Printing Metals, Fry's Metal Foundries Ltd. (A. H. Mundey) — 1st Ed
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Publication: London, Fry's Metal Foundries Ltd., 1936
Formatting: Cr. 8vo, pp. [viii], 92.
Condition Report: Very Good. The volume is bound in its original brick-red cloth, featuring bright, unoxidised gilt titling to the front board and spine. The boards remain remarkably clean with only faint, negligible shelf-wear at the extremities and slight corner bumping. The binding is tight and perfectly square, exhibiting no lean or weakness in the hinges. The text block edges show mild, uniform age-toning. Internally, the preliminary pages are crisp, bright, and free from significant foxing, moisture damage, or tears. An excellently preserved copy of a pre-war industrial text.
Catalogue Note: This is the true first edition of Printing Metals, printed in October 1936. Authored on behalf of the foundry by metallurgical expert A. H. Mundey, the work served as a foundational, highly respected technical manual for mid-twentieth-century typographers and compositors.
While later revised editions from the 1950s and 1960s are relatively common, this original pre-war 1936 printing is genuinely scarce on the open market, particularly in such a well-preserved state.
Produced during the golden age of hot-metal typesetting, Printing Metals offers a fascinating, granular look at the metallurgical science underpinning the traditional printing industry. Originally distributed by the renowned Tandem Works foundry in London, this technical manual covers the production, nature, and practical use of printing alloys. It serves as both a practical guide for the historical compositor and a compelling archival document for anyone interested in the mechanical history of the printed word, capturing the exact science of typography before the advent of photo-typesetting.
Book Condition: Very Good
Book Authors: Fry's Metal Foundries Ltd. (A. H. Mundey)
Book Publisher: Fry's Metal Foundries Ltd.
Book Language: English
Narrative Type: Non-Fiction
Genre: History
Book edition: First Edition
Signed: No
Book Pages: 100
Book Publication Year: 1936
Book Publication Date:
Book Binding: Hardcover
Illustrator: N/A
Book Series: N/A
Country/region of manufacture: London, United Kingdom
Book Dimensions:
Book Condition Guide
| Condition | Description |
|---|---|
| New | A brand-new, unread and professionally handled book. Carefully preserved from publication to purchase, these books are offered in the best attainable condition. This grade applies to recently published titles that have not entered long-term storage. |
| As New | The book is in pristine, original condition as if just published. No signs of use or handling. The dust jacket (if present) is equally flawless. This grade applies to any book that has remained untouched in storage for years. |
| Fine | The book is close to As New. It remains bright and attractive, but could show minor imperfections to the boards and/or dust jacket (if present). Its pages are typically clean and unmarked. |
| Near Fine | The book has a number of small flaws, i.e. slight rubbing to the edges, or tiny chips or creases to the dust jacket (if present). Its pages may have faint marks, or creases that are barely perceptible — nothing that detracts from their overall condition. |
| Very Good | The book maintains its structural integrity, and has no major flaws such as tears to its binding or pages. It may, however, show signs of careful use, handling, or storage — small marks and creases, light foxing. Its dust jacket (if present) remains fully intact, but small tears may be present. |
| Good | A book that remains intact and readable with complete text pages, but shows moderate signs of wear and use to both the book and dust jacket (if present). It may have noticeable creases, nicks, or stains, and the spine likely shows fading, bumping, and rubbing. There could be writing, underlining, and other marks on some pages, though the majority will be clean and tidy. |
| Fair | A book with significant wear or damage. The text pages will be complete, but there may be heavy underlining, highlighting and staining throughout, and the book’s endpapers, half-title, and copyright pages could be damaged or missing. The binding could be loose, and the dust jacket (if present) may have notable scuffs or tears. These copies are usually of interest for content, signature(s) or scarcity. |
| Poor | A heavily worn book whose value lies in its complete and legible text. A poor book will have substantial defects — loose joints or hinges, detached covers, loose and/or missing pages, and could be heavily soiled. A poor book is also known as a reading copy, and although compromised, can hold historical or bibliographic significance. |
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