Sonata: Violare, col legno, Philip Lancaster — 1st Edition
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Publication: Cornwall, Guillemot Press, 2021
Formatting: 8vo, pp. 48.
Condition Report: Near Fine. This softcover pamphlet presents in highly attractive condition, exhibiting only the most trivial signs of handling, primarily consisting of minor edge-wear and faint curling to the extreme corners of the wrappers. The section-sewn binding remains tight, secure, and entirely square. Internally, the text block is immaculate; the Mohawk Superfine pages are exceptionally crisp, bright, and completely devoid of foxing, creases, or previous ownership markings, resulting in a superb, collector-quality reading copy.
Catalogue Note: First edition. This beautifully produced pamphlet reflects Guillemot Press's dedication to tactile, aesthetically striking bookmaking. The striking double-sided cover artwork was created by Anna Hussey and printed on Favini Crush paper, while the text block itself is section-sewn and printed on premium Mohawk Superfine paper.
As a relatively modern publication that remains in print, it is not an inherently rare volume, though it is remarkably scarce on the secondary antiquarian and secondhand markets. The book is dedicated "for Graham and all who crave the music of silence."
Sonata: violare, col legno is a deeply textured, fifteen-part poetry sequence by composer and scholar Philip Lancaster, written in pursuit of the "music of silence." The work derives its overarching architecture from musical sonata form, developing and returning to complex motifs throughout the sequence. Its subtitle carries a deliberate dual meaning: col legno refers to the stringed instrument technique of playing "with the wood" of the bow, while violare speaks not just of the instrument, but of violation—the violation of silence and of hope. It is a masterful, lyrical exploration of form, sound, and emotional resonance.
Book Condition: Near Fine
Book Authors: Philip Lancaster
Book Publisher: Guillemot Press
Book Language: English
Narrative Type: Fiction
Genre: Poetry
Book edition: First Edition
Signed: No
Book Pages: 48
Book Publication Year: 2021
Book Publication Date:
Book Binding: Softcover
Illustrator: Anna Hussey
Book Series: N/A
Country/region of manufacture: Cornwall, United Kingdom
Book Dimensions:
Book Condition Guide
| Condition | Description |
|---|---|
| New | A brand-new, unread and professionally handled book. Carefully preserved from publication to purchase, these books are offered in the best attainable condition. This grade applies to recently published titles that have not entered long-term storage. |
| As New | The book is in pristine, original condition as if just published. No signs of use or handling. The dust jacket (if present) is equally flawless. This grade applies to any book that has remained untouched in storage for years. |
| Fine | The book is close to As New. It remains bright and attractive, but could show minor imperfections to the boards and/or dust jacket (if present). Its pages are typically clean and unmarked. |
| Near Fine | The book has a number of small flaws, i.e. slight rubbing to the edges, or tiny chips or creases to the dust jacket (if present). Its pages may have faint marks, or creases that are barely perceptible — nothing that detracts from their overall condition. |
| Very Good | The book maintains its structural integrity, and has no major flaws such as tears to its binding or pages. It may, however, show signs of careful use, handling, or storage — small marks and creases, light foxing. Its dust jacket (if present) remains fully intact, but small tears may be present. |
| Good | A book that remains intact and readable with complete text pages, but shows moderate signs of wear and use to both the book and dust jacket (if present). It may have noticeable creases, nicks, or stains, and the spine likely shows fading, bumping, and rubbing. There could be writing, underlining, and other marks on some pages, though the majority will be clean and tidy. |
| Fair | A book with significant wear or damage. The text pages will be complete, but there may be heavy underlining, highlighting and staining throughout, and the book’s endpapers, half-title, and copyright pages could be damaged or missing. The binding could be loose, and the dust jacket (if present) may have notable scuffs or tears. These copies are usually of interest for content, signature(s) or scarcity. |
| Poor | A heavily worn book whose value lies in its complete and legible text. A poor book will have substantial defects — loose joints or hinges, detached covers, loose and/or missing pages, and could be heavily soiled. A poor book is also known as a reading copy, and although compromised, can hold historical or bibliographic significance. |
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