Nothing More to Declare, John Clellon Holmes — 1st Edition
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Publication: London, André Deutsch, 1968
Formatting: 8vo, pp. 253.
Condition Report: Good. The original orange cloth binding remains structurally sound and reasonably square, exhibiting only minor compression to the spine extremities and negligible shelf-wear. The striking pop-art dust jacket is remarkably well-preserved for a circulating copy, retaining vibrant, un-faded colours across the panels and showing only trivial rubbing to the edges. Internally, the pages are clean and highly legible, though the volume bears unmistakable institutional provenance: a 'Glamorgan County Library Committee' circular stamp is present on the title page, with a similar stamp located on the lower text-block edge, alongside a 'Withdrawn from Circulation' ink notation on the copyright page.
Catalogue Note: This is the first UK edition of Holmes’s seminal collection of essays, published a year after the American first edition.
The dust jacket for this British edition features a wildly different, psychedelic pop-art design compared to its American counterpart, making it a highly desirable variant for collectors of 1960s countercultural literature and Beat Generation ephemera.
As noted in the condition report, the volume is an ex-library copy, formerly of the Glamorgan County Libraries. Despite its institutional history, it has survived in surprisingly bright condition, avoiding the heavy reading wear, loose joints, and aggressive marking typical of circulating stock from this era.
At the age of forty, John Clellon Holmes, often regarded as the quiet, philosophical voice of the Beat Generation, turned his critical eye toward his own maturity and the explosive literary movement he helped define. Nothing More to Declare is a provocative and deeply personal summation of the mid-century counterculture. Part memoir, part cultural critique, the collection offers intimate, firsthand portraits of his contemporaries and friends, including Jack Kerouac, Allen Ginsberg, and Gershon Legman, providing an essential, ground-level view of the men and ideas that shaped modern American literature.
Book Condition: Good
Book Authors: John Clellon Holmes
Book Publisher: André Deutsch
Book Language: English
Narrative Type: Non-Fiction
Genre: Criticism & Essays
Book edition: First Edition
Signed: No
Book Pages: 253
Book Publication Year: 1968
Book Publication Date:
Book Binding: Hardcover
Illustrator: N/A
Book Series: N/A
Country/region of manufacture: London, United Kingdom
Book Dimensions:
Book Condition Guide
| Condition | Description |
|---|---|
| New | A brand-new, unread and professionally handled book. Carefully preserved from publication to purchase, these books are offered in the best attainable condition. This grade applies to recently published titles that have not entered long-term storage. |
| As New | The book is in pristine, original condition as if just published. No signs of use or handling. The dust jacket (if present) is equally flawless. This grade applies to any book that has remained untouched in storage for years. |
| Fine | The book is close to As New. It remains bright and attractive, but could show minor imperfections to the boards and/or dust jacket (if present). Its pages are typically clean and unmarked. |
| Near Fine | The book has a number of small flaws, i.e. slight rubbing to the edges, or tiny chips or creases to the dust jacket (if present). Its pages may have faint marks, or creases that are barely perceptible — nothing that detracts from their overall condition. |
| Very Good | The book maintains its structural integrity, and has no major flaws such as tears to its binding or pages. It may, however, show signs of careful use, handling, or storage — small marks and creases, light foxing. Its dust jacket (if present) remains fully intact, but small tears may be present. |
| Good | A book that remains intact and readable with complete text pages, but shows moderate signs of wear and use to both the book and dust jacket (if present). It may have noticeable creases, nicks, or stains, and the spine likely shows fading, bumping, and rubbing. There could be writing, underlining, and other marks on some pages, though the majority will be clean and tidy. |
| Fair | A book with significant wear or damage. The text pages will be complete, but there may be heavy underlining, highlighting and staining throughout, and the book’s endpapers, half-title, and copyright pages could be damaged or missing. The binding could be loose, and the dust jacket (if present) may have notable scuffs or tears. These copies are usually of interest for content, signature(s) or scarcity. |
| Poor | A heavily worn book whose value lies in its complete and legible text. A poor book will have substantial defects — loose joints or hinges, detached covers, loose and/or missing pages, and could be heavily soiled. A poor book is also known as a reading copy, and although compromised, can hold historical or bibliographic significance. |
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