I, The Jury, Mickey Spillane — 7th Impression
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Publication: London, Arthur Barker Limited, 1955
Formatting: 8vo, pp. 160.
Condition Report: Very Good. The blue cloth boards remain remarkably sharp and clean, exhibiting tight hinges and unbumped corners that indicate careful handling over the decades. The text block shows the inevitable, uniform age-toning typical of mid-century post-war paper stock(most prominent along the top and fore-edges), but the pages themselves are clean, supple, and free of marginalia. The unclipped dust jacket (priced 9s. 6d. net) has been well-preserved, though it does display some moderate shelf-wear, including a closed tear and minor chipping to the top edge of the front panel, alongside light, grubby marking to the lighter-coloured rear panel. The binding is firm and square, presenting a very solid, collectible copy.
Catalogue Note: A classic example of mid-century hardboiled crime fiction, this is the seventh impression of the first UK edition, published in 1955 under Arthur Barker’s "A Museum Street Thriller" imprint. Originally published in the US in 1947, Spillane's debut novel introduced the world to Mike Hammer, the archetypal hard-hitting, rule-bending private eye.
Finding early UK printings of Spillane’s work with their original, striking dust jackets intact is becoming increasingly difficult, particularly as the thin paper stock used for these post-war editions was highly susceptible to damage, toning, and loss. The vibrant yellow-and-black jacket design remains a quintessential example of thriller aesthetics from the period.
When Mike Hammer's closest friend, Jack Williams, is brutally murdered, the hard-boiled private investigator bypasses the police and vows to exact his own form of uncompromising justice. Tearing through the seedy underbelly of New York City, Hammer encounters a tangled web of blackmail, narcotics, and dangerous women, leaving a trail of destruction in his wake. I, The Jury is a blistering, high-octane thriller that redefined the detective genre and cemented Mickey Spillane as the undisputed king of noir.
Book Condition: Very Good
Book Authors: Mickey Spillane
Book Publisher: Arthur Barker Limited
Book Language: English
Narrative Type: Fiction
Genre: Crime & Mystery
Book edition:
Signed: No
Book Pages: 160
Book Publication Year: 1955
Book Publication Date:
Book Binding: Hardcover
Illustrator: N/A
Book Series: Mike Hammer
Country/region of manufacture: London, United Kingdom
Book Dimensions:
Book Condition Guide
| Condition | Description |
|---|---|
| New | A brand-new, unread and professionally handled book. Carefully preserved from publication to purchase, these books are offered in the best attainable condition. This grade applies to recently published titles that have not entered long-term storage. |
| As New | The book is in pristine, original condition as if just published. No signs of use or handling. The dust jacket (if present) is equally flawless. This grade applies to any book that has remained untouched in storage for years. |
| Fine | The book is close to As New. It remains bright and attractive, but could show minor imperfections to the boards and/or dust jacket (if present). Its pages are typically clean and unmarked. |
| Near Fine | The book has a number of small flaws, i.e. slight rubbing to the edges, or tiny chips or creases to the dust jacket (if present). Its pages may have faint marks, or creases that are barely perceptible — nothing that detracts from their overall condition. |
| Very Good | The book maintains its structural integrity, and has no major flaws such as tears to its binding or pages. It may, however, show signs of careful use, handling, or storage — small marks and creases, light foxing. Its dust jacket (if present) remains fully intact, but small tears may be present. |
| Good | A book that remains intact and readable with complete text pages, but shows moderate signs of wear and use to both the book and dust jacket (if present). It may have noticeable creases, nicks, or stains, and the spine likely shows fading, bumping, and rubbing. There could be writing, underlining, and other marks on some pages, though the majority will be clean and tidy. |
| Fair | A book with significant wear or damage. The text pages will be complete, but there may be heavy underlining, highlighting and staining throughout, and the book’s endpapers, half-title, and copyright pages could be damaged or missing. The binding could be loose, and the dust jacket (if present) may have notable scuffs or tears. These copies are usually of interest for content, signature(s) or scarcity. |
| Poor | A heavily worn book whose value lies in its complete and legible text. A poor book will have substantial defects — loose joints or hinges, detached covers, loose and/or missing pages, and could be heavily soiled. A poor book is also known as a reading copy, and although compromised, can hold historical or bibliographic significance. |
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