The Name and Nature of Poetry, A. E. Housman — 1st Edition

The Name and Nature of Poetry, A. E. Housman — 1st Edition

£75.00
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The Name and Nature of Poetry, A. E. Housman — 1st Edition

The Name and Nature of Poetry, A. E. Housman — 1st Edition

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£75.00

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Publication: Cambridge, Cambridge University Press, 1933

Formatting: 8vo, pp. [vi], 51, [1].

Condition Report: Near Fine. The book itself is remarkably well-preserved, securely bound in the publisher's original stiff pinkish-buff paper boards, which remain square, crisp, and exceptionally bright with sharp corners and unrubbed lettering. Internally, the volume is pristine, featuring tight hinges, bright pages completely free of foxing or internal markings, and a clean text block. It is housed in its original, unclipped paper dust wrapper, which is in Very Good condition; the wrapper shows expected age-toning and shelf-wear, most notably chipping and minor loss to the spine extremities, as well as some light creasing and short closed tears along the upper edges, yet it remains fully intact and performs its protective function admirably.

Catalogue Note: First edition, first impression. This volume contains the text of the prestigious Leslie Stephen Lecture, which A. E. Housman, then Kennedy Professor of Latin, delivered at Cambridge University on 9 May 1933.

The book is bound in the publisher's original pinkish-buff boards and retains its remarkably fragile original paper dust wrapper, which exactly duplicates the typography and pricing ("Two Shillings net") of the front board. While bare copies of this edition are relatively common on the market, examples retaining the original dust wrapper are quite scarce, as the delicate paper jacket was highly susceptible to loss and damage over the decades.

The Name and Nature of Poetry is A. E. Housman's renowned 1933 Leslie Stephen Lecture and serves as his most significant critical statement on the poetic arts. In this influential and highly personal essay, Housman—both a formidable classical scholar and a celebrated poet—diverges from dry academic critique to articulate a romantic, deeply physiological theory of poetry. He famously contends that poetry is recognized not by the intellect, but by the physical symptoms it provokes, arguing that its primary function is "to transfuse emotion—not to transmit thought."

Book Condition: Near Fine

Book Authors: A. E. Housman

Book Publisher: Cambridge University Press

Book Language: English

Narrative Type: Non-Fiction

Genre: Criticism & Essays

Book edition: First Edition

Signed: No

Book Pages: 51

Book Publication Year: 1933

Book Publication Date:

Book Binding: Stiff Paper Boards

Illustrator: N/A

Book Series: The Leslie Stephen Lecture

Country/region of manufacture: Cambridge, United Kingdom

Book Dimensions:

Book Condition Guide

We stock thousands of books in a wide range of conditions. To make things clear and to help you know exactly what to expect, Please refer to these condition categories to understand the condition of the book you will receive.
Condition Description
New A brand-new, unread and professionally handled book. Carefully preserved from publication to purchase, these books are offered in the best attainable condition. This grade applies to recently published titles that have not entered long-term storage.
As New The book is in pristine, original condition as if just published. No signs of use or handling. The dust jacket (if present) is equally flawless. This grade applies to any book that has remained untouched in storage for years.
Fine The book is close to As New. It remains bright and attractive, but could show minor imperfections to the boards and/or dust jacket (if present). Its pages are typically clean and unmarked.
Near Fine The book has a number of small flaws, i.e. slight rubbing to the edges, or tiny chips or creases to the dust jacket (if present). Its pages may have faint marks, or creases that are barely perceptible — nothing that detracts from their overall condition.
Very Good The book maintains its structural integrity, and has no major flaws such as tears to its binding or pages. It may, however, show signs of careful use, handling, or storage — small marks and creases, light foxing. Its dust jacket (if present) remains fully intact, but small tears may be present.
Good A book that remains intact and readable with complete text pages, but shows moderate signs of wear and use to both the book and dust jacket (if present). It may have noticeable creases, nicks, or stains, and the spine likely shows fading, bumping, and rubbing. There could be writing, underlining, and other marks on some pages, though the majority will be clean and tidy.
Fair A book with significant wear or damage. The text pages will be complete, but there may be heavy underlining, highlighting and staining throughout, and the book’s endpapers, half-title, and copyright pages could be damaged or missing. The binding could be loose, and the dust jacket (if present) may have notable scuffs or tears. These copies are usually of interest for content, signature(s) or scarcity.
Poor A heavily worn book whose value lies in its complete and legible text. A poor book will have substantial defects — loose joints or hinges, detached covers, loose and/or missing pages, and could be heavily soiled. A poor book is also known as a reading copy, and although compromised, can hold historical or bibliographic significance.

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