My Beautiful Lady, Thomas Woolner — 2nd Edition
In stock
Shipping is calculated at checkout.
Publication: London, Macmillan and Co., 1864
Formatting: 8vo, pp. [viii], 162.
Condition Report: Very Good. The binding remains remarkably tight and square, preserving the structural integrity of this nineteenth-century volume. The original brown cloth boards show only minimal wear, with slight bumping and very minor rubbing to the spine extremities and corners, none of which detracts from the book's overall handsome appearance. The blind-stamped textured pattern and gilt border on the boards remain distinct, while the central gilt motif on the rear board and the spine lettering retain a pleasing brightness with virtually no oxidation. Internally, the pages are generally clean, though some expected age-toning is present, particularly along the text block edges which have taken on a darkened hue. The hinges are sound, and the endpapers are secure, bearing a neat, contemporary ownership inscription in ink to the front free endpaper.
Catalogue Note: This is the Second Edition of Thomas Woolner’s celebrated Pre-Raphaelite poem, originally appearing as cantos in the January 1850 issue of The Germ, the short-lived periodical of the Pre-Raphaelite Brotherhood. The poem underwent revision and expansion before being published as a standalone volume in 1863, with this second edition following closely after.
The volume is bound in an attractive publisher's cloth, featuring a striking blind-stamped texture and a central gilt motif on the rear board. The front free endpaper bears a neat contemporary ownership signature reading "A. Ireland. May 1864.", placing the book in the hands of an early reader within months of its release.
As the only sculptor formally associated with the original Pre-Raphaelite Brotherhood, Woolner's literary contributions remain highly prized. Early editions of his magnum opus in such well-preserved original cloth are uncommonly encountered on the open market.
First conceived during the height of the Pre-Raphaelite movement, My Beautiful Lady is Thomas Woolner’s poetic masterpiece, a sweeping meditation on idealised love and beauty that aligns perfectly with Pre-Raphaelite sensibilities. Evolving from its early fragments into a fully realised narrative, Woolner’s verse weaves a poignant tale of devotion that deeply resonated with Victorian readers. A cornerstone of Pre-Raphaelite literature, it offers a beautifully bound window into the romantic themes that defined one of Britain's most fascinating artistic brotherhoods.
Book Condition: Very Good
Book Authors: Thomas Woolner
Book Publisher: Macmillan and Co.
Book Language: English
Narrative Type: Antiquarian
Genre: Poetry
Book edition: Second Edition
Signed: No
Book Pages: 162
Book Publication Year: 1864
Book Publication Date:
Book Binding: Hardcover
Illustrator: N/A
Book Series: N/A
Country/region of manufacture: Oxford, United Kingdom
Book Dimensions:
Book Condition Guide
| Condition | Description |
|---|---|
| New | A brand-new, unread and professionally handled book. Carefully preserved from publication to purchase, these books are offered in the best attainable condition. This grade applies to recently published titles that have not entered long-term storage. |
| As New | The book is in pristine, original condition as if just published. No signs of use or handling. The dust jacket (if present) is equally flawless. This grade applies to any book that has remained untouched in storage for years. |
| Fine | The book is close to As New. It remains bright and attractive, but could show minor imperfections to the boards and/or dust jacket (if present). Its pages are typically clean and unmarked. |
| Near Fine | The book has a number of small flaws, i.e. slight rubbing to the edges, or tiny chips or creases to the dust jacket (if present). Its pages may have faint marks, or creases that are barely perceptible — nothing that detracts from their overall condition. |
| Very Good | The book maintains its structural integrity, and has no major flaws such as tears to its binding or pages. It may, however, show signs of careful use, handling, or storage — small marks and creases, light foxing. Its dust jacket (if present) remains fully intact, but small tears may be present. |
| Good | A book that remains intact and readable with complete text pages, but shows moderate signs of wear and use to both the book and dust jacket (if present). It may have noticeable creases, nicks, or stains, and the spine likely shows fading, bumping, and rubbing. There could be writing, underlining, and other marks on some pages, though the majority will be clean and tidy. |
| Fair | A book with significant wear or damage. The text pages will be complete, but there may be heavy underlining, highlighting and staining throughout, and the book’s endpapers, half-title, and copyright pages could be damaged or missing. The binding could be loose, and the dust jacket (if present) may have notable scuffs or tears. These copies are usually of interest for content, signature(s) or scarcity. |
| Poor | A heavily worn book whose value lies in its complete and legible text. A poor book will have substantial defects — loose joints or hinges, detached covers, loose and/or missing pages, and could be heavily soiled. A poor book is also known as a reading copy, and although compromised, can hold historical or bibliographic significance. |
Get in touch
You may also like
Join the Broadhurst Archive
Be the first to hear about rare new arrivals, signed editions, and literary events. A century of stories delivered straight to your inbox.