The Man in the Picture, Susan Hill — 1st Edition

The Man in the Picture, Susan Hill — 1st Edition

£15.00
Skip to product information
The Man in the Picture, Susan Hill — 1st Edition

The Man in the Picture, Susan Hill — 1st Edition

Write Review

In stock

£15.00

Shipping is calculated at checkout.

Publication: London, Profile Books, 2007

Formatting: 8vo, pp. 145.

Condition Report: Near Fine. The book maintains its structural integrity with a firm, square binding and sharp corners to the original black cloth boards. The spine gilt remains remarkably bright and unoxidised. Internally, the visible pages are crisp and unmarked, displaying only the faintest, even toning to the text block edges, a natural consequence of the paper stock ageing that in no way detracts from the overall condition. The unclipped dust jacket is fully intact and visually striking, showing only the most minor signs of careful handling, namely very slight rubbing and barely perceptible creases to the extreme head and tail of the spine. Overall, it is a highly attractive and well-preserved copy.

Catalogue Note: This is a true first edition, first impression of Susan Hill's novella, complete with the full number line (1 3 5 7 9 10 8 6 4 2) present on the copyright page.

The book is bound in the publisher's original black cloth and retains its striking original dust jacket, featuring an evocative illustration of a Venetian mask. The rear panel of the jacket highlights a tense excerpt from the novel concerning a character named Oliver.

Unsigned and free from previous ownership inscriptions, this copy stands as a clean, unblemished example of modern literary horror. While copies of this title are generally common on the open market, finding a true first impression in such a well-preserved state remains desirable for collectors of modern ghost stories.

An oil painting of masked revellers at a Venetian carnival hangs in the Cambridge rooms of an ageing professor. On a cold winter's night, he reveals its chilling secret to a former student: the dark art of the Venetian scene does not merely imitate life, but possesses the terrifying power to entrap it. Susan Hill, the acclaimed author of The Woman in Black, delivers a masterful ghost story where looking too closely into a picture means playing dangerously with the unseen demons it hides, and discovering that the terrifying stories are entirely true.

Book Condition: Near Fine

Book Authors: Susan Hill

Book Publisher: Profile Books

Book Language: English

Narrative Type: Fiction

Genre: Horror & Ghost Stories

Book edition: First Edition

Signed: No

Book Pages: 145

Book Publication Year: 2007

Book Publication Date:

Book Binding: Hardcover

Illustrator: N/A

Book Series: N/A

Country/region of manufacture: Bungay, Suffolk, United Kingdom

Book Dimensions:

Book Condition Guide

We stock thousands of books in a wide range of conditions. To make things clear and to help you know exactly what to expect, Please refer to these condition categories to understand the condition of the book you will receive.
Condition Description
New A brand-new, unread and professionally handled book. Carefully preserved from publication to purchase, these books are offered in the best attainable condition. This grade applies to recently published titles that have not entered long-term storage.
As New The book is in pristine, original condition as if just published. No signs of use or handling. The dust jacket (if present) is equally flawless. This grade applies to any book that has remained untouched in storage for years.
Fine The book is close to As New. It remains bright and attractive, but could show minor imperfections to the boards and/or dust jacket (if present). Its pages are typically clean and unmarked.
Near Fine The book has a number of small flaws, i.e. slight rubbing to the edges, or tiny chips or creases to the dust jacket (if present). Its pages may have faint marks, or creases that are barely perceptible — nothing that detracts from their overall condition.
Very Good The book maintains its structural integrity, and has no major flaws such as tears to its binding or pages. It may, however, show signs of careful use, handling, or storage — small marks and creases, light foxing. Its dust jacket (if present) remains fully intact, but small tears may be present.
Good A book that remains intact and readable with complete text pages, but shows moderate signs of wear and use to both the book and dust jacket (if present). It may have noticeable creases, nicks, or stains, and the spine likely shows fading, bumping, and rubbing. There could be writing, underlining, and other marks on some pages, though the majority will be clean and tidy.
Fair A book with significant wear or damage. The text pages will be complete, but there may be heavy underlining, highlighting and staining throughout, and the book’s endpapers, half-title, and copyright pages could be damaged or missing. The binding could be loose, and the dust jacket (if present) may have notable scuffs or tears. These copies are usually of interest for content, signature(s) or scarcity.
Poor A heavily worn book whose value lies in its complete and legible text. A poor book will have substantial defects — loose joints or hinges, detached covers, loose and/or missing pages, and could be heavily soiled. A poor book is also known as a reading copy, and although compromised, can hold historical or bibliographic significance.

Get in touch

We'd love to hear from you. Fill out the form below and we'll get back to you as soon as possible.

You may also like

Join the Broadhurst Archive

Be the first to hear about rare new arrivals, signed editions, and literary events. A century of stories delivered straight to your inbox.