Poems, Samuel Rogers — 1st Collected Edition

Poems, Samuel Rogers — 1st Collected Edition

£98.00
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Poems, Samuel Rogers — 1st Collected Edition

Poems, Samuel Rogers — 1st Collected Edition

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£98.00

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Publication: London, T. Cadell and W. Davies, 1812

Formatting: 8vo, pp. [viii], 275, [1].

Condition Report: Very Good. The volume is tightly bound in a handsome contemporary full calf binding, which remains structurally sturdy despite some mild rubbing to the extremities and slight wear to the spine ends. The intricate gilt and blind tooling on the boards and spine remains bright and largely unoxidized, retaining much of its original elegance. The decorated edges of the text block are well-preserved, though slightly darkened with age. Internally, the hinges are sound and the text block is firm. The pages exhibit some moderate age-toning and localized foxing, most notably along the margins of the preliminary leaves and the title page, alongside faint historic moisture marks near the gutter. Early ownership inscriptions are present on the front endpapers in ink, but the text and the fine wood-engravings remain clean, legible, and well-preserved throughout.

Catalogue Note: This 1812 publication represents the first collected edition of Samuel Rogers' poetry. It brings together his highly acclaimed works, including The Pleasures of Memory, in a single, elegantly produced volume.

The work is beautifully illustrated throughout with sixty-four delicate wood-engraved vignettes, head-pieces, and tail-pieces. These engravings were masterfully cut by Luke Clennell, a prominent pupil of Thomas Bewick, based on original drawings by the renowned English painter and illustrator Thomas Stothard, R.A..

Adding a layer of historical interest, the front flyleaf bears the ink ownership signature of "W. W. Chynoweth Pope," alongside an early annotation in purple ink directing the reader to a review of Rogers' Poems in Sir James Mackintosh's Miscellaneous Works (1851). A further partial ownership inscription to the front pastedown adds to its provenance. First collected editions featuring these specific Stothard-Clennell illustrations are highly regarded by collectors of Romantic-era poetry and nineteenth-century book illustration.

A cornerstone of English Romantic literature, this first collected edition of Samuel Rogers' Poems captures the refined sensibility that made him one of the most celebrated poets of his generation. While his contemporary fame rivaled that of Wordsworth and Byron, it is his masterwork, The Pleasures of Memory, that secures his lasting legacy. This exquisite 1812 volume elevates Rogers’ evocative verse with a series of masterful wood-engraved vignettes by Luke Clennell after Thomas Stothard, blending poetry and visual art into a beautiful artifact of the early nineteenth century

Book Condition: Very Good

Book Authors: Samuel Rogers

Book Publisher: T. Cadell and W. Davies

Book Language: English

Narrative Type: Antiquarian

Genre: Poetry

Book edition: First Edition

Signed: No

Book Pages: 284

Book Publication Year: 1812

Book Publication Date:

Book Binding: Hardcover (Full Calf)

Illustrator: Thomas Stothard and Luke Clennell

Book Series: N/A

Country/region of manufacture: London, United Kingdom

Book Dimensions:

Book Condition Guide

We stock thousands of books in a wide range of conditions. To make things clear and to help you know exactly what to expect, Please refer to these condition categories to understand the condition of the book you will receive.
Condition Description
New A brand-new, unread and professionally handled book. Carefully preserved from publication to purchase, these books are offered in the best attainable condition. This grade applies to recently published titles that have not entered long-term storage.
As New The book is in pristine, original condition as if just published. No signs of use or handling. The dust jacket (if present) is equally flawless. This grade applies to any book that has remained untouched in storage for years.
Fine The book is close to As New. It remains bright and attractive, but could show minor imperfections to the boards and/or dust jacket (if present). Its pages are typically clean and unmarked.
Near Fine The book has a number of small flaws, i.e. slight rubbing to the edges, or tiny chips or creases to the dust jacket (if present). Its pages may have faint marks, or creases that are barely perceptible — nothing that detracts from their overall condition.
Very Good The book maintains its structural integrity, and has no major flaws such as tears to its binding or pages. It may, however, show signs of careful use, handling, or storage — small marks and creases, light foxing. Its dust jacket (if present) remains fully intact, but small tears may be present.
Good A book that remains intact and readable with complete text pages, but shows moderate signs of wear and use to both the book and dust jacket (if present). It may have noticeable creases, nicks, or stains, and the spine likely shows fading, bumping, and rubbing. There could be writing, underlining, and other marks on some pages, though the majority will be clean and tidy.
Fair A book with significant wear or damage. The text pages will be complete, but there may be heavy underlining, highlighting and staining throughout, and the book’s endpapers, half-title, and copyright pages could be damaged or missing. The binding could be loose, and the dust jacket (if present) may have notable scuffs or tears. These copies are usually of interest for content, signature(s) or scarcity.
Poor A heavily worn book whose value lies in its complete and legible text. A poor book will have substantial defects — loose joints or hinges, detached covers, loose and/or missing pages, and could be heavily soiled. A poor book is also known as a reading copy, and although compromised, can hold historical or bibliographic significance.

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