Kate Greenaway Pictures, Kate Greenaway — 1st Edition

Kate Greenaway Pictures, Kate Greenaway — 1st Edition

£300.00
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Kate Greenaway Pictures, Kate Greenaway — 1st Edition

Kate Greenaway Pictures, Kate Greenaway — 1st Edition

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£300.00

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Publication: London, Frederick Warne and Co. Ltd., 1921

Formatting: 4to, pp. 11, [41].

Condition Report: Very Good. The volume remains securely bound and square, retaining a firm structural integrity beneath its jacket. The text block is pleasingly bright and crisp, showing minor age-toning to the top edge but remaining largely free from the foxing that often plagues works of this period. Crucially, the photogravure frontispiece and all twenty mounted colour plates remain completely pristine and securely attached. The incredibly scarce original paper dust wrapper exhibits general shelf-wear, slight surface rubbing, and minor chipping to the fragile extremities, alongside some typical darkening to the spine panel, yet it survives remarkably whole and completely functional without any catastrophic loss.

Catalogue Note: This first edition brings together a collection of exquisite, hitherto unpublished drawings and watercolours by Kate Greenaway. The artwork within was originally presented as personal gifts to the eminent art critic John Ruskin, with whom Greenaway shared a complex and enduring correspondence, and other close acquaintances. The volume is notably complete with a photogravure portrait frontispiece of the artist (reproduced from a photograph taken by herself) and twenty delicately mounted colour plates.

While the book itself is a desirable part of any Golden Age illustration collection, it is the survival of the original paper dust wrapper that makes this copy particularly noteworthy.

Due to its fragile nature, the jacket is exceedingly scarce on the open market, making this an uncommon find for the serious collector.

A charming and intimate retrospective of the beloved Victorian illustrator Kate Greenaway. Compiled twenty years after her death, this volume brings to the public eye a selection of private artworks originally gifted to John Ruskin and other personal friends. Accompanied by a thoughtful appreciation from H. M. Cundall, the book stands as a beautiful testament to Greenaway’s delicate, nostalgic aesthetic and her enduring influence on the history of book illustration.

Book Condition: Very Good

Book Authors: Kate Greenaway & H. M. Cundall

Book Publisher: Frederick Warne and Co. Ltd.

Book Language: English

Narrative Type: Antiquarian

Genre: Art & Architecture

Book edition: First Edition

Signed: No

Book Pages: 52

Book Publication Year: 1921

Book Publication Date:

Book Binding: Hardcover with Dust Jacket

Illustrator: Kate Greenaway

Book Series: N/A

Country/region of manufacture: London, United Kingdom

Book Dimensions:

Book Condition Guide

We stock thousands of books in a wide range of conditions. To make things clear and to help you know exactly what to expect, Please refer to these condition categories to understand the condition of the book you will receive.
Condition Description
New A brand-new, unread and professionally handled book. Carefully preserved from publication to purchase, these books are offered in the best attainable condition. This grade applies to recently published titles that have not entered long-term storage.
As New The book is in pristine, original condition as if just published. No signs of use or handling. The dust jacket (if present) is equally flawless. This grade applies to any book that has remained untouched in storage for years.
Fine The book is close to As New. It remains bright and attractive, but could show minor imperfections to the boards and/or dust jacket (if present). Its pages are typically clean and unmarked.
Near Fine The book has a number of small flaws, i.e. slight rubbing to the edges, or tiny chips or creases to the dust jacket (if present). Its pages may have faint marks, or creases that are barely perceptible — nothing that detracts from their overall condition.
Very Good The book maintains its structural integrity, and has no major flaws such as tears to its binding or pages. It may, however, show signs of careful use, handling, or storage — small marks and creases, light foxing. Its dust jacket (if present) remains fully intact, but small tears may be present.
Good A book that remains intact and readable with complete text pages, but shows moderate signs of wear and use to both the book and dust jacket (if present). It may have noticeable creases, nicks, or stains, and the spine likely shows fading, bumping, and rubbing. There could be writing, underlining, and other marks on some pages, though the majority will be clean and tidy.
Fair A book with significant wear or damage. The text pages will be complete, but there may be heavy underlining, highlighting and staining throughout, and the book’s endpapers, half-title, and copyright pages could be damaged or missing. The binding could be loose, and the dust jacket (if present) may have notable scuffs or tears. These copies are usually of interest for content, signature(s) or scarcity.
Poor A heavily worn book whose value lies in its complete and legible text. A poor book will have substantial defects — loose joints or hinges, detached covers, loose and/or missing pages, and could be heavily soiled. A poor book is also known as a reading copy, and although compromised, can hold historical or bibliographic significance.

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