Thanks Before Going, John Masefield — 1st Edition
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Publication: London, William Heinemann Ltd, 1946
Formatting: Small 8vo, pp. 68.
Condition Report Very Good. The original blue cloth binding remains robust and vibrant, showing minimal wear with sharp corners and bright, unoxidised gilt lettering on the spine. Internally, the pages are crisp, clean, and tightly bound, with only a whisper of age-toning to the extremities and no internal markings beyond the author's inscription. The original unclipped dust jacket (priced 7s 6d net) displays some slight browning to the spine and faint foxing to the rear panel, alongside minor edge-wear and slight nicking at the spine ends, but it remains structurally sound and visually pleasing, preserving the striking red front panel well.
Catalogue Note First Edition, First Printing (produced in complete conformity with the authorised 1946 economy standards).
This copy features a highly significant presentation inscription on the front free endpaper: "For Nancy Eastwood, / from / John Masefield. / Oct. 1st. 1946." Nancy Eastwood was the esteemed manageress of Blackwell's Books in Oxford, making this a wonderful association copy linking the former Poet Laureate with one of the most historic bookshops in the UK.
While unsigned copies of Masefield's post-war critical essays are relatively common on the open market, finding a true first edition with such a direct and historically notable trade association is quite scarce.
A thoughtful and engaging work by the former Poet Laureate, Thanks Before Going finds John Masefield reflecting on the original poems of Dante Gabriel Rossetti. In this slender but poignant volume, Masefield draws on his deep understanding of poetic craft to discuss Rossetti's verses with characteristic sincerity and musicality. Blending gratitude with gentle melancholy, the book stands as a lyrical tribute from one great poet to another, published toward the close of Masefield's long and distinguished career.
Book Condition: Very Good
Book Authors: John Masefield
Book Publisher: William Heinemann Ltd
Book Language: English
Narrative Type: Antiquarian
Genre: Criticism & Essays
Book edition: First Edition
Signed: Yes
Book Pages: 68
Book Publication Year: 1946
Book Publication Date:
Book Binding: Hardcover
Illustrator: N/A
Book Series: N/A
Country/region of manufacture: Kingswood, Surrey, United Kingdom
Book Dimensions:
Book Condition Guide
| Condition | Description |
|---|---|
| New | A brand-new, unread and professionally handled book. Carefully preserved from publication to purchase, these books are offered in the best attainable condition. This grade applies to recently published titles that have not entered long-term storage. |
| As New | The book is in pristine, original condition as if just published. No signs of use or handling. The dust jacket (if present) is equally flawless. This grade applies to any book that has remained untouched in storage for years. |
| Fine | The book is close to As New. It remains bright and attractive, but could show minor imperfections to the boards and/or dust jacket (if present). Its pages are typically clean and unmarked. |
| Near Fine | The book has a number of small flaws, i.e. slight rubbing to the edges, or tiny chips or creases to the dust jacket (if present). Its pages may have faint marks, or creases that are barely perceptible — nothing that detracts from their overall condition. |
| Very Good | The book maintains its structural integrity, and has no major flaws such as tears to its binding or pages. It may, however, show signs of careful use, handling, or storage — small marks and creases, light foxing. Its dust jacket (if present) remains fully intact, but small tears may be present. |
| Good | A book that remains intact and readable with complete text pages, but shows moderate signs of wear and use to both the book and dust jacket (if present). It may have noticeable creases, nicks, or stains, and the spine likely shows fading, bumping, and rubbing. There could be writing, underlining, and other marks on some pages, though the majority will be clean and tidy. |
| Fair | A book with significant wear or damage. The text pages will be complete, but there may be heavy underlining, highlighting and staining throughout, and the book’s endpapers, half-title, and copyright pages could be damaged or missing. The binding could be loose, and the dust jacket (if present) may have notable scuffs or tears. These copies are usually of interest for content, signature(s) or scarcity. |
| Poor | A heavily worn book whose value lies in its complete and legible text. A poor book will have substantial defects — loose joints or hinges, detached covers, loose and/or missing pages, and could be heavily soiled. A poor book is also known as a reading copy, and although compromised, can hold historical or bibliographic significance. |
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