Remarks on Forest Scenery, William Gilpin — 2nd Edition

Remarks on Forest Scenery, William Gilpin — 2nd Edition

£80.00
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Remarks on Forest Scenery, William Gilpin — 2nd Edition

Remarks on Forest Scenery, William Gilpin — 2nd Edition

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£80.00

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Publication: London, R. Blamire, 1794

Formatting: 8vo, pp. [iv], 358.

Condition Report: Fair. Bound in contemporary full mottled calf, this volume exhibits significant wear and deterioration consistent with substantial historical use. The boards are heavily rubbed and scuffed, with bumped extremities and minor leather loss at the corners demonstrating considerable shelf-wear. The spine's structural integrity is compromised; the head and tail are chipped and mostly perished, and the original title label is darkened and rubbed to the point of near-illegibility. Crucially, the front joint is heavily cracked and tender, weakening the tightness of the binding, while the rear joint is also beginning to split. Internally, however, the text block remains generally sound and complete for this second volume. The pages display minor age-toning and occasional scattered foxing, though they lack severe staining and are relatively bright for their age. The folding hand-coloured map and tinted aquatint plates have survived intact, exhibiting only minor offsetting. Because the structural damage is largely confined to the external binding while the internal contents remain complete and legible, this serves as a viable, albeit heavily worn, reading or reference copy.

Catalogue Note: This is Volume II only of the second edition of William Gilpin’s seminal work on the picturesque. While isolated from its first volume, this standalone book contains a complete text block for the second part of the work, alongside a striking hand-coloured double-page map of the New Forest and several tinted aquatint plates, including Gilpin's notable studies of horses.

The book is presented in a period mottled calf binding, indicative of typical late 18th-century library styling. On the open market, odd volumes of this title are scarce; they are infrequently sold on their own and are more commonly encountered as part of complete sets or broken down entirely by print dealers.

William Gilpin’s Remarks on Forest Scenery is a foundational text in the development of the British "Picturesque" movement, a late 18th-century aesthetic philosophy that championed the rugged, irregular, and untamed beauty of the natural world. Through a blend of artistic theory, natural history, and descriptive travelogue, Gilpin turns his discerning eye to the trees, woodlands, and sweeping landscapes of Hampshire's New Forest. His evocative prose and accompanying aquatint illustrations trained a generation of readers, artists, and landscape designers to view nature not as something to be manicured, but as a wild, dynamic canvas to be appreciated in its rawest form.

Book Condition: Fair

Book Authors: William Gilpin

Book Publisher: R. Blamire

Book Language: English

Narrative Type: Antiquarian

Genre: Nature & Environment

Book edition: Second Edition

Signed: No

Book Pages: 358

Book Publication Year: 1794

Book Publication Date:

Book Binding: Leather

Illustrator: William Gilpin

Book Series: N/A

Country/region of manufacture: London, United Kingdom

Book Dimensions:

Book Condition Guide

We stock thousands of books in a wide range of conditions. To make things clear and to help you know exactly what to expect, Please refer to these condition categories to understand the condition of the book you will receive.
Condition Description
New A brand-new, unread and professionally handled book. Carefully preserved from publication to purchase, these books are offered in the best attainable condition. This grade applies to recently published titles that have not entered long-term storage.
As New The book is in pristine, original condition as if just published. No signs of use or handling. The dust jacket (if present) is equally flawless. This grade applies to any book that has remained untouched in storage for years.
Fine The book is close to As New. It remains bright and attractive, but could show minor imperfections to the boards and/or dust jacket (if present). Its pages are typically clean and unmarked.
Near Fine The book has a number of small flaws, i.e. slight rubbing to the edges, or tiny chips or creases to the dust jacket (if present). Its pages may have faint marks, or creases that are barely perceptible — nothing that detracts from their overall condition.
Very Good The book maintains its structural integrity, and has no major flaws such as tears to its binding or pages. It may, however, show signs of careful use, handling, or storage — small marks and creases, light foxing. Its dust jacket (if present) remains fully intact, but small tears may be present.
Good A book that remains intact and readable with complete text pages, but shows moderate signs of wear and use to both the book and dust jacket (if present). It may have noticeable creases, nicks, or stains, and the spine likely shows fading, bumping, and rubbing. There could be writing, underlining, and other marks on some pages, though the majority will be clean and tidy.
Fair A book with significant wear or damage. The text pages will be complete, but there may be heavy underlining, highlighting and staining throughout, and the book’s endpapers, half-title, and copyright pages could be damaged or missing. The binding could be loose, and the dust jacket (if present) may have notable scuffs or tears. These copies are usually of interest for content, signature(s) or scarcity.
Poor A heavily worn book whose value lies in its complete and legible text. A poor book will have substantial defects — loose joints or hinges, detached covers, loose and/or missing pages, and could be heavily soiled. A poor book is also known as a reading copy, and although compromised, can hold historical or bibliographic significance.

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