Jazzbook 1947, Albert McCarthy — 1st Edition

Jazzbook 1947, Albert McCarthy — 1st Edition

£18.00
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Jazzbook 1947, Albert McCarthy — 1st Edition

Jazzbook 1947, Albert McCarthy — 1st Edition

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£18.00

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Publication: London, Editions Poetry London, 1947

Formatting: 8vo, pp. 171.

Condition Report: Very Good. The original blue cloth boards remain clean and robust, featuring bright, unoxidised gilt lettering across the front board. The binding is remarkably tight and square, displaying no discernible shelf-lean or structural fatigue. Internally, the text block is entirely sound; the pages remain supple and crisp, exhibiting only the faint, uniform age-toning entirely typical of post-war paper stock, with no foxing, dampstaining, or internal markings. The original dust jacket is present and unclipped (retaining the 8s 6d net price to the front flap), though It suffers from minor chipping and light wear to the spine extremities and corners, alongside mild surface rubbing and light age-darkening to the rear panel, yet the striking front cover illustration remains vibrant and highly presentable.

Catalogue Note: This is a first printing of Jazzbook 1947, conceived as the inaugural volume of a planned yearly series to document the contemporary jazz scene. The work encapsulates the transatlantic critical discourse on jazz immediately following the Second World War.

The volume is complete with its original illustrated dust jacket and features twelve half-tone photographic plates of prominent jazz musicians, including a frontispiece of Louis Armstrong.

Finding post-war music anthologies of this specific nature with intact, unclipped dust jackets in such well-preserved condition is becoming increasingly uncommon on the open market, making this an appealing acquisition for dedicated collectors of mid-century jazz history and ephemera.

Edited by Albert McCarthy, Jazzbook 1947 represents a pioneering attempt to establish rigorous critical criteria for the appreciation of jazz as a serious art form. Gathering insightful contributions from both English and American writers, the anthology offers historical perspectives that trace the origins of swing from the early brass bands and sporting houses of New Orleans through to the contemporary post-war scene. Supplemented by twelve photographs of key musical figures, the book provides dedicated analyses of foundational elements such as ragtime, the blues, and neo-spirituals, alongside personal accounts from seminal musicians, serving as a comprehensive and highly readable snapshot of jazz scholarship in the late 1940s.

Book Condition: Very Good

Book Authors: Albert McCarthy

Book Publisher: Editions Poetry London

Book Language: English

Narrative Type: Non-Fiction

Genre: Music

Book edition: First Edition

Signed: No

Book Pages: 171

Book Publication Year: 1947

Book Publication Date:

Book Binding: Hardcover

Illustrator: N/A

Book Series: Jazzbooks

Country/region of manufacture: London, United Kingdom

Book Dimensions:

Book Condition Guide

We stock thousands of books in a wide range of conditions. To make things clear and to help you know exactly what to expect, Please refer to these condition categories to understand the condition of the book you will receive.
Condition Description
New A brand-new, unread and professionally handled book. Carefully preserved from publication to purchase, these books are offered in the best attainable condition. This grade applies to recently published titles that have not entered long-term storage.
As New The book is in pristine, original condition as if just published. No signs of use or handling. The dust jacket (if present) is equally flawless. This grade applies to any book that has remained untouched in storage for years.
Fine The book is close to As New. It remains bright and attractive, but could show minor imperfections to the boards and/or dust jacket (if present). Its pages are typically clean and unmarked.
Near Fine The book has a number of small flaws, i.e. slight rubbing to the edges, or tiny chips or creases to the dust jacket (if present). Its pages may have faint marks, or creases that are barely perceptible — nothing that detracts from their overall condition.
Very Good The book maintains its structural integrity, and has no major flaws such as tears to its binding or pages. It may, however, show signs of careful use, handling, or storage — small marks and creases, light foxing. Its dust jacket (if present) remains fully intact, but small tears may be present.
Good A book that remains intact and readable with complete text pages, but shows moderate signs of wear and use to both the book and dust jacket (if present). It may have noticeable creases, nicks, or stains, and the spine likely shows fading, bumping, and rubbing. There could be writing, underlining, and other marks on some pages, though the majority will be clean and tidy.
Fair A book with significant wear or damage. The text pages will be complete, but there may be heavy underlining, highlighting and staining throughout, and the book’s endpapers, half-title, and copyright pages could be damaged or missing. The binding could be loose, and the dust jacket (if present) may have notable scuffs or tears. These copies are usually of interest for content, signature(s) or scarcity.
Poor A heavily worn book whose value lies in its complete and legible text. A poor book will have substantial defects — loose joints or hinges, detached covers, loose and/or missing pages, and could be heavily soiled. A poor book is also known as a reading copy, and although compromised, can hold historical or bibliographic significance.

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