Love and Marriage, Daisy Ashford & Angela Ashford — 2nd Impression

Love and Marriage, Daisy Ashford & Angela Ashford — 2nd Impression

£12.50
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Love and Marriage, Daisy Ashford & Angela Ashford — 2nd Impression

Love and Marriage, Daisy Ashford & Angela Ashford — 2nd Impression

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£12.50

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Publication: London, Rupert Hart-Davis, 1965

Formatting: 8vo, pp. 95.

Condition Report Very Good. The dark brown cloth boards remain exceptionally sharp and completely square, exhibiting no significant shelf-wear and boasting remarkably bright, unoxidised gilt lettering to the spine. The binding is structurally sound and impressively tight. Internally, the text block is bright and predominantly clean, though a light, scattered smattering of foxing is evident to the endpapers and preliminary leaves. The original unclipped dust jacket (retaining the 12s 6d net price) presents beautifully, preserving its vibrant orange colouring. It does, however, show gentle rubbing to the extremities, mild creasing along the top edge, and faint toning with minor foxing to the reverse and flaps.

Catalogue Note This is an attractive second impression, marking the first time the Ashford sisters' stories were accompanied by the unmistakable, eccentric illustrations of Ralph Steadman. While the text of Daisy Ashford’s most prominent piece here first appeared in 1920, it is this specific mid-century illustrated release that remains desirable for collectors of Steadman's early work.

While significant focus is naturally placed on evaluating true first printings, limited editions, and signed copies, highly presentable secondary impressions published in the very same year offer a robust and accessible alternative for vintage illustration enthusiasts. The volume features the publisher's original cloth and retains the iconic Steadman-designed dust jacket in an unclipped state.

Originally penned when the authors were mere children, these three tales offer a hilariously precocious and sharp-eyed glimpse into the social foibles, romances, and peculiar behaviours of the adult world as perceived by Victorian youth. Daisy Ashford, famous for The Young Visiters, proves her wit was no fluke, and she is joined here by her sister Angela, demonstrating that a keen, mordant perception ran strongly in the family. Elevated by the delightfully idiosyncratic line drawings of a young Ralph Steadman, this collection is an absolute delight for fans of satirical observation and vintage illustration alike.

Book Condition: Very Good

Book Authors: Daisy Ashford & Angela Ashford

Book Publisher: Rupert Hart-Davis

Book Language: English

Narrative Type: Fiction

Genre: Humour Fiction

Book edition:

Signed: No

Book Pages: 95

Book Publication Year: 1965

Book Publication Date:

Book Binding: Hardcover

Illustrator: Ralph Steadman

Book Series: N/A

Country/region of manufacture: London, United Kingdom

Book Dimensions:

Book Condition Guide

We stock thousands of books in a wide range of conditions. To make things clear and to help you know exactly what to expect, Please refer to these condition categories to understand the condition of the book you will receive.
Condition Description
New A brand-new, unread and professionally handled book. Carefully preserved from publication to purchase, these books are offered in the best attainable condition. This grade applies to recently published titles that have not entered long-term storage.
As New The book is in pristine, original condition as if just published. No signs of use or handling. The dust jacket (if present) is equally flawless. This grade applies to any book that has remained untouched in storage for years.
Fine The book is close to As New. It remains bright and attractive, but could show minor imperfections to the boards and/or dust jacket (if present). Its pages are typically clean and unmarked.
Near Fine The book has a number of small flaws, i.e. slight rubbing to the edges, or tiny chips or creases to the dust jacket (if present). Its pages may have faint marks, or creases that are barely perceptible — nothing that detracts from their overall condition.
Very Good The book maintains its structural integrity, and has no major flaws such as tears to its binding or pages. It may, however, show signs of careful use, handling, or storage — small marks and creases, light foxing. Its dust jacket (if present) remains fully intact, but small tears may be present.
Good A book that remains intact and readable with complete text pages, but shows moderate signs of wear and use to both the book and dust jacket (if present). It may have noticeable creases, nicks, or stains, and the spine likely shows fading, bumping, and rubbing. There could be writing, underlining, and other marks on some pages, though the majority will be clean and tidy.
Fair A book with significant wear or damage. The text pages will be complete, but there may be heavy underlining, highlighting and staining throughout, and the book’s endpapers, half-title, and copyright pages could be damaged or missing. The binding could be loose, and the dust jacket (if present) may have notable scuffs or tears. These copies are usually of interest for content, signature(s) or scarcity.
Poor A heavily worn book whose value lies in its complete and legible text. A poor book will have substantial defects — loose joints or hinges, detached covers, loose and/or missing pages, and could be heavily soiled. A poor book is also known as a reading copy, and although compromised, can hold historical or bibliographic significance.

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