Letters from Charles Dickens to Angela Burdett-Coutts 1841-1865, Charles Dickens — 1st Ed
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Publication: London, Jonathan Cape, 1953
Formatting: 8vo, pp. xii, [2], 415.
Condition Report: Good. An ex-library copy exhibiting the expected institutional marks and wear, yet remaining a perfectly serviceable reading copy. The publisher's original blue cloth boards, backed with a slightly darkened and soiled lighter spine, show moderate rubbing, with painted library shelfmarks present at the foot. It is currently housed in a protective plastic sleeve with taped edges, which has left faint adhesive offsetting to the endpapers. The binding itself remains reasonably firm and square. Internally, the front pastedown bears a striking, large pictorial bookplate from the City of Liverpool Public Libraries, prominently stamped "OUT OF STOCK," alongside a modern barcode label. An inked accession number is noted on the verso of the title page. The text block edges are moderately toned with age, and while the pages show some general age-related darkening, they remain largely clean and unmarked by reader notations, preserving the integrity of the text.
Catalogue Note: First UK Edition. This volume collects the extensive and historically rich correspondence between Charles Dickens and the banking heiress and philanthropist Angela Burdett-Coutts. The text is accompanied by a frontispiece portrait of Dickens by Ary Scheffer.
The present copy holds notable institutional provenance, having once been part of the City of Liverpool Public Libraries collection. Its large, finely illustrated library bookplate, bearing the city's motto "Deus Nobis Haec Otia Fecit," is proudly affixed to the front pastedown, marking its life within the public lending system before being formally deaccessioned.
While true first editions in exceptional condition can command a premium, ex-library copies such as this provide an accessible and characterful entry point for researchers and enthusiasts of Dickensian history, circulating with relative commonness on the secondary market.
For over two decades, Charles Dickens maintained a remarkably candid and revealing correspondence with the pioneering philanthropist Angela Burdett-Coutts. This fascinating collection of letters, selected from the Pierpont-Morgan Library, chronicles their unique collaborative partnership in establishing Urania Cottage, a sanctuary for fallen women, and sheds profound light on Dickens's passionate social conscience. Masterfully edited and contextualised by Edgar Johnson, these private writings strip away the novelist's public persona, offering readers an intimate glimpse into Dickens's tireless drive for social reform, his views on Victorian morality, and his profound empathy for the marginalised classes of 19th-century England.
Book Condition: Good
Book Authors: Charles Dickens, Edgar Johnson
Book Publisher: Jonathan Cape
Book Language: English
Narrative Type: Non-Fiction
Genre: Autobiography, Biography & Memoirs
Book edition: First Edition
Signed: No
Book Pages: 430
Book Publication Year: 1953
Book Publication Date:
Book Binding: Hardcover
Illustrator: Ary Scheffer
Book Series: N/A
Country/region of manufacture: London, United Kingdom
Book Dimensions:
Book Condition Guide
| Condition | Description |
|---|---|
| New | A brand-new, unread and professionally handled book. Carefully preserved from publication to purchase, these books are offered in the best attainable condition. This grade applies to recently published titles that have not entered long-term storage. |
| As New | The book is in pristine, original condition as if just published. No signs of use or handling. The dust jacket (if present) is equally flawless. This grade applies to any book that has remained untouched in storage for years. |
| Fine | The book is close to As New. It remains bright and attractive, but could show minor imperfections to the boards and/or dust jacket (if present). Its pages are typically clean and unmarked. |
| Near Fine | The book has a number of small flaws, i.e. slight rubbing to the edges, or tiny chips or creases to the dust jacket (if present). Its pages may have faint marks, or creases that are barely perceptible — nothing that detracts from their overall condition. |
| Very Good | The book maintains its structural integrity, and has no major flaws such as tears to its binding or pages. It may, however, show signs of careful use, handling, or storage — small marks and creases, light foxing. Its dust jacket (if present) remains fully intact, but small tears may be present. |
| Good | A book that remains intact and readable with complete text pages, but shows moderate signs of wear and use to both the book and dust jacket (if present). It may have noticeable creases, nicks, or stains, and the spine likely shows fading, bumping, and rubbing. There could be writing, underlining, and other marks on some pages, though the majority will be clean and tidy. |
| Fair | A book with significant wear or damage. The text pages will be complete, but there may be heavy underlining, highlighting and staining throughout, and the book’s endpapers, half-title, and copyright pages could be damaged or missing. The binding could be loose, and the dust jacket (if present) may have notable scuffs or tears. These copies are usually of interest for content, signature(s) or scarcity. |
| Poor | A heavily worn book whose value lies in its complete and legible text. A poor book will have substantial defects — loose joints or hinges, detached covers, loose and/or missing pages, and could be heavily soiled. A poor book is also known as a reading copy, and although compromised, can hold historical or bibliographic significance. |
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