The Music of Howard Ferguson, Alan Ridout (ed.) — 1st Edition
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Publication: London, Thames Publishing, 1989
Formatting: 8vo, pp. 124.
Condition Report: Near Fine. This copy presents exceptionally well, featuring a remarkably tight and square binding that feels entirely unread. The publisher’s tan cloth boards are pristine, entirely devoid of shelf-wear, bumping, or corner rubbing, while the gilt tooling to the spine remains notably bright and free of oxidation. Internally, the page block is crisp and the leaves are wonderfully bright, bearing no traces of foxing, age-toning, or marginalia. The original dust-jacket is similarly excellent; it remains unclipped, retaining the original price to the rear panel, and shows only the most trivial edge-wear and trace surface rubbing, with no chips, tears, or significant fading.
Catalogue Note: This is a true First Edition of Alan Ridout’s comprehensive symposium on the music of Howard Ferguson. Issued to coincide with the composer's eightieth birthday, the work includes a memoir by Ferguson himself alongside detailed analytical chapters from leading musicians and scholars.
The text is supplemented by in-text musical quotations and photographic illustrations, offering a complete bibliographic and discographic record of Ferguson’s output up to the time of publication. The striking dust-jacket features a 1984 portrait of the composer by the esteemed British artist Benedict Rubbra.
While titles from smaller, specialist music imprints can often be difficult to source in collector's condition, this edition remains relatively accessible on the open market. Finding a copy that retains such a crisp, unclipped jacket and an unread binding, however, is increasingly uncommon, making this a highly desirable addition for collectors of twentieth-century British classical music.
Blurb: Published to mark the eightieth birthday of the celebrated Northern Irish composer and musicologist, The Music of Howard Ferguson offers an unprecedented, in-depth exploration of his creative legacy. Edited by fellow composer Alan Ridout, this authoritative symposium gathers insights from distinguished musicians such as Denis Matthews and Yfrah Neaman, delving into Ferguson's chamber, orchestral, and choral works, as well as his highly respected scholarly editions. Complete with an intimate personal memoir by Ferguson himself, this volume stands as the definitive testament to a musician whose meticulous craftsmanship and profound emotional resonance have left an indelible mark on twentieth-century British music.
Book Condition: Near Fine
Book Authors: Alan Ridout (ed.)
Book Publisher: Thames Publishing
Book Language: English
Narrative Type: Non-Fiction
Genre: Music
Book edition: First Edition
Signed: No
Book Pages: 124
Book Publication Year: 1989
Book Publication Date:
Book Binding: Hardcover
Illustrator: N/A
Book Series: N/A
Country/region of manufacture: Southampton, United Kingdom
Book Dimensions:
Book Condition Guide
| Condition | Description |
|---|---|
| New | A brand-new, unread and professionally handled book. Carefully preserved from publication to purchase, these books are offered in the best attainable condition. This grade applies to recently published titles that have not entered long-term storage. |
| As New | The book is in pristine, original condition as if just published. No signs of use or handling. The dust jacket (if present) is equally flawless. This grade applies to any book that has remained untouched in storage for years. |
| Fine | The book is close to As New. It remains bright and attractive, but could show minor imperfections to the boards and/or dust jacket (if present). Its pages are typically clean and unmarked. |
| Near Fine | The book has a number of small flaws, i.e. slight rubbing to the edges, or tiny chips or creases to the dust jacket (if present). Its pages may have faint marks, or creases that are barely perceptible — nothing that detracts from their overall condition. |
| Very Good | The book maintains its structural integrity, and has no major flaws such as tears to its binding or pages. It may, however, show signs of careful use, handling, or storage — small marks and creases, light foxing. Its dust jacket (if present) remains fully intact, but small tears may be present. |
| Good | A book that remains intact and readable with complete text pages, but shows moderate signs of wear and use to both the book and dust jacket (if present). It may have noticeable creases, nicks, or stains, and the spine likely shows fading, bumping, and rubbing. There could be writing, underlining, and other marks on some pages, though the majority will be clean and tidy. |
| Fair | A book with significant wear or damage. The text pages will be complete, but there may be heavy underlining, highlighting and staining throughout, and the book’s endpapers, half-title, and copyright pages could be damaged or missing. The binding could be loose, and the dust jacket (if present) may have notable scuffs or tears. These copies are usually of interest for content, signature(s) or scarcity. |
| Poor | A heavily worn book whose value lies in its complete and legible text. A poor book will have substantial defects — loose joints or hinges, detached covers, loose and/or missing pages, and could be heavily soiled. A poor book is also known as a reading copy, and although compromised, can hold historical or bibliographic significance. |
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