The Loves of the Angels, Thomas Moore — 1st Edition
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Publication: London, Longman, Hurst, Rees, Orme, and Brown, 1823
Formatting: 8vo, pp. [x], 148.
Condition Report: Good. The volume is presented in its original drab paper boards with uncut page edges, a survival that inherently carries significant wear given its 1823 publication. The structural integrity of the boards remains intact, though they exhibit noticeable rubbing, minor staining, and bumping to the extremities. The spine shows significant fading and heavy rubbing, with substantial splitting and chipping at both the head and tail that leaves the text block's binding exposed. The original printed paper spine label is present but heavily chipped and darkened. Internally, the hinges are delicate but holding. The text block is generally clean and tidy, featuring only light, scattered foxing and minor age-toning typical of the period, with no significant tears or markings.
Catalogue Note: This is a first edition of Thomas Moore’s The Loves of the Angels. While many copies of this popular 1823 work have survived, it is scarce to encounter one that has avoided the binder’s knife and remains in its original drab paper boards with completely untrimmed fore and tail edges.
The volume features a contemporary ink ownership signature to the head of the title page, reading 'Geo. Kendrick 1823.', placing the book in the hands of an early reader during its year of publication.
As it retains its original publisher's binding rather than the prevalent 19th-century calf or half-morocco rebinds, this copy appeals directly to collectors seeking untouched period formats, despite the inherent and expected fragility of early nineteenth-century paper spines.
Written by the celebrated Irish poet Thomas Moore, The Loves of the Angels is a romantic and philosophical poem exploring the boundaries between the divine and the mortal. Drawing upon biblical and apocryphal lore, specifically the Book of Enoch, Moore weaves a lyrical narrative of three angels who become enamoured with mortal women, resulting in their fall from grace and transition into human mortality. Published as a humbler alternative to a drama by his friend Lord Byron, who chose the exact same subject by accidental coincidence, Moore's work stands as a poignant Romantic-era meditation on desire, morality, and the consequences of earthly love.
Book Condition: Good
Book Authors: Thomas Moore
Book Publisher: Longman, Hurst, Rees, Orme, and Brown
Book Language: English
Narrative Type: Antiquarian
Genre: Poetry
Book edition: First Edition
Signed: No
Book Pages: 148
Book Publication Year: 1823
Book Publication Date:
Book Binding: Original Boards
Illustrator: N/A
Book Series: N/A
Country/region of manufacture: London, United Kingdom
Book Dimensions:
Book Condition Guide
| Condition | Description |
|---|---|
| New | A brand-new, unread and professionally handled book. Carefully preserved from publication to purchase, these books are offered in the best attainable condition. This grade applies to recently published titles that have not entered long-term storage. |
| As New | The book is in pristine, original condition as if just published. No signs of use or handling. The dust jacket (if present) is equally flawless. This grade applies to any book that has remained untouched in storage for years. |
| Fine | The book is close to As New. It remains bright and attractive, but could show minor imperfections to the boards and/or dust jacket (if present). Its pages are typically clean and unmarked. |
| Near Fine | The book has a number of small flaws, i.e. slight rubbing to the edges, or tiny chips or creases to the dust jacket (if present). Its pages may have faint marks, or creases that are barely perceptible — nothing that detracts from their overall condition. |
| Very Good | The book maintains its structural integrity, and has no major flaws such as tears to its binding or pages. It may, however, show signs of careful use, handling, or storage — small marks and creases, light foxing. Its dust jacket (if present) remains fully intact, but small tears may be present. |
| Good | A book that remains intact and readable with complete text pages, but shows moderate signs of wear and use to both the book and dust jacket (if present). It may have noticeable creases, nicks, or stains, and the spine likely shows fading, bumping, and rubbing. There could be writing, underlining, and other marks on some pages, though the majority will be clean and tidy. |
| Fair | A book with significant wear or damage. The text pages will be complete, but there may be heavy underlining, highlighting and staining throughout, and the book’s endpapers, half-title, and copyright pages could be damaged or missing. The binding could be loose, and the dust jacket (if present) may have notable scuffs or tears. These copies are usually of interest for content, signature(s) or scarcity. |
| Poor | A heavily worn book whose value lies in its complete and legible text. A poor book will have substantial defects — loose joints or hinges, detached covers, loose and/or missing pages, and could be heavily soiled. A poor book is also known as a reading copy, and although compromised, can hold historical or bibliographic significance. |
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