Human Passions Delineated, Diana Donald & Brian Maidment — 1st Edition
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Publication: Oxford, Hanborough Parrot, 1990
Formatting: 8vo, pp. 37, [1].
Condition Report: Near Fine. The pictorial paper-covered boards remain remarkably bright and clean, free from the toning, foxing, or scuffing commonly associated with this binding style. The corners are exceedingly sharp with only the faintest hint of shelf-wear to the extreme lower tips, while the spine remains perfectly square and uncreased. Internally, the binding is tight, and the leaves are crisp, bright, and completely free of blemishes, suggesting the book has scarcely been opened. A highly attractive, well-preserved copy.
Catalogue Note: This first edition thus is strictly limited to 120 copies, of which this example is signed by both Diana Donald and Brian Maidment on the limitation page. It is one of the 95 uncoloured copies issued, profusely illustrated with black-and-white reproductions of the brilliant, grotesque caricatures originally created by John Collier (under his pseudonym Tim Bobbin) in 1773.
Produced by the esteemed private press imprint run by Dennis Hall, the work maintains a high standard of late-twentieth-century book production. Due to the strict limitation, copies rarely appear on the open market, making it a highly desirable acquisition for collectors of private press books and eighteenth-century satirical art.
Human Passions Delineated offers a fascinating exploration of the work of Tim Bobbin, the pseudonym of the eighteenth-century caricaturist and dialect poet John Collier. Often referred to as the "Lancashire Hogarth," Collier's exaggerated, grotesque portraits provided a biting, humorous commentary on human folly and emotion. Through detailed reproductions and insightful commentary by Diana Donald and Brian Maidment, this volume breathes new life into Bobbin’s satirical masterpiece, providing essential context for understanding one of the most distinctive voices in English provincial art.
Book Condition: Near Fine
Book Authors: Diana Donald & Brian Maidment
Book Publisher: Hanborough Parrot
Book Language: English
Narrative Type: Non-Fiction
Genre: Art & Architecture
Book edition: First Edition
Signed: Yes
Book Pages: 38
Book Publication Year: 1990
Book Publication Date:
Book Binding: Hardcover
Illustrator: Tim Bobbin
Book Series: N/A
Country/region of manufacture: Oxford, United Kingdom
Book Dimensions:
Book Condition Guide
| Condition | Description |
|---|---|
| New | A brand-new, unread and professionally handled book. Carefully preserved from publication to purchase, these books are offered in the best attainable condition. This grade applies to recently published titles that have not entered long-term storage. |
| As New | The book is in pristine, original condition as if just published. No signs of use or handling. The dust jacket (if present) is equally flawless. This grade applies to any book that has remained untouched in storage for years. |
| Fine | The book is close to As New. It remains bright and attractive, but could show minor imperfections to the boards and/or dust jacket (if present). Its pages are typically clean and unmarked. |
| Near Fine | The book has a number of small flaws, i.e. slight rubbing to the edges, or tiny chips or creases to the dust jacket (if present). Its pages may have faint marks, or creases that are barely perceptible — nothing that detracts from their overall condition. |
| Very Good | The book maintains its structural integrity, and has no major flaws such as tears to its binding or pages. It may, however, show signs of careful use, handling, or storage — small marks and creases, light foxing. Its dust jacket (if present) remains fully intact, but small tears may be present. |
| Good | A book that remains intact and readable with complete text pages, but shows moderate signs of wear and use to both the book and dust jacket (if present). It may have noticeable creases, nicks, or stains, and the spine likely shows fading, bumping, and rubbing. There could be writing, underlining, and other marks on some pages, though the majority will be clean and tidy. |
| Fair | A book with significant wear or damage. The text pages will be complete, but there may be heavy underlining, highlighting and staining throughout, and the book’s endpapers, half-title, and copyright pages could be damaged or missing. The binding could be loose, and the dust jacket (if present) may have notable scuffs or tears. These copies are usually of interest for content, signature(s) or scarcity. |
| Poor | A heavily worn book whose value lies in its complete and legible text. A poor book will have substantial defects — loose joints or hinges, detached covers, loose and/or missing pages, and could be heavily soiled. A poor book is also known as a reading copy, and although compromised, can hold historical or bibliographic significance. |
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