Jazz Panorama, Martin T. Williams (Editor) — Jazz Book Club Edition
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Publication: London, The Jazz Book Club (by arrangement with The Crowell-Collier Press), 1965
Formatting: 8vo, pp. 318.
Condition Report: Very Good. The volume remains tight, square, and firmly bound in its original boards. The text block exhibits moderate to heavy foxing along the fore and lower edges, while the original red top-stain remains present though slightly faded. Internally, the pages are generally clean and bright, save for distinct tape-ghosting to the corners of the free endpapers; a remnant of a previously secured jacket protector. The original dust jacket retains vibrant, unchipped panels, though exhibiting mild sun-fading to the spine and minor rubbing at the extremities.
Catalogue Note: This edition gathers a seminal collection of essays and interviews originally featured in The Jazz Review. As an exclusive release for club members, it represents an accessible, secondary binding complete with the distinctive series spine branding and rear panel record advertisements.
Unillustrated, the text relies entirely on its rich documentary and critical content. The copy retains its striking, geometric mid-century dust jacket design, serving as a quintessential piece of 1960s British jazz ephemera.
Blurb: Jazz Panorama offers a vital time capsule of mid-twentieth-century jazz criticism, curated from the pages of the influential magazine The Jazz Review. The anthology captures the voices of leading musicians, critics, and aficionados as they grapple with the rapidly evolving landscape of jazz, from the traditional roots of Jelly Roll Morton and King Oliver to the avant-garde frontiers of the late 1950s and 60s. It stands as a fascinating historical document for both the dedicated jazz scholar and the casual enthusiast alike.
Book Condition: Very Good
Book Authors: Martin T. Williams
Book Publisher: The Jazz Book Club
Book Language: English
Narrative Type: Non-Fiction
Genre: Music
Book edition:
Signed: No
Book Pages: 318
Book Publication Year: 1965
Book Publication Date:
Book Binding: Hardcover
Illustrator: N/A
Book Series: Jazz Book Club
Country/region of manufacture: London, United Kingdom
Book Dimensions:
Book Condition Guide
| Condition | Description |
|---|---|
| New | A brand-new, unread and professionally handled book. Carefully preserved from publication to purchase, these books are offered in the best attainable condition. This grade applies to recently published titles that have not entered long-term storage. |
| As New | The book is in pristine, original condition as if just published. No signs of use or handling. The dust jacket (if present) is equally flawless. This grade applies to any book that has remained untouched in storage for years. |
| Fine | The book is close to As New. It remains bright and attractive, but could show minor imperfections to the boards and/or dust jacket (if present). Its pages are typically clean and unmarked. |
| Near Fine | The book has a number of small flaws, i.e. slight rubbing to the edges, or tiny chips or creases to the dust jacket (if present). Its pages may have faint marks, or creases that are barely perceptible — nothing that detracts from their overall condition. |
| Very Good | The book maintains its structural integrity, and has no major flaws such as tears to its binding or pages. It may, however, show signs of careful use, handling, or storage — small marks and creases, light foxing. Its dust jacket (if present) remains fully intact, but small tears may be present. |
| Good | A book that remains intact and readable with complete text pages, but shows moderate signs of wear and use to both the book and dust jacket (if present). It may have noticeable creases, nicks, or stains, and the spine likely shows fading, bumping, and rubbing. There could be writing, underlining, and other marks on some pages, though the majority will be clean and tidy. |
| Fair | A book with significant wear or damage. The text pages will be complete, but there may be heavy underlining, highlighting and staining throughout, and the book’s endpapers, half-title, and copyright pages could be damaged or missing. The binding could be loose, and the dust jacket (if present) may have notable scuffs or tears. These copies are usually of interest for content, signature(s) or scarcity. |
| Poor | A heavily worn book whose value lies in its complete and legible text. A poor book will have substantial defects — loose joints or hinges, detached covers, loose and/or missing pages, and could be heavily soiled. A poor book is also known as a reading copy, and although compromised, can hold historical or bibliographic significance. |
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