The Celtic Master, Edited by Maurice Harmon — 1st Edition
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Publication Dublin, The Dolmen Press, 1969
Formatting 8vo, pp. 57.
Condition Report Near Fine. The book itself is remarkably well-preserved, featuring a square, tight binding that exhibits minimal signs of handling and no notable shelf-wear to the extremities. The internal pages remain exceptionally crisp, completely free of foxing, and retain their original brightness, suggesting the volume has been carefully stored over the decades. The original unclipped dust-wrapper, while lacking any significant tears, chipping, or loss, does exhibit some faint, uniform toning and subtle edge-wear along the upper and lower margins, preventing a higher grade, though it remains a highly attractive, unoxidised example overall.
Catalogue Note This is a first edition of The Celtic Master, a scholarly compilation of essays initially presented at the First James Joyce Symposium held in Dublin in 1967. The volume was published by the esteemed Dolmen Press, an imprint highly regarded for its commitment to Irish literature and exceptional typographic design, set here in Times Roman with Perpetua display.
Due to its specialised subject matter and relatively small initial academic distribution, this first edition has become increasingly scarce on the open market. It serves as a notable record of mid-twentieth-century Joycean scholarship, marking the inaugural gathering of the international symposium that has since become a cornerstone of Joyce studies. This makes it an excellent addition for collectors of modernist literary history and Dolmen Press imprints.
Edited by Maurice Harmon, The Celtic Master gathers five essential essays from the First James Joyce Symposium, capturing the intellectual energy of the 1967 Dublin gathering. With contributions from Donagh MacDonagh, Niall Montgomery, Norman Silverstein, Margaret C. Solomon, and Stanley Sultan, the collection navigates the complexities of Joyce’s literary legacy within a deeply Irish context. The essays offer nuanced insights into Joyce’s works, from the linguistic layers of Finnegans Wake to his intricate relationship with the Irish prose tradition, making this an invaluable, albeit elusive, volume for students and collectors of modernist literature alike.
Book Condition: Near Fine
Book Authors: Maurice Harmon (Editor), Donagh MacDonagh, Niall Montgomery, Norman Silverstein, Margaret C. Solomon, Stanley Sultan
Book Publisher: The Dolmen Press
Book Language: English
Narrative Type: Non-Fiction
Genre: Criticism & Essays
Book edition: First Edition
Signed: No
Book Pages: 57
Book Publication Year: 1969
Book Publication Date:
Book Binding: Hardcover
Illustrator: N/A
Book Series: N/A
Country/region of manufacture: Dublin, Ireland
Book Dimensions:
Book Condition Guide
| Condition | Description |
|---|---|
| New | A brand-new, unread and professionally handled book. Carefully preserved from publication to purchase, these books are offered in the best attainable condition. This grade applies to recently published titles that have not entered long-term storage. |
| As New | The book is in pristine, original condition as if just published. No signs of use or handling. The dust jacket (if present) is equally flawless. This grade applies to any book that has remained untouched in storage for years. |
| Fine | The book is close to As New. It remains bright and attractive, but could show minor imperfections to the boards and/or dust jacket (if present). Its pages are typically clean and unmarked. |
| Near Fine | The book has a number of small flaws, i.e. slight rubbing to the edges, or tiny chips or creases to the dust jacket (if present). Its pages may have faint marks, or creases that are barely perceptible — nothing that detracts from their overall condition. |
| Very Good | The book maintains its structural integrity, and has no major flaws such as tears to its binding or pages. It may, however, show signs of careful use, handling, or storage — small marks and creases, light foxing. Its dust jacket (if present) remains fully intact, but small tears may be present. |
| Good | A book that remains intact and readable with complete text pages, but shows moderate signs of wear and use to both the book and dust jacket (if present). It may have noticeable creases, nicks, or stains, and the spine likely shows fading, bumping, and rubbing. There could be writing, underlining, and other marks on some pages, though the majority will be clean and tidy. |
| Fair | A book with significant wear or damage. The text pages will be complete, but there may be heavy underlining, highlighting and staining throughout, and the book’s endpapers, half-title, and copyright pages could be damaged or missing. The binding could be loose, and the dust jacket (if present) may have notable scuffs or tears. These copies are usually of interest for content, signature(s) or scarcity. |
| Poor | A heavily worn book whose value lies in its complete and legible text. A poor book will have substantial defects — loose joints or hinges, detached covers, loose and/or missing pages, and could be heavily soiled. A poor book is also known as a reading copy, and although compromised, can hold historical or bibliographic significance. |
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