Night Thoughts on Life, Death, and Immortality, Edward Young — Stereotype Edition
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Publication: London, Nuttall, Fisher, and Dixon, n.d. [c. 1800–1815]
Formatting: 8vo, pagination unverified, untrimmed text block.
Condition Report: Good. The volume has been sensibly but plainly rebound in grey-blue paper over boards, presenting a tight, secure structure devoid of external embellishment. The text block remains entirely untrimmed, preserving its original rough-cut edges which display expected age-toning and moderate dust-soiling. Internally, the binding holds firm, though the preliminary leaves, including the frontispiece and title page, exhibit significant damp staining and prominent tide marks primarily localised to the lower gutter and margins. Intermittent foxing and scattered spotting are present throughout the text block, commensurate with the paper stock and provincial production of this era, yet the structural integrity remains uncompromised and the text is fully legible.
Catalogue Note: This "Stereotype Edition" compiles Edward Young’s profoundly influential blank-verse meditation alongside Robert Blair’s The Grave and supplementary verses, effectively gathering the period's most popular "Graveyard School" poetry into a single, accessible volume. The text is accompanied by an engraved frontispiece portrait of Young and several internal engraved plates executed by notable period craftsmen (including Neagle, Cooke, and J. Palmer), representing a solid example of nineteenth-century provincial illustration.
The copy bears modest but interesting provenance markers, including early ownership signatures ("J. Burman" and what appears to be "John Forster") on the preliminary leaves. Having been rebound functionally in plain paper boards, the book stands as an authentic, unsophisticated survival of a heavily read printing. Such stereotyped editions, while historically printed in enormous numbers to satisfy the sweeping middle-class appetite for pietistic literature, are surprisingly scarce on the open market today in any condition, as they were overwhelmingly read to pieces rather than preserved in formal libraries.
A quintessential cornerstone of the eighteenth-century "Graveyard School" of poetry, Edward Young's Night Thoughts was a spectacular literary success that defined the mood of Christian melancholia for generations. Written in profound grief following a succession of personal losses, this expansive blank-verse epic explores the transient nature of life, the inevitability of death, and the hope of immortality. This compilation also features Robert Blair's similarly influential poem The Grave, alongside other contemporary elegiac works, offering a comprehensive immersion into the era's fascination with mortality, mourning, and spiritual redemption.
Book Condition: Good
Book Authors: Edward Young; Robert Blair; Bishop Porteus; Rev. C. E. De Coetlogon; Rev. David M'Nicoll
Book Publisher: Nuttall, Fisher, and Dixon
Book Language: English
Narrative Type: Antiquarian
Genre: Poetry
Book edition:
Signed: No
Book Pages:
Book Publication Year:
Book Publication Date:
Book Binding: Hardcover
Illustrator: W.M. Craig; Cooke; Neagle; J. Palmer; J. James; J. Dudley; J. Taylor
Book Series: N/A
Country/region of manufacture: London, United Kingdom
Book Dimensions:
Book Condition Guide
| Condition | Description |
|---|---|
| New | A brand-new, unread and professionally handled book. Carefully preserved from publication to purchase, these books are offered in the best attainable condition. This grade applies to recently published titles that have not entered long-term storage. |
| As New | The book is in pristine, original condition as if just published. No signs of use or handling. The dust jacket (if present) is equally flawless. This grade applies to any book that has remained untouched in storage for years. |
| Fine | The book is close to As New. It remains bright and attractive, but could show minor imperfections to the boards and/or dust jacket (if present). Its pages are typically clean and unmarked. |
| Near Fine | The book has a number of small flaws, i.e. slight rubbing to the edges, or tiny chips or creases to the dust jacket (if present). Its pages may have faint marks, or creases that are barely perceptible — nothing that detracts from their overall condition. |
| Very Good | The book maintains its structural integrity, and has no major flaws such as tears to its binding or pages. It may, however, show signs of careful use, handling, or storage — small marks and creases, light foxing. Its dust jacket (if present) remains fully intact, but small tears may be present. |
| Good | A book that remains intact and readable with complete text pages, but shows moderate signs of wear and use to both the book and dust jacket (if present). It may have noticeable creases, nicks, or stains, and the spine likely shows fading, bumping, and rubbing. There could be writing, underlining, and other marks on some pages, though the majority will be clean and tidy. |
| Fair | A book with significant wear or damage. The text pages will be complete, but there may be heavy underlining, highlighting and staining throughout, and the book’s endpapers, half-title, and copyright pages could be damaged or missing. The binding could be loose, and the dust jacket (if present) may have notable scuffs or tears. These copies are usually of interest for content, signature(s) or scarcity. |
| Poor | A heavily worn book whose value lies in its complete and legible text. A poor book will have substantial defects — loose joints or hinges, detached covers, loose and/or missing pages, and could be heavily soiled. A poor book is also known as a reading copy, and although compromised, can hold historical or bibliographic significance. |
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