The Gibson Guitar From 1950, Ian C. Bishop
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Publication: London, Musical New Services Ltd., 1978
Formatting: 8vo, pp. [ii], 96.
Condition Report: Very Good. The binding remains firm and secure with no loose pages, though the original glossy red card wrappers exhibit moderate shelf-wear, primarily consisting of light rubbing to the panels, minor scuffing to the extremities, and slight edge-wear along the spine. Internally, the pages remain clean and bright, free from the heavy oxidation or age-toning frequently found in paperbacks of this vintage. Aside from a partially obscured previous ownership signature on the title page, the text block is entirely free from markings or annotations, presenting a very tidy, well-preserved copy for the researcher or collector.
Catalogue Note: This is a third printing of Ian C. Bishop’s foundational reference work, originally issued as a dedicated Guitar Magazine project. Heavily illustrated throughout with black-and-white photographs, the book provides an early, in-depth look at Gibson's post-1950 solid body, semi-acoustic, and flat top models, tracking the evolution of the Les Paul, Explorer, Flying V, SG, and Firebird.
As early reference books on vintage guitars continue to be highly regarded by collectors, luthiers, and historians, Bishop’s detailed text has retained significant reference value.
Early UK printings such as this remain uncommon on the open market compared to the later 1990s reprints, appealing equally to Gibson enthusiasts and collectors of musical instrument literature.
First published as a Guitar Magazine project, The Gibson Guitar From 1950 by Ian C. Bishop stands as one of the earliest and most essential guides to the golden age of Gibson's electric and acoustic instruments. Spanning iconic solid bodies like the Les Paul and Flying V to renowned cello acoustics and flat tops, this book provides invaluable historical context, technical specifications, and serial number insights. An indispensable resource for any vintage guitar aficionado.
Book Condition: Very Good
Book Authors: Ian C. Bishop
Book Publisher: Musical New Services Ltd.
Book Language: English
Narrative Type: Non-Fiction
Genre: Music
Book edition:
Signed: No
Book Pages: 96
Book Publication Year: 1978
Book Publication Date:
Book Binding: Paperback
Illustrator: N/A
Book Series: A Guitar Magazine Project
Country/region of manufacture: London, United Kingdom
Book Dimensions:
Book Condition Guide
| Condition | Description |
|---|---|
| New | A brand-new, unread and professionally handled book. Carefully preserved from publication to purchase, these books are offered in the best attainable condition. This grade applies to recently published titles that have not entered long-term storage. |
| As New | The book is in pristine, original condition as if just published. No signs of use or handling. The dust jacket (if present) is equally flawless. This grade applies to any book that has remained untouched in storage for years. |
| Fine | The book is close to As New. It remains bright and attractive, but could show minor imperfections to the boards and/or dust jacket (if present). Its pages are typically clean and unmarked. |
| Near Fine | The book has a number of small flaws, i.e. slight rubbing to the edges, or tiny chips or creases to the dust jacket (if present). Its pages may have faint marks, or creases that are barely perceptible — nothing that detracts from their overall condition. |
| Very Good | The book maintains its structural integrity, and has no major flaws such as tears to its binding or pages. It may, however, show signs of careful use, handling, or storage — small marks and creases, light foxing. Its dust jacket (if present) remains fully intact, but small tears may be present. |
| Good | A book that remains intact and readable with complete text pages, but shows moderate signs of wear and use to both the book and dust jacket (if present). It may have noticeable creases, nicks, or stains, and the spine likely shows fading, bumping, and rubbing. There could be writing, underlining, and other marks on some pages, though the majority will be clean and tidy. |
| Fair | A book with significant wear or damage. The text pages will be complete, but there may be heavy underlining, highlighting and staining throughout, and the book’s endpapers, half-title, and copyright pages could be damaged or missing. The binding could be loose, and the dust jacket (if present) may have notable scuffs or tears. These copies are usually of interest for content, signature(s) or scarcity. |
| Poor | A heavily worn book whose value lies in its complete and legible text. A poor book will have substantial defects — loose joints or hinges, detached covers, loose and/or missing pages, and could be heavily soiled. A poor book is also known as a reading copy, and although compromised, can hold historical or bibliographic significance. |
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