The Music of Poetry, T. S. Eliot — 1st Edition

The Music of Poetry, T. S. Eliot — 1st Edition

£52.00
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The Music of Poetry, T. S. Eliot — 1st Edition

The Music of Poetry, T. S. Eliot — 1st Edition

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£52.00

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Publication: Glasgow, Jackson, Son & Company, 1942

Formatting: 8vo, pp. 28.

Condition Report Very Good. The original tan paper wrappers are remarkably well-preserved for their age, exhibiting mild, uniform age-toning typical of wartime paper stock. The front wrapper bears a minor crease to the lower-left corner and faint superficial smudging along the spine edge, while the rear panel shows a single, small localised dark spot toward the lower-right margin. The staple binding remains structurally sound and tight, with no external rusting compromising the hinge. Internally, the text block is bright, clean, and entirely free from foxing, inscriptions, or structural looseness, presenting a crisp and highly readable copy of this inherently fragile pamphlet.

Catalogue Note First Edition. Issued as volume LVII in the Glasgow University Publications (G.U.P.) series, this pamphlet preserves the original text of the third W. P. Ker Memorial Lecture, delivered by Eliot shortly before the edition's release. Unillustrated and bound in simple printed wrappers, it stands as a prime example of the era's wartime material constraints.

Without any previous ownership signatures, bookplates, or institutional stamps, the internal provenance remains entirely unmarked. This title is relatively uncommon on the open market, particularly in such a well-preserved state, as the fragile nature of the stapled paper wrappers often led to significant wear, creasing, and loss over the decades.

Delivered during the height of the Second World War, The Music of Poetry offers a profound glimpse into T. S. Eliot’s critical mind as he navigates the complex interplay between rhythm, structure, and meaning in modern verse. In this defining lecture, Eliot argues against the rigid isolation of poetry from everyday speech, asserting that the musicality of a poem arises not from mere melodic sound, but from the intricate relationship of words to their surrounding context. An essential and thought-provoking essay, this work provides a vital key to understanding Eliot’s own poetic evolution and his enduring influence on twentieth-century literary criticism.

Book Condition: Very Good

Book Authors: T. S. Eliot

Book Publisher: Jackson, Son & Company

Book Language: English

Narrative Type: Non-Fiction

Genre: Criticism & Essays

Book edition: First Edition

Signed: No

Book Pages: 28

Book Publication Year: 1942

Book Publication Date:

Book Binding: Softcover

Illustrator: N/A

Book Series: Glasgow University Publications LVII

Country/region of manufacture: Glasgow, United Kingdom

Book Dimensions:

Book Condition Guide

We stock thousands of books in a wide range of conditions. To make things clear and to help you know exactly what to expect, Please refer to these condition categories to understand the condition of the book you will receive.
Condition Description
New A brand-new, unread and professionally handled book. Carefully preserved from publication to purchase, these books are offered in the best attainable condition. This grade applies to recently published titles that have not entered long-term storage.
As New The book is in pristine, original condition as if just published. No signs of use or handling. The dust jacket (if present) is equally flawless. This grade applies to any book that has remained untouched in storage for years.
Fine The book is close to As New. It remains bright and attractive, but could show minor imperfections to the boards and/or dust jacket (if present). Its pages are typically clean and unmarked.
Near Fine The book has a number of small flaws, i.e. slight rubbing to the edges, or tiny chips or creases to the dust jacket (if present). Its pages may have faint marks, or creases that are barely perceptible — nothing that detracts from their overall condition.
Very Good The book maintains its structural integrity, and has no major flaws such as tears to its binding or pages. It may, however, show signs of careful use, handling, or storage — small marks and creases, light foxing. Its dust jacket (if present) remains fully intact, but small tears may be present.
Good A book that remains intact and readable with complete text pages, but shows moderate signs of wear and use to both the book and dust jacket (if present). It may have noticeable creases, nicks, or stains, and the spine likely shows fading, bumping, and rubbing. There could be writing, underlining, and other marks on some pages, though the majority will be clean and tidy.
Fair A book with significant wear or damage. The text pages will be complete, but there may be heavy underlining, highlighting and staining throughout, and the book’s endpapers, half-title, and copyright pages could be damaged or missing. The binding could be loose, and the dust jacket (if present) may have notable scuffs or tears. These copies are usually of interest for content, signature(s) or scarcity.
Poor A heavily worn book whose value lies in its complete and legible text. A poor book will have substantial defects — loose joints or hinges, detached covers, loose and/or missing pages, and could be heavily soiled. A poor book is also known as a reading copy, and although compromised, can hold historical or bibliographic significance.

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