Pahari Paintings and Sikh Portraits in the Lahore Museum, F. S. Aijazuddin
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Pahari Paintings and Sikh Portraits in the Lahore Museum, F. S. Aijazuddin — 1st Edition
Publication: London, Sotheby Parke Bernet Publications, 1977
Formatting: 4to, pp. 270.
Condition Report: Very Good. The publisher's original brown cloth binding remains firm and tight, exhibiting only faint shelf-wear at the extremities and bright, unoxidised gilt titling to the spine. The text block is square and securely bound, with mild dust-toning and faint spotting to the top edge, whilst the internal pages are notably bright, clean, and entirely free from foxing or prominent blemishes. The original dust jacket is present and retains a vibrant front panel, though it displays minor crimping along the top edge and a small chip with associated loss to the tail of the spine. Clean and presentable overall.
Catalogue Note: This is a true First Edition, printed and bound in Great Britain in 1977. Serving as an essential catalogue raisonné of the miniature paintings housed in the Lahore Museum, this volume connects each piece to its respective region in the Himalayan Hill States and the Punjab.
Illustrated extensively throughout, it features 16 colour plates alongside 280 monochrome reproductions, providing a comprehensive scholarly appraisal that builds upon the earlier work of Dr. W. G. Archer, who also provides the foreword.
The book is internally clean and free from significant provenance markings or previous ownership inscriptions. Due to its highly specialised subject matter, complete copies of this first printing have become increasingly scarce on the open market, making it a desirable reference for collectors of South Asian, Islamic, and Sikh art.
A masterful and comprehensive catalogue, Pahari Paintings and Sikh Portraits in the Lahore Museum offers a detailed exploration of over 500 miniature paintings and portraits from the Himalayan Hill States and the Sikh Empire. Authored by F. S. Aijazuddin, a lineal descendant of Maharaja Ranjit Singh's physician, this scholarly work provides crucial historical context and precise identifications for the museum's extensive collection. Enhanced by an insightful foreword from Dr. W. G. Archer and featuring nearly 300 illustrations, it remains an indispensable reference for both historians and art collectors captivated by the rich aesthetic traditions of the Punjab.
Book Condition: Very Good
Book Authors: F. S. Aijazuddin
Book Publisher: Sotheby Parke Bernet Publications
Book Language: English
Narrative Type: Non-Fiction
Genre: Art & Architecture
Book edition: First Edition
Signed: No
Book Pages: 270
Book Publication Year: 1977
Book Publication Date:
Book Binding: Hardcover
Illustrator: N/A
Book Series: N/A
Country/region of manufacture: Wisbech, United Kingdom
Book Dimensions:
Book Condition Guide
| Condition | Description |
|---|---|
| New | A brand-new, unread and professionally handled book. Carefully preserved from publication to purchase, these books are offered in the best attainable condition. This grade applies to recently published titles that have not entered long-term storage. |
| As New | The book is in pristine, original condition as if just published. No signs of use or handling. The dust jacket (if present) is equally flawless. This grade applies to any book that has remained untouched in storage for years. |
| Fine | The book is close to As New. It remains bright and attractive, but could show minor imperfections to the boards and/or dust jacket (if present). Its pages are typically clean and unmarked. |
| Near Fine | The book has a number of small flaws, i.e. slight rubbing to the edges, or tiny chips or creases to the dust jacket (if present). Its pages may have faint marks, or creases that are barely perceptible — nothing that detracts from their overall condition. |
| Very Good | The book maintains its structural integrity, and has no major flaws such as tears to its binding or pages. It may, however, show signs of careful use, handling, or storage — small marks and creases, light foxing. Its dust jacket (if present) remains fully intact, but small tears may be present. |
| Good | A book that remains intact and readable with complete text pages, but shows moderate signs of wear and use to both the book and dust jacket (if present). It may have noticeable creases, nicks, or stains, and the spine likely shows fading, bumping, and rubbing. There could be writing, underlining, and other marks on some pages, though the majority will be clean and tidy. |
| Fair | A book with significant wear or damage. The text pages will be complete, but there may be heavy underlining, highlighting and staining throughout, and the book’s endpapers, half-title, and copyright pages could be damaged or missing. The binding could be loose, and the dust jacket (if present) may have notable scuffs or tears. These copies are usually of interest for content, signature(s) or scarcity. |
| Poor | A heavily worn book whose value lies in its complete and legible text. A poor book will have substantial defects — loose joints or hinges, detached covers, loose and/or missing pages, and could be heavily soiled. A poor book is also known as a reading copy, and although compromised, can hold historical or bibliographic significance. |
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