The Horse's Mouth, Joyce Cary — Limited Edition
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Publication: London, George Rainbird in association with Michael Joseph, 1957
Formatting: 8vo, pp. [x], 333.
Condition Report: Near Fine. The original publisher’s marbled boards remain bright, clean, and tight, displaying virtually no shelf-wear to the extremities. The red morocco spine label is intact with unoxidised, brilliant gilt tooling, while the spine itself shows only the slightest, barely perceptible trace of the uniform sunning typical of this edition. The binding is remarkably firm, and the text block is exceptionally crisp; internally, the pages are uniformly bright and completely free of spotting or foxing, complemented by a vibrant red top-stain. The accompanying slipcase, matching the marbled paper design, remains structurally entirely sound with only faint, superficial rubbing to the edges and minor surface scuffing.
Catalogue Note: This limited edition, restricted to 1,500 copies (of which this is number 506), was designed according to the express wishes of the author shortly before his death. A highly regarded production printed at the esteemed Curwen Press, this memorial edition features a frontispiece self-portrait printed directly from a plate lithographed by the author, alongside eight additional illustrations reproduced by photo-litho-offset from Cary’s original pencil drawings.
Significantly, the text includes The Old Strife at Plant's, a discarded chapter from the original manuscript, offering a unique textual variant not found in standard trade copies. The elegant binding was executed by Mansell's of London, with title-page and spine lettering beautifully engraved by John Woodcock. It remains an uncommon and highly desirable collector's piece on the open market, particularly when found complete with its fragile slipcase in such well-preserved condition.
Considered one of the finest English novels written about the artistic temperament, The Horse's Mouth follows the brilliant, larcenous, and utterly irrepressible painter Gulley Jimson as he navigates the streets of London in a relentless quest for money and inspiration. Jimson’s visionary genius and appetite for self-destruction collide in a narrative that is both uproariously funny and profoundly moving, painting a vivid portrait of a man consumed by the terrible beauty of his own creative drive.
Book Condition: Near Fine
Book Authors: Joyce Cary
Book Publisher: George Rainbird in association with Michael Joseph
Book Language: English
Narrative Type: Fiction
Genre: Modern Fiction
Book edition:
Signed: No
Book Pages: 333
Book Publication Year: 1957
Book Publication Date:
Book Binding: Hardcover
Illustrator: Joyce Cary
Book Series: N/A
Country/region of manufacture: Plaistow, London, United Kingdom
Book Dimensions:
Book Condition Guide
| Condition | Description |
|---|---|
| New | A brand-new, unread and professionally handled book. Carefully preserved from publication to purchase, these books are offered in the best attainable condition. This grade applies to recently published titles that have not entered long-term storage. |
| As New | The book is in pristine, original condition as if just published. No signs of use or handling. The dust jacket (if present) is equally flawless. This grade applies to any book that has remained untouched in storage for years. |
| Fine | The book is close to As New. It remains bright and attractive, but could show minor imperfections to the boards and/or dust jacket (if present). Its pages are typically clean and unmarked. |
| Near Fine | The book has a number of small flaws, i.e. slight rubbing to the edges, or tiny chips or creases to the dust jacket (if present). Its pages may have faint marks, or creases that are barely perceptible — nothing that detracts from their overall condition. |
| Very Good | The book maintains its structural integrity, and has no major flaws such as tears to its binding or pages. It may, however, show signs of careful use, handling, or storage — small marks and creases, light foxing. Its dust jacket (if present) remains fully intact, but small tears may be present. |
| Good | A book that remains intact and readable with complete text pages, but shows moderate signs of wear and use to both the book and dust jacket (if present). It may have noticeable creases, nicks, or stains, and the spine likely shows fading, bumping, and rubbing. There could be writing, underlining, and other marks on some pages, though the majority will be clean and tidy. |
| Fair | A book with significant wear or damage. The text pages will be complete, but there may be heavy underlining, highlighting and staining throughout, and the book’s endpapers, half-title, and copyright pages could be damaged or missing. The binding could be loose, and the dust jacket (if present) may have notable scuffs or tears. These copies are usually of interest for content, signature(s) or scarcity. |
| Poor | A heavily worn book whose value lies in its complete and legible text. A poor book will have substantial defects — loose joints or hinges, detached covers, loose and/or missing pages, and could be heavily soiled. A poor book is also known as a reading copy, and although compromised, can hold historical or bibliographic significance. |
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