Mobius the Stripper, Gabriel Josipovici — 1st Edition, Signed
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Publication: London, Victor Gollancz Ltd, 1974
Formatting: 8vo, pp. 200.
Condition Report: Very Good. The original, unclipped dust jacket presents exceptionally well, exhibiting only slight age-toning to the spine and rear panel alongside very minor rubbing to the extremities, but remaining fully intact without any notable chips or tears. Beneath the jacket, the publisher's original olive green cloth boards are clean, robust, and sharp-cornered, with the gilt titling to the spine remaining bright and unoxidised, indicating a distinct lack of shelf-wear or mishandling. The binding is tight and square. Internally, the text block displays the light, uniform paper tanning that is entirely characteristic of Gollancz publications from this era; however, the pages remain crisp and entirely free from foxing, moisture damage, or major blemishes. Overall, it is a highly attractive, solidly preserved copy.
Catalogue Note: This is a true first edition of Gabriel Josipovici’s acclaimed collection of avant-garde fiction and drama.
Of particular significance is the author’s warm presentation inscription on the title page: "To JOHN and LYDIE MEPHAM / with affection / Gabriel Josipovici 1974." John Mepham (1938–2001) was a highly respected British philosopher, literary critic, and academic who taught alongside Josipovici at the University of Sussex. This direct, contemporary link between two notable figures of the 1970s British academic and literary vanguard elevates the book into an excellent association copy.
While standard copies of this title appear on the open market occasionally, they remain generally uncommon in collectable condition. A dedicated association copy possessing such relevant, immediate provenance is notably scarce and highly desirable for collectors of Josipovici's work or late twentieth-century British experimental literature.
Mobius the Stripper showcases Gabriel Josipovici's mastery of the short form and his characteristically inventive, boundary-pushing narrative techniques. The collection brings together an assortment of sharp, psychologically complex short stories and short plays, including the titular story, a dense and brilliant exploration of parallel realities, physical performance, and creative disintegration.
Blending minimalist dialogue with profound philosophical inquiries, Josipovici actively strips away conventional plot mechanics to examine underlying themes of identity, human communication, and the very nature of storytelling itself. This dynamic and provocative collection cements his well-deserved reputation as one of the most distinctive and intellectually rigorous voices in contemporary British fiction.
Book Condition: Very Good
Book Authors: Gabriel Josipovici
Book Publisher: Victor Gollancz Ltd
Book Language: English
Narrative Type: Fiction
Genre: Anthologies & Short Stories
Book edition: First Edition
Signed: Yes
Book Pages: 200
Book Publication Year: 1974
Book Publication Date:
Book Binding: Hardcover
Illustrator: N/A
Book Series: N/A
Country/region of manufacture: Southampton, United Kingdom
Book Dimensions:
Book Condition Guide
| Condition | Description |
|---|---|
| New | A brand-new, unread and professionally handled book. Carefully preserved from publication to purchase, these books are offered in the best attainable condition. This grade applies to recently published titles that have not entered long-term storage. |
| As New | The book is in pristine, original condition as if just published. No signs of use or handling. The dust jacket (if present) is equally flawless. This grade applies to any book that has remained untouched in storage for years. |
| Fine | The book is close to As New. It remains bright and attractive, but could show minor imperfections to the boards and/or dust jacket (if present). Its pages are typically clean and unmarked. |
| Near Fine | The book has a number of small flaws, i.e. slight rubbing to the edges, or tiny chips or creases to the dust jacket (if present). Its pages may have faint marks, or creases that are barely perceptible — nothing that detracts from their overall condition. |
| Very Good | The book maintains its structural integrity, and has no major flaws such as tears to its binding or pages. It may, however, show signs of careful use, handling, or storage — small marks and creases, light foxing. Its dust jacket (if present) remains fully intact, but small tears may be present. |
| Good | A book that remains intact and readable with complete text pages, but shows moderate signs of wear and use to both the book and dust jacket (if present). It may have noticeable creases, nicks, or stains, and the spine likely shows fading, bumping, and rubbing. There could be writing, underlining, and other marks on some pages, though the majority will be clean and tidy. |
| Fair | A book with significant wear or damage. The text pages will be complete, but there may be heavy underlining, highlighting and staining throughout, and the book’s endpapers, half-title, and copyright pages could be damaged or missing. The binding could be loose, and the dust jacket (if present) may have notable scuffs or tears. These copies are usually of interest for content, signature(s) or scarcity. |
| Poor | A heavily worn book whose value lies in its complete and legible text. A poor book will have substantial defects — loose joints or hinges, detached covers, loose and/or missing pages, and could be heavily soiled. A poor book is also known as a reading copy, and although compromised, can hold historical or bibliographic significance. |
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