Louis Comfort Tiffany: Artist for the Ages, Marilynn A. Johnson — 1st Edition

Louis Comfort Tiffany: Artist for the Ages, Marilynn A. Johnson — 1st Edition

£35.50
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Louis Comfort Tiffany: Artist for the Ages, Marilynn A. Johnson — 1st Edition

Louis Comfort Tiffany: Artist for the Ages, Marilynn A. Johnson — 1st Edition

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£35.50

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Publication: London, Scala Publishers / Exhibitions International, 2005

Formatting: 4to, pp. 240.

Condition Report: Near Fine. This copy is firmly bound in its original cloth with gleaming, unoxidised gilt titling to the spine. The boards remain sharp and free from any notable shelf-wear or bumping. Internally, the text block is square, tight, and immaculate, with bright, crisp pages devoid of foxing or handling marks. The accompanying dust jacket is equally well-preserved, retaining its vibrant, iridescent imagery without any significant creasing, fading, or edge-wear. A superior, highly presentable example.

Catalogue Note: This is a beautifully produced hardcover first edition of the catalogue published to accompany the major travelling exhibition Louis Comfort Tiffany: Artist for the Ages, which opened at the Seattle Art Museum in 2005. It features extensive contributions from several leading decorative arts scholars, alongside hundreds of rich, full-colour photographic illustrations detailing Tiffany's mastery across glasswork, ceramics, and metalwork.

Dedicated to prominent mid-twentieth-century Tiffany scholars and collectors, including Edgar Kaufmann, Jr. and Lillian Nassau, this volume highlights the pivotal figures who championed the revival of Tiffany’s reputation. While softcover iterations are frequently encountered, this hardcover edition in such pristine condition presents a far more desirable addition to the reference libraries of serious collectors and dealers of Art Nouveau and American decorative arts.

A comprehensive and visually stunning exploration of one of America's most celebrated designers, Louis Comfort Tiffany: Artist for the Ages traverses the full breadth of Tiffany’s creative genius. Moving beyond his iconic leaded glass lampshades, the book delves into his exquisite favrile glass, intricate mosaics, and masterful metalwork, positioning him not merely as a craftsman, but as a visionary artist who seamlessly bridged the gap between the Aesthetic Movement and Art Nouveau. Richly illustrated and featuring scholarly essays on his techniques, inspirations, and enduring legacy, this volume offers an indispensable overview of a man whose pursuit of beauty redefined American decorative arts.

Book Condition: Near Fine

Book Authors: Marilynn A. Johnson

Book Publisher: Scala Publishers / Exhibitions International

Book Language: English

Narrative Type: Non-Fiction

Genre: Art & Architecture

Book edition: First Edition

Signed: No

Book Pages: 240

Book Publication Year: 2005

Book Publication Date:

Book Binding: Hardcover

Illustrator: N/A

Book Series: N/A

Country/region of manufacture: London, United Kingdom

Book Dimensions:

Book Condition Guide

We stock thousands of books in a wide range of conditions. To make things clear and to help you know exactly what to expect, Please refer to these condition categories to understand the condition of the book you will receive.
Condition Description
New A brand-new, unread and professionally handled book. Carefully preserved from publication to purchase, these books are offered in the best attainable condition. This grade applies to recently published titles that have not entered long-term storage.
As New The book is in pristine, original condition as if just published. No signs of use or handling. The dust jacket (if present) is equally flawless. This grade applies to any book that has remained untouched in storage for years.
Fine The book is close to As New. It remains bright and attractive, but could show minor imperfections to the boards and/or dust jacket (if present). Its pages are typically clean and unmarked.
Near Fine The book has a number of small flaws, i.e. slight rubbing to the edges, or tiny chips or creases to the dust jacket (if present). Its pages may have faint marks, or creases that are barely perceptible — nothing that detracts from their overall condition.
Very Good The book maintains its structural integrity, and has no major flaws such as tears to its binding or pages. It may, however, show signs of careful use, handling, or storage — small marks and creases, light foxing. Its dust jacket (if present) remains fully intact, but small tears may be present.
Good A book that remains intact and readable with complete text pages, but shows moderate signs of wear and use to both the book and dust jacket (if present). It may have noticeable creases, nicks, or stains, and the spine likely shows fading, bumping, and rubbing. There could be writing, underlining, and other marks on some pages, though the majority will be clean and tidy.
Fair A book with significant wear or damage. The text pages will be complete, but there may be heavy underlining, highlighting and staining throughout, and the book’s endpapers, half-title, and copyright pages could be damaged or missing. The binding could be loose, and the dust jacket (if present) may have notable scuffs or tears. These copies are usually of interest for content, signature(s) or scarcity.
Poor A heavily worn book whose value lies in its complete and legible text. A poor book will have substantial defects — loose joints or hinges, detached covers, loose and/or missing pages, and could be heavily soiled. A poor book is also known as a reading copy, and although compromised, can hold historical or bibliographic significance.

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