

Illustrator: N/A

Book Series: N/A

Country/region of manufacture: London, United Kingdom

Book Dimensions:

Book Condition Guide

We stock thousands of books in a wide range of conditions. To make things clear and to help you know exactly what to expect, Please refer to these condition categories to understand the condition of the book you will receive.
Condition Description
New A brand-new, unread and professionally handled book. Carefully preserved from publication to purchase, these books are offered in the best attainable condition. This grade applies to recently published titles that have not entered long-term storage.
As New The book is in pristine, original condition as if just published. No signs of use or handling. The dust jacket (if present) is equally flawless. This grade applies to any book that has remained untouched in storage for years.
Fine The book is close to As New. It remains bright and attractive, but could show minor imperfections to the boards and/or dust jacket (if present). Its pages are typically clean and unmarked.
Near Fine The book has a number of small flaws, i.e. slight rubbing to the edges, or tiny chips or creases to the dust jacket (if present). Its pages may have faint marks, or creases that are barely perceptible — nothing that detracts from their overall condition.
Very Good The book maintains its structural integrity, and has no major flaws such as tears to its binding or pages. It may, however, show signs of careful use, handling, or storage — small marks and creases, light foxing. Its dust jacket (if present) remains fully intact, but small tears may be present.
Good A book that remains intact and readable with complete text pages, but shows moderate signs of wear and use to both the book and dust jacket (if present). It may have noticeable creases, nicks, or stains, and the spine likely shows fading, bumping, and rubbing. There could be writing, underlining, and other marks on some pages, though the majority will be clean and tidy.
Fair A book with significant wear or damage. The text pages will be complete, but there may be heavy underlining, highlighting and staining throughout, and the book’s endpapers, half-title, and copyright pages could be damaged or missing. The binding could be loose, and the dust jacket (if present) may have notable scuffs or tears. These copies are usually of interest for content, signature(s) or scarcity.
Poor A heavily worn book whose value lies in its complete and legible text. A poor book will have substantial defects — loose joints or hinges, detached covers, loose and/or missing pages, and could be heavily soiled. A poor book is also known as a reading copy, and although compromised, can hold historical or bibliographic significance.

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