House of Dracula, Philip Riley (Editor) — 1st Edition
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Publication: Absecon, New Jersey, MagicImage Filmbooks, 1993
Formatting: 4to, pp. 104.
Condition Report: Near Fine. The glossy pictorial wrappers remain remarkably bright and sharply defined, displaying only the most trivial hints of superficial edge-wear to the extremities. The spine is completely uncreased, indicating the volume has seen little to no practical reading use, and the binding remains exceptionally tight and square. Internally, the text block is crisp, clean, and free from any foxing, tearing, or dog-earing, presenting a highly preserved and attractive copy.
Catalogue Note: This is a true first edition of the MagicImage Filmbooks publication, issued as Volume 16 in their highly regarded Universal Filmscripts Series: Classic Horror Films.
Profusely illustrated with archival production stills, this volume provides the complete, original 1945 shooting script for House of Dracula, alongside invaluable historical context. It features an introduction by cast member John Carradine, a foreword by producer Paul Malvern, an interview with Jane Adams, and extensive production background by cinema historian Gregory Wm. Mank.
The MagicImage script series has become increasingly sought-after by film historians and classic horror collectors.
Well-preserved copies are currently uncommon on the open market, as these large-format reference paperbacks are frequently found with heavily creased spines, significant surface rubbing, or standard reading wear.
House of Dracula offers an unparalleled, behind-the-scenes look into one of Universal Pictures' iconic monster rallies. Presenting the original 1945 shooting script in its entirety, this comprehensive volume delves into the cinematic resurrection of Dracula, the Wolf Man, and Frankenstein's Monster. Enriched with cast interviews, rare production photographs, and detailed historical commentary, it stands as an essential reference for classic horror aficionados and scholars of Golden Age Hollywood filmmaking.
Book Condition: Near Fine
Book Authors: Philip Riley (Editor)
Book Publisher: MagicImage Filmbooks
Book Language: English
Narrative Type: Non-Fiction
Genre: Film & Theatre
Book edition: First Edition
Signed: No
Book Pages: 104
Book Publication Year: 1993
Book Publication Date:
Book Binding: Paperback
Illustrator: N/A
Book Series: Universal Filmscripts Series: Classic Horror Films
Country/region of manufacture: Absecon, New Jersey, United States
Book Dimensions:
Book Condition Guide
| Condition | Description |
|---|---|
| New | A brand-new, unread and professionally handled book. Carefully preserved from publication to purchase, these books are offered in the best attainable condition. This grade applies to recently published titles that have not entered long-term storage. |
| As New | The book is in pristine, original condition as if just published. No signs of use or handling. The dust jacket (if present) is equally flawless. This grade applies to any book that has remained untouched in storage for years. |
| Fine | The book is close to As New. It remains bright and attractive, but could show minor imperfections to the boards and/or dust jacket (if present). Its pages are typically clean and unmarked. |
| Near Fine | The book has a number of small flaws, i.e. slight rubbing to the edges, or tiny chips or creases to the dust jacket (if present). Its pages may have faint marks, or creases that are barely perceptible — nothing that detracts from their overall condition. |
| Very Good | The book maintains its structural integrity, and has no major flaws such as tears to its binding or pages. It may, however, show signs of careful use, handling, or storage — small marks and creases, light foxing. Its dust jacket (if present) remains fully intact, but small tears may be present. |
| Good | A book that remains intact and readable with complete text pages, but shows moderate signs of wear and use to both the book and dust jacket (if present). It may have noticeable creases, nicks, or stains, and the spine likely shows fading, bumping, and rubbing. There could be writing, underlining, and other marks on some pages, though the majority will be clean and tidy. |
| Fair | A book with significant wear or damage. The text pages will be complete, but there may be heavy underlining, highlighting and staining throughout, and the book’s endpapers, half-title, and copyright pages could be damaged or missing. The binding could be loose, and the dust jacket (if present) may have notable scuffs or tears. These copies are usually of interest for content, signature(s) or scarcity. |
| Poor | A heavily worn book whose value lies in its complete and legible text. A poor book will have substantial defects — loose joints or hinges, detached covers, loose and/or missing pages, and could be heavily soiled. A poor book is also known as a reading copy, and although compromised, can hold historical or bibliographic significance. |
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