Jazz Parody, Chas. Harvey (Editor) — 1st Edition

Jazz Parody, Chas. Harvey (Editor) — 1st Edition

£45.00
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Jazz Parody, Chas. Harvey (Editor) — 1st Edition

Jazz Parody, Chas. Harvey (Editor) — 1st Edition

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£45.00

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Publication: London, Spearman Publishers Ltd. / The American Jazz Society, 1948

Formatting: 8vo, pp. 110.

Condition Report: Very Good. The book presents firmly in its original binding, with the red taped spine remaining mostly intact, albeit showing mild rubbing and slight fraying at the extreme head and tail. The brown paper-covered boards are well-preserved with some gentle bumping to the corners. Internally, the pages are clean with standard age-toning typical of post-war paper stock, and the binding remains tight throughout. The front endpaper bears a neat, contemporary ink ownership signature ("L. Partington. June 1948"). The original pictorial dust jacket is Very Good; it remains remarkably bright but shows moderate shelf-wear, including minor chipping at the spine ends, light creasing along the top edge, and general surface soiling to the white rear panel. Crucially, the dust jacket is unclipped, retaining the original "5/-" price on the front flap.

Catalogue Note: This is a first edition, published as No. 1 in the American Jazz Society Series. Produced in post-war London, this anthology represents a fascinating crossover of media, featuring short stories with a jazz theme written by authors and critics typically known for their non-fiction jazz scholarship (including Albert McCarthy and Charles Fox).

The volume features a foreword by the prominent French jazz promoter Charles Delaunay and is notably illustrated with an eight-page section of brilliant black-and-white portraits by the legendary jazz photographer Bill Gottlieb, capturing icons like Billie Holiday, Django Reinhardt, and Louis Armstrong.

Copies of this fragile production, especially those retaining an intact, unclipped original dust jacket, are increasingly scarce on the open market. The contemporary 1948 ownership inscription adds a nice touch of immediate post-publication provenance.

A striking time capsule of post-war jazz culture, Jazz Parody gathers the era's foremost jazz critics and authorities, men accustomed to writing hard-hitting record reviews and historical essays, and sets them loose in the realm of fiction. The result is a vivid, atmospheric collection of short stories that pulses with the rhythm of the mid-century jazz club, complemented by a stunning photographic insert featuring some of the most iconic images of jazz legends ever committed to film.

Book Condition: Very Good

Book Authors: Chas. Harvey (Editor)

Book Publisher: Spearman Publishers Ltd. / The American Jazz Society

Book Language: English

Narrative Type: Fiction

Genre: Anthologies & Short Stories

Book edition:

Signed: No

Book Pages: 110

Book Publication Year: 1948

Book Publication Date:

Book Binding: Hardcover

Illustrator: Bill Gottleib

Book Series: The American Jazz Society Series

Country/region of manufacture: London, United Kingdom

Book Dimensions:

Book Condition Guide

We stock thousands of books in a wide range of conditions. To make things clear and to help you know exactly what to expect, Please refer to these condition categories to understand the condition of the book you will receive.
Condition Description
New A brand-new, unread and professionally handled book. Carefully preserved from publication to purchase, these books are offered in the best attainable condition. This grade applies to recently published titles that have not entered long-term storage.
As New The book is in pristine, original condition as if just published. No signs of use or handling. The dust jacket (if present) is equally flawless. This grade applies to any book that has remained untouched in storage for years.
Fine The book is close to As New. It remains bright and attractive, but could show minor imperfections to the boards and/or dust jacket (if present). Its pages are typically clean and unmarked.
Near Fine The book has a number of small flaws, i.e. slight rubbing to the edges, or tiny chips or creases to the dust jacket (if present). Its pages may have faint marks, or creases that are barely perceptible — nothing that detracts from their overall condition.
Very Good The book maintains its structural integrity, and has no major flaws such as tears to its binding or pages. It may, however, show signs of careful use, handling, or storage — small marks and creases, light foxing. Its dust jacket (if present) remains fully intact, but small tears may be present.
Good A book that remains intact and readable with complete text pages, but shows moderate signs of wear and use to both the book and dust jacket (if present). It may have noticeable creases, nicks, or stains, and the spine likely shows fading, bumping, and rubbing. There could be writing, underlining, and other marks on some pages, though the majority will be clean and tidy.
Fair A book with significant wear or damage. The text pages will be complete, but there may be heavy underlining, highlighting and staining throughout, and the book’s endpapers, half-title, and copyright pages could be damaged or missing. The binding could be loose, and the dust jacket (if present) may have notable scuffs or tears. These copies are usually of interest for content, signature(s) or scarcity.
Poor A heavily worn book whose value lies in its complete and legible text. A poor book will have substantial defects — loose joints or hinges, detached covers, loose and/or missing pages, and could be heavily soiled. A poor book is also known as a reading copy, and although compromised, can hold historical or bibliographic significance.

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