My Favourite English Poems, John Masefield — 1st Edition
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Publication: London, William Heinemann Ltd, 1950
Formatting: 8vo, pp. 310.
Condition Report: Very Good. The binding remains tight and structurally sound, with the original light blue cloth displaying mild sunning and fading along the spine and the extremities of the boards. The black and gilt spine label is bright and fully legible, and the black cover vignette is sharp and unrubbed. Internally, the text block is clean and free of foxing, with only mild, uniform age-toning to the margins and edges. The original Masefield watercolour is vivid and unfaded, demonstrating excellent preservation. Lacks the original dust jacket.
Catalogue Note: This first edition is elevated significantly by an exceptional association: the front endpaper features an original pen and watercolour sketch of a two-masted sailing ship drawn by John Masefield himself. Beneath the artwork is Masefield’s handwritten presentation inscription to Nancy Eastwood, the respected manageress of Blackwell's Books in Oxford, dated Christmas 1950.
Masefield frequently adorned presentation copies for friends and prominent figures with these distinctive maritime vignettes. Copies boasting both an original Poet Laureate watercolour and such excellent book-trade provenance are uncommonly encountered on the open market, making this a superb addition to any serious collection of modern first editions.
Gathered and introduced by John Masefield during his tenure as Poet Laureate, this anthology represents a deeply personal curation of his favourite English verse. Spanning centuries of literary history, Masefield selects the poems that most profoundly shaped his own lyrical sensibilities, offering readers both a celebration of English poetry and an intimate glimpse into the mind of one of its great modern practitioners.
Book Condition: Very Good
Book Authors: John Masefield
Book Publisher: William Heinemann Ltd
Book Language: English
Narrative Type: Antiquarian
Genre: Poetry
Book edition: First Edition
Signed: Yes
Book Pages: 310
Book Publication Year: 1950
Book Publication Date:
Book Binding: Hardcover
Illustrator: N/A
Book Series: N/A
Country/region of manufacture: Kingswood, Surrey, United Kingdom
Book Dimensions:
Book Condition Guide
| Condition | Description |
|---|---|
| New | A brand-new, unread and professionally handled book. Carefully preserved from publication to purchase, these books are offered in the best attainable condition. This grade applies to recently published titles that have not entered long-term storage. |
| As New | The book is in pristine, original condition as if just published. No signs of use or handling. The dust jacket (if present) is equally flawless. This grade applies to any book that has remained untouched in storage for years. |
| Fine | The book is close to As New. It remains bright and attractive, but could show minor imperfections to the boards and/or dust jacket (if present). Its pages are typically clean and unmarked. |
| Near Fine | The book has a number of small flaws, i.e. slight rubbing to the edges, or tiny chips or creases to the dust jacket (if present). Its pages may have faint marks, or creases that are barely perceptible — nothing that detracts from their overall condition. |
| Very Good | The book maintains its structural integrity, and has no major flaws such as tears to its binding or pages. It may, however, show signs of careful use, handling, or storage — small marks and creases, light foxing. Its dust jacket (if present) remains fully intact, but small tears may be present. |
| Good | A book that remains intact and readable with complete text pages, but shows moderate signs of wear and use to both the book and dust jacket (if present). It may have noticeable creases, nicks, or stains, and the spine likely shows fading, bumping, and rubbing. There could be writing, underlining, and other marks on some pages, though the majority will be clean and tidy. |
| Fair | A book with significant wear or damage. The text pages will be complete, but there may be heavy underlining, highlighting and staining throughout, and the book’s endpapers, half-title, and copyright pages could be damaged or missing. The binding could be loose, and the dust jacket (if present) may have notable scuffs or tears. These copies are usually of interest for content, signature(s) or scarcity. |
| Poor | A heavily worn book whose value lies in its complete and legible text. A poor book will have substantial defects — loose joints or hinges, detached covers, loose and/or missing pages, and could be heavily soiled. A poor book is also known as a reading copy, and although compromised, can hold historical or bibliographic significance. |
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