Siberia, Abraham Sutzkever — 1st Edition
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Publication: London, Abelard-Schuman, 1961
Formatting: Folio, pp. 46.
Condition Report: Near Fine; Very Good dust jacket. The publisher’s original light blue cloth binding remains remarkably tight, exceptionally clean, and square, with bright silver lettering to the spine completely unmarred by oxidation or rubbing. Internally, the pages are crisp, bright, and entirely free of tearing or significant foxing, presenting Chagall's striking illustrations with excellent clarity. The volume is housed in its original pictorial dust jacket, which, while remaining completely intact and smartly preserved in a protective Mylar sleeve, exhibits moderate age-toning, scattered foxing spots across the beige panels, and minor rubbing to the extremities typical of this edition.
Catalogue Note: This is the first translated English edition of Abraham Sutzkever’s celebrated poem, translated from the original Yiddish and introduced by Jacob Sonntag.
The volume is notably enhanced by the artistic contributions of the Jewish modernist master Marc Chagall, who provided eight original drawings and a prefatory letter specifically for this work. The aesthetic presentation is further elevated by the headings and decorative details designed by Elizabeth Friedlander.
This edition was jointly sponsored by the International PEN Club and the United Nations Educational, Scientific and Cultural Organisation, earning its place in the UNESCO Collection of Contemporary Works. Complete, jacketed copies retaining Chagall’s delicate cover art remain uncommon on the open market.
An evocative and profoundly moving narrative poem by the acclaimed Yiddish poet and Holocaust survivor Abraham Sutzkever. In Siberia, Sutzkever reflects upon his early childhood in the Russian Empire, capturing the stark, icy beauty and haunting mystery of the landscape. His lyrical memories of a world illuminated by the silver moon and traversed by his father's sledge are beautifully complemented by the dreamlike ink drawings of Marc Chagall, resulting in a striking collaboration between two titans of twentieth-century Jewish art and literature.
Book Condition: Near Fine
Book Authors: Abraham Sutzkever
Book Publisher: Abelard-Schuman
Book Language: English
Narrative Type: Antiquarian
Genre: Poetry
Book edition: First Edition
Signed: No
Book Pages: 46
Book Publication Year: 1961
Book Publication Date:
Book Binding: Hardcover
Illustrator: Marc Chagall
Book Series: UNESCO Collection of Contemporary Works
Country/region of manufacture: London, United Kingdom
Book Dimensions:
Book Condition Guide
| Condition | Description |
|---|---|
| New | A brand-new, unread and professionally handled book. Carefully preserved from publication to purchase, these books are offered in the best attainable condition. This grade applies to recently published titles that have not entered long-term storage. |
| As New | The book is in pristine, original condition as if just published. No signs of use or handling. The dust jacket (if present) is equally flawless. This grade applies to any book that has remained untouched in storage for years. |
| Fine | The book is close to As New. It remains bright and attractive, but could show minor imperfections to the boards and/or dust jacket (if present). Its pages are typically clean and unmarked. |
| Near Fine | The book has a number of small flaws, i.e. slight rubbing to the edges, or tiny chips or creases to the dust jacket (if present). Its pages may have faint marks, or creases that are barely perceptible — nothing that detracts from their overall condition. |
| Very Good | The book maintains its structural integrity, and has no major flaws such as tears to its binding or pages. It may, however, show signs of careful use, handling, or storage — small marks and creases, light foxing. Its dust jacket (if present) remains fully intact, but small tears may be present. |
| Good | A book that remains intact and readable with complete text pages, but shows moderate signs of wear and use to both the book and dust jacket (if present). It may have noticeable creases, nicks, or stains, and the spine likely shows fading, bumping, and rubbing. There could be writing, underlining, and other marks on some pages, though the majority will be clean and tidy. |
| Fair | A book with significant wear or damage. The text pages will be complete, but there may be heavy underlining, highlighting and staining throughout, and the book’s endpapers, half-title, and copyright pages could be damaged or missing. The binding could be loose, and the dust jacket (if present) may have notable scuffs or tears. These copies are usually of interest for content, signature(s) or scarcity. |
| Poor | A heavily worn book whose value lies in its complete and legible text. A poor book will have substantial defects — loose joints or hinges, detached covers, loose and/or missing pages, and could be heavily soiled. A poor book is also known as a reading copy, and although compromised, can hold historical or bibliographic significance. |
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