The Britain of Brian Cook, Brian Cook Batsford — 1st Edition
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Publication: London, B.T. Batsford Ltd, 1987
Formatting: 4to, pp. 144.
Condition Report: Near Fine. The original red publisher’s cloth is remarkably clean and vibrant, free from the typical fading or oxidisation often found on copies of this age. The gilt lettering along the spine remains bright and unrubbed. The binding is firmly tight and square, suggesting the book has been scarcely read, with all hinges perfectly sound. Internally, the pages are crisp, bright, and devoid of foxing, thumbing, or any discernible shelf-wear to the text-block edges. The pictorial dust jacket is equally impressive. Unfaded and preserving the vivid, striking colour palette of Cook’s iconic illustration, with only the most trivial whisper of rubbing to the extreme corners and spine tips. A superb, highly presentable copy.
Catalogue Note: First edition. A visual celebration of the iconic Batsford book covers, this volume features the work of Brian Cook Batsford, who, under his pseudonym Brian Cook, revolutionised 20th-century British book design. This retrospective stands as the definitive collection of his distinctively vibrant, modernist, yet unmistakably pastoral aesthetic that defined the "Face of Britain" series from the 1930s through the 1950s.
The book is profusely illustrated throughout, showcasing Cook’s brilliant and flat colour work which was made possible by his pioneering use of the Jean Berté watercolour printing process. The volume includes an engaging foreword by Sir Hugh Casson and a preface by Ian Logan, offering a compelling look at the construction of a romanticised English identity during the mid-20th century. While standard copies appear regularly on the secondary market, finding a true first printing of this heritage volume with such a crisp, well-preserved dust jacket is a notable benefit for collectors of classic British illustration and topography.
The Batsford books of the 1930s to the 1950s occupy a cherished space between reference work and decorative object. Their enduring appeal lies as much in their vibrant dust jackets, modernist in spirit yet pastoral in subject, as in the texts themselves. The Britain of Brian Cook explores the genius behind these iconic covers, presenting a lavishly illustrated journey through a vivid, optimistic, and distinctly mid-century vision of the British landscape. It is an essential volume for anyone captivated by vintage book design, British topography, and the golden age of illustration.
Book Condition: Near Fine
Book Authors: Brian Cook Batsford
Book Publisher: B.T. Batsford Ltd
Book Language: English
Narrative Type: Non-Fiction
Genre: Art & Architecture
Book edition: First Edition
Signed: No
Book Pages: 144
Book Publication Year: 1987
Book Publication Date:
Book Binding: Hardcover
Illustrator: Brian Cook
Book Series: A Batsford Heritage
Country/region of manufacture: Hong Kong, Hong Kong
Book Dimensions:
Book Condition Guide
| Condition | Description |
|---|---|
| New | A brand-new, unread and professionally handled book. Carefully preserved from publication to purchase, these books are offered in the best attainable condition. This grade applies to recently published titles that have not entered long-term storage. |
| As New | The book is in pristine, original condition as if just published. No signs of use or handling. The dust jacket (if present) is equally flawless. This grade applies to any book that has remained untouched in storage for years. |
| Fine | The book is close to As New. It remains bright and attractive, but could show minor imperfections to the boards and/or dust jacket (if present). Its pages are typically clean and unmarked. |
| Near Fine | The book has a number of small flaws, i.e. slight rubbing to the edges, or tiny chips or creases to the dust jacket (if present). Its pages may have faint marks, or creases that are barely perceptible — nothing that detracts from their overall condition. |
| Very Good | The book maintains its structural integrity, and has no major flaws such as tears to its binding or pages. It may, however, show signs of careful use, handling, or storage — small marks and creases, light foxing. Its dust jacket (if present) remains fully intact, but small tears may be present. |
| Good | A book that remains intact and readable with complete text pages, but shows moderate signs of wear and use to both the book and dust jacket (if present). It may have noticeable creases, nicks, or stains, and the spine likely shows fading, bumping, and rubbing. There could be writing, underlining, and other marks on some pages, though the majority will be clean and tidy. |
| Fair | A book with significant wear or damage. The text pages will be complete, but there may be heavy underlining, highlighting and staining throughout, and the book’s endpapers, half-title, and copyright pages could be damaged or missing. The binding could be loose, and the dust jacket (if present) may have notable scuffs or tears. These copies are usually of interest for content, signature(s) or scarcity. |
| Poor | A heavily worn book whose value lies in its complete and legible text. A poor book will have substantial defects — loose joints or hinges, detached covers, loose and/or missing pages, and could be heavily soiled. A poor book is also known as a reading copy, and although compromised, can hold historical or bibliographic significance. |
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