Stratton, Ronald Duncan — 1st Edition
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Publication: London, Faber and Faber, 1950
Formatting: 8vo, pp. 162.
Condition Report: Very Good. The original red cloth boards remain firm and secure, though they exhibit some light fading at the extremities where the jacket affords less protection. The binding appears tight with no visible splitting to the hinges, maintaining excellent structural integrity. Internally, the pages are clean and well-preserved, displaying only the mild, uniform age-toning typical of mid-century paper stock. It is housed in a dust jacket that presents handsomely; it exhibits some light shelf-wear, minor rubbing to the corners, and slight edge-creasing, but it remains bright and entirely intact without significant loss.
Catalogue Note: This true first printing features the signature typographic style of Faber poetry editions of the era, which lists Duncan's contemporaries, such as W. H. Auden, T. S. Eliot, and Ezra Pound, on the rear panel of the jacket. Ronald Duncan was a prominent poet, playwright, and librettist, most notable for his frequent collaborations with composer Benjamin Britten and his founding of the English Stage Company.
Finding a copy that retains its original, vibrant dust jacket in such well-preserved condition has become increasingly uncommon.
In Stratton, poet and playwright Ronald Duncan explores the psychological and spiritual descent of a highly respected man, Sir Cory Stratton. As a figure bound by the rigid strictures of the law and societal expectation, Stratton finds his carefully ordered world unravelling when suppressed desires and generational shadows rise to the surface. Written in Duncan's characteristic poetic verse, the play offers a dark, gripping examination of identity, guilt, and the fragile boundary between the arbiter of justice and the criminal mind.
Book Condition: Very Good
Book Authors: Ronald Duncan
Book Publisher: Faber and Faber
Book Language: English
Narrative Type: Fiction
Genre: Modern Fiction
Book edition: First Edition
Signed: No
Book Pages: 162
Book Publication Year: 1950
Book Publication Date:
Book Binding: Hardcover
Illustrator: N/A
Book Series: N/A
Country/region of manufacture: London, United Kingdom
Book Dimensions:
Book Condition Guide
| Condition | Description |
|---|---|
| New | A brand-new, unread and professionally handled book. Carefully preserved from publication to purchase, these books are offered in the best attainable condition. This grade applies to recently published titles that have not entered long-term storage. |
| As New | The book is in pristine, original condition as if just published. No signs of use or handling. The dust jacket (if present) is equally flawless. This grade applies to any book that has remained untouched in storage for years. |
| Fine | The book is close to As New. It remains bright and attractive, but could show minor imperfections to the boards and/or dust jacket (if present). Its pages are typically clean and unmarked. |
| Near Fine | The book has a number of small flaws, i.e. slight rubbing to the edges, or tiny chips or creases to the dust jacket (if present). Its pages may have faint marks, or creases that are barely perceptible — nothing that detracts from their overall condition. |
| Very Good | The book maintains its structural integrity, and has no major flaws such as tears to its binding or pages. It may, however, show signs of careful use, handling, or storage — small marks and creases, light foxing. Its dust jacket (if present) remains fully intact, but small tears may be present. |
| Good | A book that remains intact and readable with complete text pages, but shows moderate signs of wear and use to both the book and dust jacket (if present). It may have noticeable creases, nicks, or stains, and the spine likely shows fading, bumping, and rubbing. There could be writing, underlining, and other marks on some pages, though the majority will be clean and tidy. |
| Fair | A book with significant wear or damage. The text pages will be complete, but there may be heavy underlining, highlighting and staining throughout, and the book’s endpapers, half-title, and copyright pages could be damaged or missing. The binding could be loose, and the dust jacket (if present) may have notable scuffs or tears. These copies are usually of interest for content, signature(s) or scarcity. |
| Poor | A heavily worn book whose value lies in its complete and legible text. A poor book will have substantial defects — loose joints or hinges, detached covers, loose and/or missing pages, and could be heavily soiled. A poor book is also known as a reading copy, and although compromised, can hold historical or bibliographic significance. |
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